{"title":"Ghost in Shell","description":"\u003cp\u003e\u003cstrong data-start=\"0\" data-end=\"79\" data-is-only-node=\"\"\u003eGhost in the Shell remains one of the defining works of Japanese cyberpunk.\u003c\/strong\u003e From Masamune Shirow’s manga to Mamoru Oshii’s landmark 1995 anime film, its visual world shaped the language of science fiction, anime, gaming, fashion, and international cinema. This collection brings together original Japanese posters and promotional materials connected to the franchise, from theatrical releases to rare display pieces—each reflecting the series’ enduring influence and highly collectible status.\u003c\/p\u003e","products":[{"product_id":"world-apartment-horror-original-release-japanese-movie-poster-1991-b2-size-51-cm-x-73-cm-l276","title":"\"Japanimation Night – International Version\", Original Release Japanese Movie Poster 1996, B2 Size (51 cm x 73 cm) L276","description":"\u003cp data-start=\"72\" data-end=\"359\"\u003e\"Japanimation Night – International Version\" (ジャパニメーションナイト), Original Japanese Event Poster, 1996\u003cbr data-start=\"173\" data-end=\"176\"\u003eFeaturing: \u003cem data-start=\"189\" data-end=\"209\"\u003eGhost in the Shell\u003c\/em\u003e, \u003cem data-start=\"211\" data-end=\"221\"\u003eMemories\u003c\/em\u003e, \u003cem data-start=\"223\" data-end=\"244\"\u003eWings of Honneamise\u003c\/em\u003e | B2 Size (c. 51 × 73 cm)\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"361\" data-end=\"774\"\u003eAn electrifying relic from the height of Japan’s global anime boom, this original 1996 B2-sized poster promoted a special \u003cem data-start=\"487\" data-end=\"514\"\u003eall-night anime screening\u003c\/em\u003e at Shibuya Pantheon titled “Japanimation Night – International Version.” Hosted on July 19, 1996, and presented by the Yoyogi Animation Academy, this event showcased three monumental titles that helped redefine Japanese animation for global audiences:\u003c\/p\u003e\n\u003cul data-start=\"776\" data-end=\"1206\"\u003e\n\u003cli data-start=\"776\" data-end=\"906\"\u003e\n\u003cp data-start=\"778\" data-end=\"906\"\u003eGhost in the Shell (攻殻機動隊) – Mamoru Oshii’s landmark cyberpunk masterpiece, shown here in its \u003cem data-start=\"876\" data-end=\"903\"\u003eEnglish-subtitled version\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"907\" data-end=\"1041\"\u003e\n\u003cp data-start=\"909\" data-end=\"1041\"\u003eMemories (メモリーズ) – Katsuhiro Otomo’s anthology of sci-fi shorts, including \u003cem data-start=\"988\" data-end=\"1003\"\u003eMagnetic Rose\u003c\/em\u003e, \u003cem data-start=\"1005\" data-end=\"1017\"\u003eStink Bomb\u003c\/em\u003e, and \u003cem data-start=\"1023\" data-end=\"1038\"\u003eCannon Fodder\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1042\" data-end=\"1206\"\u003e\n\u003cp data-start=\"1044\" data-end=\"1206\"\u003eRoyal Space Force: The Wings of Honneamise (王立宇宙軍 オネアミスの翼) – Gainax’s audacious debut feature, known for its philosophical scope and groundbreaking animation.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1208\" data-end=\"1532\"\u003eThe visual layout perfectly captures the era’s stylistic contrast—Motoko Kusanagi’s sensual cybernetic form from \u003cem data-start=\"1325\" data-end=\"1345\"\u003eGhost in the Shell\u003c\/em\u003e on the left, juxtaposed against the imposing android emperor from Otomo’s \u003cem data-start=\"1420\" data-end=\"1430\"\u003eMemories\u003c\/em\u003e. Together, they evoke a sense of dystopian beauty, high-concept science fiction, and emotional depth.\u003c\/p\u003e\n\u003cp data-start=\"1534\" data-end=\"1789\"\u003eThis poster not only commemorates a rare one-night event but also stands as an important historical document of the anime cultural crossover in the mid-1990s, when Japanese animation began commanding serious critical and commercial attention overseas.\u003c\/p\u003e\n\u003cp data-start=\"1791\" data-end=\"1891\"\u003eHighly desirable among collectors of cyberpunk anime ephemera, Otomo material, and 1990s sci-fi.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis poster is in excellent condition. Please refer to the imagery (both front and back) as this is the exact poster that is for sale. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is over 29 years old!\u003c\/p\u003e\n\u003cp\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp\u003eCertificate of Authenticity included.\u003c\/p\u003e\n\u003cp\u003eL275\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55403332665722,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-05-20T085450.872.jpg?v=1747698905"},{"product_id":"jin-roh-the-wolf-brigade-人狼-jin-roh-original-japanese-international-festival-sales-poster-1999-b2-size-51-73-cm-o82","title":"“Jin-Roh: The Wolf Brigade” (人狼 JIN-ROH), Original Japanese International Festival \/ Sales Poster 1999, B2 Size (51 × 73 cm) O82","description":"\u003cp data-start=\"130\" data-end=\"449\"\u003eThis is an original Japanese B2 poster printed in \u003cstrong data-start=\"180\" data-end=\"188\"\u003e1999\u003c\/strong\u003e by \u003cstrong data-start=\"192\" data-end=\"226\"\u003eBandai Visual \/ Production I.G\u003c\/strong\u003e for international festival promotion and world sales of \u003cem data-start=\"283\" data-end=\"310\"\u003eJin-Roh: The Wolf Brigade\u003c\/em\u003e. Used at markets and screenings (not sold to the public), it highlights the film’s pedigree “from the creators of \u003cstrong data-start=\"425\" data-end=\"447\"\u003eGhost in the Shell\u003c\/strong\u003e.”\u003c\/p\u003e\n\u003cp data-start=\"451\" data-end=\"1105\"\u003e\u003cstrong data-start=\"451\" data-end=\"470\"\u003eFilm background\u003c\/strong\u003e\u003cbr data-start=\"470\" data-end=\"473\"\u003eWritten by \u003cstrong data-start=\"484\" data-end=\"500\"\u003eMamoru Oshii\u003c\/strong\u003e and directed by \u003cstrong data-start=\"517\" data-end=\"536\"\u003eHiroyuki Okiura\u003c\/strong\u003e, \u003cem data-start=\"538\" data-end=\"547\"\u003eJin-Roh\u003c\/em\u003e unfolds in an alternate-history postwar Tokyo where heavily armored “Kerberos” troopers police civil unrest. A tragic encounter binds officer \u003cstrong data-start=\"690\" data-end=\"705\"\u003eKazuki Fuse\u003c\/strong\u003e to a mysterious young woman, drawing him into political intrigue and the fable of the wolf and Little Red Riding Hood. The film premiered to international acclaim—selected for the \u003cstrong data-start=\"886\" data-end=\"946\"\u003e49th Berlin International Film Festival (Panorama, 1999)\u003c\/strong\u003e, the \u003cstrong data-start=\"952\" data-end=\"1009\" data-is-only-node=\"\"\u003e19th Oporto International Film Festival (Competition)\u003c\/strong\u003e, and the \u003cstrong data-start=\"1019\" data-end=\"1104\"\u003e17th Brussels International Festival of Fantasy, Thriller \u0026amp; Science-Fiction Films\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1107\" data-end=\"1536\"\u003e\u003cstrong data-start=\"1107\" data-end=\"1124\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1124\" data-end=\"1127\"\u003eStoic Kerberos troopers with glowing red eyes mass behind Fuse and a cloaked heroine, under the taglines \u003cstrong data-start=\"1232\" data-end=\"1272\"\u003e“They were wolves disguised as men…”\u003c\/strong\u003e and \u003cstrong data-start=\"1277\" data-end=\"1334\"\u003e“A new film from the creators of GHOST IN THE SHELL.”\u003c\/strong\u003e The slashed red brush title \u003cstrong data-start=\"1363\" data-end=\"1374\"\u003eJIN-ROH\u003c\/strong\u003e dominates the lower field, with festival laurels and \u003cstrong data-start=\"1428\" data-end=\"1457\"\u003eBANDAI VISUAL World Sales\u003c\/strong\u003e credits across the base. ©1998 Bandai Visual \/ Production I.G appears at foot.\u003c\/p\u003e\n\u003cp data-start=\"1538\" data-end=\"1667\"\u003eThis poster is in \u003cstrong data-start=\"1556\" data-end=\"1581\"\u003every good \/ excellent\u003c\/strong\u003e condition (please refer to imagery—front and close-ups—of the exact poster for sale).\u003c\/p\u003e\n\u003cp data-start=\"1669\" data-end=\"1697\"\u003eIt is over \u003cstrong data-start=\"1680\" data-end=\"1692\"\u003e25 years\u003c\/strong\u003e old.\u003c\/p\u003e\n\u003cp data-start=\"1699\" data-end=\"1737\"\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp data-start=\"1739\" data-end=\"1776\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55899114963322,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-09-14T071755.472.jpg?v=1757801949"},{"product_id":"blood-the-last-vampire-ブラッド-ザ-ラスト-ヴァンパイア-original-release-japanese-movie-poster-2000-b1-size-71-103-cm","title":"“Blood: The Last Vampire” (ブラッド ザ・ラスト・ヴァンパイア), Original Release Japanese Movie Poster 2000, B1 Size (71 × 103 cm) FA14","description":"\u003cp\u003eThis is an original Japanese B1 poster printed in 2000 for the first theatrical release of Blood: The Last Vampire—Production I.G’s moody, digital-age horror\/action directed by Hiroyuki Kitakubo, co-planned by Mamoru Oshii, with character designs by Katsuya Terada and voice casting featuring Yūki Kudō.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilm background\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on a U.S. air base in late-1960s Japan, a taciturn teen named Saya—armed with a katana and a secret past—hunts shape-shifting chiropterans hiding among humans. The film’s painterly lighting, hybrid digital workflow, and terse, hard-edged tone made it a cult touchstone that seeded a long-running multimedia franchise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoster design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA brooding indigo palette frames Saya’s red-eyed stare at center while a fanged chiropteran looms behind. A gleaming vertical katana bisects the composition; below, Saya’s silhouette stands against a chain-link fence at dusk. The left border carries the stark slogan 「斬る――それが少女の宿命」 (“Cut—such is the girl’s fate”). The hand-rendered title BLOOD bleeds in crimson above THE LAST VAMPIRE. Along the footer, bilingual credits name Director 北久保弘之, Co-Planner 押井守, Character Designer 寺田克也, and Cast (Voice) 工藤夕貴, with studio\/format marks, a row of film-strip stills, and the authentic 映倫 seal and Dolby notice—hallmarks of an issued theatrical country sheet.\u003c\/p\u003e\n\u003cp\u003eThis poster is in excellent condition (please refer to imagery of the exact poster for sale).\u003c\/p\u003e\n\u003cp\u003eIt is over 25 years old.\u003c\/p\u003e\n\u003cp\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55902003167610,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/living-room-with-sofa-and-large-cabinet_11.jpg?v=1757893317"},{"product_id":"ghost-in-the-shell-original-release-japanese-movie-poster-1995-rare-b2-size-51-x-73cm-j111-copy","title":"“Ghost in the Shell: S.A.C. 2nd GIG” (攻殻機動隊 S.A.C. 2nd GIG), Original Japanese Promotional Poster 2004, B2 Size (51 × 73 cm) O100","description":"\u003cp\u003eThis is an original J\u003cimg\u003eapanese B2 poster printed in 2004 for the domestic promotional launch of Ghost in the Shell: Stand Alone Complex 2nd GIG. Issued by Bandai Visual\/Emotion for stores and video retailers, it carries the “THIS POSTER IS NOT FOR SALE” notice along the foot—making it scarcer than standard theatrical materials. Credits on the sheet note: Poster AD\/Design\/Photography \u0026amp; CG works by Thesedays; Motoko image model: Nayuta Haruka; © Masamune Shirow \/ Production I.G \/ 攻殻機動隊製作委員会.\u003c\/p\u003e\n\u003cp\u003eFilm background\u003cbr\u003e2nd GIG is the second Stand Alone Complex series from Production I.G, directed by Kenji Kamiyama under the supervision of Mamoru Oshii and based on Masamune Shirow’s seminal manga. Set in a near-future Japan, Section 9 confronts cyber-terror, political intrigue, and the Individual Eleven. The series features mechanical design by Takayuki Goto, character design by Tetsuya Nishio, and music by Yoko Kanno. The campaign date on this poster (“3.26 DVD \u0026amp; VIDEO SERIES START!!”) corresponds to the first volume’s home-video rollout in Japan.\u003c\/p\u003e\n\u003cp\u003ePoster design\u003cbr\u003eMajor Motoko Kusanagi is rendered as a photoreal model perched on an industrial truss against a mist-shrouded skyline. A neon-green vertical tagline slices the composition, while the lower field showcases the bold typographic lockup “S.A.C. 2nd GIG — STAND ALONE COMPLEX,” staff credits, the campaign URL, and the Bandai Visual \/ Emotion marks. A striking, high-contrast piece with strong wall presence.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis poster is in excellent condition. Please refer to the imagery (both front and back) as this is the exact poster that is for sale. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is over 21 years old.\u003c\/p\u003e\n\u003cp\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55919680225658,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-09-19T110621.321.jpg?v=1758247867"},{"product_id":"ghost-in-the-shell-playstation-soundtrack-攻殻機動隊-プレイステーション-サウンドトラック-original-japanese-promotional-poster-1997-b2-size-51-73-cm-o101","title":"“Ghost in the Shell – PlayStation Soundtrack” (攻殻機動隊 プレイステーション・サウンドトラック), Original Japanese Promotional Poster 1997, B2 Size (51 × 73 cm) O101","description":"\u003cp data-start=\"139\" data-end=\"614\"\u003eThis is an original Japanese B2 poster printed in 1997 for the retail promotional launch of the Ghost in the Shell PlayStation Soundtrack (marketed as “MEGATECH BODY.CD.”) issued for record and game shops by Sony Computer Entertainment\/Kodansha. Dated “7.17 on street,” it advertised the soundtrack’s release alongside the PlayStation game. Scarcer than theatrical materials, these in-store promo sheets were printed in comparatively small numbers and are highly collectible.\u003c\/p\u003e\n\u003cp data-start=\"616\" data-end=\"980\"\u003eFilm background\u003cbr data-start=\"631\" data-end=\"634\"\u003eSet in Masamune Shirow’s landmark cyber-punk world, Ghost in the Shell’s 1997 video-game tie-in arrived with a dedicated album of hard-edged electronic tracks under the MEGATECH BODY banner. The project brought together leading ’90s techno\/electronica producers and helped cement GITS’s crossover influence across anime, gaming, and club culture.\u003c\/p\u003e\n\u003cp data-start=\"982\" data-end=\"1612\"\u003ePoster design\u003cbr data-start=\"995\" data-end=\"998\"\u003eA striking, high-impact composition: a cybernetically linked female figure dominates the left field, cables and optic lines wrapping her body while a tachikoma-style mech scuttles below. The huge blue “7.17” street-date sits over a layered typographic collage (“on Street”), with two miniature jacket images promoting the standard and limited soundtrack editions. Credits along the edges include ©1997 Sony Computer Entertainment Inc.\/Kodansha Ltd. and design note “DESIGNED × STEREOTYPE PRO ’97.” Bold magenta kanji for 「攻殻機動隊」 anchors the base with the bilingual line “GHOST IN THE SHELL PlayStation SOUNDTRACK.”\u003c\/p\u003e\n\u003cp data-start=\"1614\" data-end=\"1826\"\u003eCondition\u003cbr data-start=\"1623\" data-end=\"1626\"\u003e\u003cspan\u003eThis poster is in excellent condition. Please refer to the imagery (both front and back) as this is the exact poster that is for sale. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1828\" data-end=\"1847\"\u003eIt is over 28 years old.\u003c\/p\u003e\n\u003cp data-start=\"1849\" data-end=\"1887\"\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp data-start=\"1889\" data-end=\"1926\"\u003eCertificate of Authenticity included.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55919685796218,"sku":null,"price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-09-19T111346.086.jpg?v=1758248148"},{"product_id":"ghost-in-the-shell-project-2501-攻殻機動隊-project-2501-original-japanese-promotional-poster-1996-b2-size-51-73-cm-o102","title":"“Ghost in the Shell – PROJECT 2501” (攻殻機動隊 PROJECT 2501), Original Japanese Promotional Poster 1996, B2 Size (51 × 73 cm) O102","description":"\u003cp data-start=\"123\" data-end=\"554\"\u003eThis is an original Japanese B2 poster printed in 1996 for the retail promotional release of \u003cstrong data-start=\"216\" data-end=\"307\"\u003ePROJECT 2501: The Real Image Collection of GHOST IN THE SHELL – Dialogue \u0026amp; Sound Effect\u003c\/strong\u003e, issued by LiPop Record \/ BMG Entertainment (catalog BVCH-1524; price ¥2,500) to coincide with the album’s 21 November 1996 street date. Scarcer than standard theatrical materials, these record-shop display pieces were printed in limited numbers.\u003c\/p\u003e\n\u003cp data-start=\"556\" data-end=\"892\"\u003eFilm background\u003cbr data-start=\"571\" data-end=\"574\"\u003eFollowing Mamoru Oshii’s landmark 1995 feature, PROJECT 2501 compiled music cues, SFX (handguns, machine guns, etc.), and dialogue arrangements—offering an alternate, sound-driven “image album” experience within Masamune Shirow’s cyber-punk world, and expanding the franchise’s cross-media footprint in the late 1990s.\u003c\/p\u003e\n\u003cp data-start=\"894\" data-end=\"1400\"\u003ePoster design\u003cbr data-start=\"907\" data-end=\"910\"\u003eMajor Motoko Kusanagi is depicted mid-materialisation, pistol raised, cables and data shards streaming across a crimson digital sea. Bold bilingual typography frames the lower field—「攻殻機動隊」 and GHOST IN THE SHELL—above the large \u003cstrong data-start=\"1139\" data-end=\"1155\"\u003ePROJECT 2501\u003c\/strong\u003e lockup and the on-sale line \u003cstrong data-start=\"1184\" data-end=\"1214\"\u003e1996.NOVEMBER.21 ON SALE!!\u003c\/strong\u003e. Credits to Bandai Visual \/ Manga Entertainment run along the footer; artwork credits on the piece include 江面 久 and 北久保弘之. A striking, high-impact shop poster with superb wall presence.\u003c\/p\u003e\n\u003cp data-start=\"1402\" data-end=\"1501\"\u003eCondition\u003cbr data-end=\"1626\" data-start=\"1623\"\u003e\u003cspan\u003eThis poster is in excellent condition. Please refer to the imagery (both front and back) as this is the exact poster that is for sale. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1503\" data-end=\"1522\"\u003eIt is over 29 years old.\u003c\/p\u003e\n\u003cp data-start=\"1524\" data-end=\"1562\"\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp data-start=\"1564\" data-end=\"1601\"\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55919690973562,"sku":null,"price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-09-19T112213.310.jpg?v=1758248570"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-release-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-o103","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Release Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) O103","description":"\u003cp data-start=\"113\" data-end=\"656\"\u003eThis is an original Japanese poster printed in \u003cstrong data-start=\"160\" data-end=\"168\"\u003e1995\u003c\/strong\u003e for \u003cstrong data-start=\"173\" data-end=\"191\"\u003eMamoru Oshii’s\u003c\/strong\u003e cyberpunk landmark \u003cstrong data-start=\"211\" data-end=\"241\"\u003eGhost in the Shell (攻殻機動隊)\u003c\/strong\u003e, based on \u003cstrong data-start=\"252\" data-end=\"273\"\u003eMasamune Shirow’s\u003c\/strong\u003e manga and produced by \u003cstrong data-start=\"296\" data-end=\"314\"\u003eProduction I.G\u003c\/strong\u003e. A touchstone that helped define late‑20th‑century sci‑fi, the film’s meditations on identity and consciousness influenced a generation of cinema and visual culture (its impact on \u003cem data-start=\"495\" data-end=\"507\"\u003eThe Matrix\u003c\/em\u003e is famously acknowledged). Issued at the time of release, this scarce \u003cstrong data-start=\"578\" data-end=\"589\"\u003eB2 (半裁)\u003c\/strong\u003e is avidly sought after by anime, cyberpunk, and design collectors.\u003c\/p\u003e\n\u003cp data-start=\"658\" data-end=\"1100\"\u003e\u003cstrong data-start=\"658\" data-end=\"713\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003cbr data-start=\"713\" data-end=\"716\"\u003eOriginal Japanese B2s for the 1995 campaign surface only intermittently and command strong interest worldwide. This sheet carries period identifiers at lower margin—\u003cstrong data-start=\"881\" data-end=\"955\"\u003e©1995 SHIROW MASAMUNE \/ KODANSHA \/ BANDAI VISUAL \/ MANGA ENTERTAINMENT\u003c\/strong\u003e—plus the \u003cstrong data-start=\"965\" data-end=\"972\"\u003eRCA\u003c\/strong\u003e mark and \u003cstrong data-start=\"982\" data-end=\"1002\"\u003eBMG VICTOR, INC.\u003c\/strong\u003e logo, confirming an authentic contemporaneous issue tied to the film’s release and media rollout.\u003c\/p\u003e\n\u003cp data-start=\"1102\" data-end=\"1617\"\u003e\u003cstrong data-start=\"1102\" data-end=\"1119\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1119\" data-end=\"1122\"\u003eNeo‑noir Hong Kong‑style canyons glow under a rose sky while a looming aircraft silhouette cuts across the signage. Along the lower half, \u003cstrong data-start=\"1260\" data-end=\"1340\"\u003evertical panes reveal Major Motoko Kusanagi’s emergence in the “birth tank,”\u003c\/strong\u003e intercut with micro‑vignettes from the film. Bilingual title work—\u003cstrong data-start=\"1407\" data-end=\"1437\"\u003eGHOST IN THE SHELL \/ 攻殻機動隊\u003c\/strong\u003e—sits above the line: \u003cem data-start=\"1459\" data-end=\"1566\"\u003e“People love machines in 2029 A.D. ‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/em\u003e—a perfect encapsulation of the film’s mythic tone.\u003c\/p\u003e\n\u003cp data-start=\"1619\" data-end=\"2051\"\u003e\u003cstrong data-start=\"1619\" data-end=\"1632\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1632\" data-end=\"1635\"\u003e\u003cstrong data-start=\"1635\" data-end=\"1661\"\u003eExcellent\u003c\/strong\u003e: completely \u003cstrong data-start=\"1674\" data-end=\"1688\"\u003eunrestored\u003c\/strong\u003e and \u003cstrong data-start=\"1693\" data-end=\"1713\"\u003enot linen‑backed\u003c\/strong\u003e. Presents \u003cstrong data-start=\"1936\" data-end=\"1963\"\u003ebeautifully when framed\u003c\/strong\u003e. Please review all photographs (front and details); they show the exact poster offered.\u003c\/p\u003e\n\u003cp data-start=\"2053\" data-end=\"2165\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is over \u003cstrong data-start=\"2059\" data-end=\"2071\"\u003e30 years\u003c\/strong\u003e old!\u003cbr data-start=\"2076\" data-end=\"2079\"\u003eIt is \u003cstrong data-start=\"2085\" data-end=\"2092\"\u003enot\u003c\/strong\u003e a reproduction or a reprint.\u003cbr data-start=\"2121\" data-end=\"2124\"\u003e\u003cstrong data-start=\"2124\" data-end=\"2165\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55919696085370,"sku":null,"price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/IMG_1014_4e538b24-ce7b-4a23-b383-33ebd1629589.jpg?v=1758248845"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-japanese-promotional-poster-1996-kodansha-video-bandai-visual-in-store-campaign-b2-size-51-73-cm-o104","title":"“Ghost in the Shell” (攻殻機動隊), Original Japanese Promotional Poster 1996, Kodansha Video\/Bandai Visual In-Store Campaign, B2 Size (51 × 73 cm) O104","description":"\u003cp\u003eThis is an original Japanese B2 poster printed in 1996 for the domestic in-store promotional campaign of Ghost in the Shell, issued by Kodansha Video and Bandai Visual\/Emotion (with Manga Entertainment credit). Timed to the 25 July 1996 home-video rollout in Japan (“1996 7.25 IN STORE”), the sheet advertises the simultaneous releases—including VHS editions and a premium LaserDisc box—making it scarcer than standard theatrical materials and highly collectible.\u003c\/p\u003e\n\u003cp\u003eFilm background\u003cbr\u003eMamoru Oshii’s 1995 cyber-punk landmark adapts Masamune Shirow’s manga into a philosophical techno-thriller about identity and consciousness in a networked future. Key staff include screenwriter Kazunori Itō, character design\/animation by Hiroyuki Okiura (with Kazuchika Kise), art direction by Hiromasa Ogura, music by Kenji Kawai, and production by Production I.G. The film became a cornerstone of 1990s anime with major global influence.\u003c\/p\u003e\n\u003cp\u003ePoster design\u003cbr\u003eA vivid Shirow Masamune illustration dominates: Motoko Kusanagi stands armed against a crystalline cityscape while cables and data tendrils merge with her body. The bold red English logotype “GHOST IN THE SHELL” sits across the upper field, with the Japanese title 「攻殻機動隊」 and a black release panel at right (“1996 7.25 IN STORE \/ 3タイトル同時発売”). Staff and format notes run down the right edge; Kodansha Video and Emotion marks anchor the footer. Striking colour, dense detailing, and strong wall presence.\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003e\u003cstrong data-end=\"1661\" data-start=\"1635\"\u003eExcellent\u003c\/strong\u003e: Presents \u003cstrong data-end=\"1963\" data-start=\"1936\"\u003ebeautifully when framed\u003c\/strong\u003e. Please review all photographs (front and details); they show the exact poster offered.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt is over 29 years old.\u003c\/p\u003e\n\u003cp\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp\u003eCertificate of Authenticity included.\u003cstrong data-end=\"1632\" data-start=\"1619\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55919702933882,"sku":null,"price":475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-09-19T112848.916.jpg?v=1758249759"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-not-for-sale-bmg-victor-soundtrack-issue-o105","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) — “NOT FOR SALE” BMG Victor (Soundtrack) Issue O105","description":"\u003cp data-start=\"139\" data-end=\"774\"\u003eThis is an original Japanese poster printed in \u003cstrong data-start=\"186\" data-end=\"194\"\u003e1995\u003c\/strong\u003e for \u003cstrong data-start=\"199\" data-end=\"217\"\u003eMamoru Oshii’s\u003c\/strong\u003e cyber‑punk landmark \u003cstrong data-start=\"238\" data-end=\"268\"\u003eGhost in the Shell (攻殻機動隊)\u003c\/strong\u003e, based on \u003cstrong data-start=\"279\" data-end=\"300\"\u003eMasamune Shirow’s\u003c\/strong\u003e manga and animated by \u003cstrong data-start=\"323\" data-end=\"341\"\u003eProduction I.G\u003c\/strong\u003e. A defining work of late‑20th‑century science fiction, its meditations on identity and embodiment profoundly influenced global cinema (its impact on \u003cem data-start=\"491\" data-end=\"503\"\u003eThe Matrix\u003c\/em\u003e is widely acknowledged). This scarce \u003cstrong data-start=\"541\" data-end=\"552\"\u003eB2 (半裁)\u003c\/strong\u003e sheet is the contemporaneous \u003cstrong data-start=\"582\" data-end=\"614\"\u003eBMG Victor promotional issue\u003c\/strong\u003e—\u003cstrong data-start=\"615\" data-end=\"633\"\u003e“NOT FOR SALE”\u003c\/strong\u003e printed at lower right with \u003cstrong data-start=\"662\" data-end=\"669\"\u003eRCA\u003c\/strong\u003e and \u003cstrong data-start=\"674\" data-end=\"694\"\u003eBMG VICTOR, INC.\u003c\/strong\u003e logos—distributed in Japan alongside the film’s soundtrack\/home‑video campaign.\u003c\/p\u003e\n\u003cp data-start=\"776\" data-end=\"1297\"\u003e\u003cstrong data-start=\"776\" data-end=\"831\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003cbr data-start=\"831\" data-end=\"834\"\u003eAuthentic 1995 Japanese B2s surface only intermittently and command strong international interest. The \u003cstrong data-start=\"937\" data-end=\"959\"\u003eBMG “NOT FOR SALE”\u003c\/strong\u003e variant is particularly elusive, having been intended for in‑store\/industry display rather than retail sale, so survival rates are low. Correct period identifiers are present: \u003cstrong data-start=\"1136\" data-end=\"1210\"\u003e©1995 SHIROW MASAMUNE \/ KODANSHA – BANDAI VISUAL – MANGA ENTERTAINMENT\u003c\/strong\u003e along the lower margin, with the BMG\/RCA marks confirming a genuine promotional print.\u003c\/p\u003e\n\u003cp data-start=\"1299\" data-end=\"1938\"\u003e\u003cstrong data-start=\"1299\" data-end=\"1316\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1316\" data-end=\"1319\"\u003eThe key “birth of the cyborg” visual: \u003cstrong data-start=\"1357\" data-end=\"1382\"\u003eMajor Motoko Kusanagi\u003c\/strong\u003e, nude and cable‑tethered, kneels against a minimal cream field as black and red conduits arc across the composition. The bilingual campaign line anchors the typography:\u003cbr data-start=\"1551\" data-end=\"1554\"\u003e\u003cem data-start=\"1554\" data-end=\"1661\"\u003e“People love machines in 2029 A.D. ‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/em\u003e\u003cbr data-start=\"1661\" data-end=\"1664\"\u003eBelow, the classic \u003cstrong data-start=\"1683\" data-end=\"1711\"\u003eGHOST ▵ IN ▵ THE ▵ SHELL\u003c\/strong\u003e logotype and full credits (script \u003cstrong data-start=\"1746\" data-end=\"1762\"\u003eKazunori Itō\u003c\/strong\u003e, director \u003cstrong data-start=\"1773\" data-end=\"1789\"\u003eMamoru Oshii\u003c\/strong\u003e, animation director \u003cstrong data-start=\"1810\" data-end=\"1833\"\u003eToshihiko Nishikubo\u003c\/strong\u003e, character design \u003cstrong data-start=\"1852\" data-end=\"1871\"\u003eHiroyuki Okiura\u003c\/strong\u003e, art director \u003cstrong data-start=\"1886\" data-end=\"1904\"\u003eHiromasa Ogura\u003c\/strong\u003e) complete a stark, iconic layout.\u003c\/p\u003e\n\u003cp data-start=\"1940\" data-end=\"2377\"\u003e\u003cstrong data-start=\"1940\" data-end=\"1953\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1953\" data-end=\"1956\"\u003e\u003cstrong data-start=\"1956\" data-end=\"1969\"\u003eExcellent\u003c\/strong\u003e overall, \u003cstrong data-start=\"1979\" data-end=\"2012\"\u003eunrestored \u0026amp; not linen‑backed\u003c\/strong\u003e. Stored flat\/rolled with \u003cstrong data-start=\"2038\" data-end=\"2055\"\u003eno fold lines\u003c\/strong\u003e. Please review the front and back photos—the images show the exact poster offered.\u003c\/p\u003e\n\u003cp data-start=\"2379\" data-end=\"2491\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is over \u003cstrong data-start=\"2385\" data-end=\"2397\"\u003e30 years\u003c\/strong\u003e old!\u003cbr data-start=\"2402\" data-end=\"2405\"\u003eIt is \u003cstrong data-start=\"2411\" data-end=\"2418\"\u003enot\u003c\/strong\u003e a reproduction or a reprint.\u003cbr data-start=\"2447\" data-end=\"2450\"\u003e\u003cstrong data-start=\"2450\" data-end=\"2491\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55919720792442,"sku":null,"price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/IMG_1032.jpg?v=1758249953"},{"product_id":"ghost-in-the-shell-original-release-gekijo-ban-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-j111","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Release Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) J111","description":"\u003cp data-start=\"113\" data-end=\"737\"\u003eThis is an original Japanese poster printed in \u003cstrong data-start=\"160\" data-end=\"168\"\u003e1995\u003c\/strong\u003e for \u003cstrong data-start=\"173\" data-end=\"191\"\u003eMamoru Oshii’s\u003c\/strong\u003e cyber‑punk landmark \u003cstrong data-start=\"212\" data-end=\"242\"\u003eGhost in the Shell (攻殻機動隊)\u003c\/strong\u003e, based on \u003cstrong data-start=\"253\" data-end=\"274\"\u003eMasamune Shirow’s\u003c\/strong\u003e manga and animated by \u003cstrong data-start=\"297\" data-end=\"315\"\u003eProduction I.G\u003c\/strong\u003e. A defining work of late‑20th‑century science fiction, the film’s meditations on identity and embodiment profoundly influenced global cinema (its impact on \u003cem data-start=\"472\" data-end=\"484\"\u003eThe Matrix\u003c\/em\u003e is widely acknowledged). Period identifiers run along the credit block: \u003cstrong data-start=\"557\" data-end=\"620\"\u003e原作：士郎正宗（講談社『週刊ヤングマガジン』掲載）／監督：押井守／アニメーション制作：プロダクションI.G／配給：松竹\u003c\/strong\u003e, with \u003cstrong data-start=\"627\" data-end=\"675\"\u003e©1995 士郎正宗／講談社・バンダイビジュアル・MANGA ENTERTAINMENT\u003c\/strong\u003e and \u003cstrong data-start=\"680\" data-end=\"696\"\u003eDolby Stereo\u003c\/strong\u003e mark—confirming a genuine theatrical B2.\u003c\/p\u003e\n\u003cp data-start=\"739\" data-end=\"1104\"\u003e\u003cstrong data-start=\"739\" data-end=\"794\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003cbr data-start=\"794\" data-end=\"797\"\u003eAuthentic 1995 Japanese \u003cstrong data-start=\"821\" data-end=\"832\"\u003eB2 (半裁)\u003c\/strong\u003e posters surface only intermittently and command strong international interest from anime, design, and sci‑fi collectors. This variant features the striking \u003cstrong data-start=\"989\" data-end=\"1017\"\u003eyellow publicity banners\u003c\/strong\u003e at upper right, a sought‑after release configuration seldom encountered in high grade.\u003c\/p\u003e\n\u003cp data-start=\"1106\" data-end=\"1547\"\u003e\u003cstrong data-start=\"1106\" data-end=\"1123\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1123\" data-end=\"1126\"\u003eThe key “birth of the cyborg” image: \u003cstrong data-start=\"1163\" data-end=\"1188\"\u003eMajor Motoko Kusanagi\u003c\/strong\u003e kneels against a near‑blank field, umbilical cables arcing in black and red. The bilingual line anchors the composition: \u003cem data-start=\"1310\" data-end=\"1417\"\u003e“People love machines in 2029 A.D. ‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/em\u003e Below sits the classic \u003cstrong data-start=\"1441\" data-end=\"1477\"\u003eGHOST ▵ IN ▵ THE ▵ SHELL \/ 攻殻機動隊\u003c\/strong\u003e logotype and full Japanese credits. The vertical yellow text reads:\u003c\/p\u003e\n\u003cul data-start=\"1548\" data-end=\"1787\"\u003e\n\u003cli data-start=\"1548\" data-end=\"1614\"\u003e\n\u003cp data-start=\"1550\" data-end=\"1614\"\u003e\u003cstrong data-start=\"1550\" data-end=\"1564\"\u003e「世界同時公開決定」\u003c\/strong\u003e — \u003cem data-start=\"1567\" data-end=\"1612\"\u003e“Worldwide simultaneous release confirmed.”\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1615\" data-end=\"1787\"\u003e\n\u003cp data-start=\"1617\" data-end=\"1787\"\u003e\u003cstrong data-start=\"1617\" data-end=\"1643\"\u003e「この秋、このアニメが映画を進化させる!!」\u003c\/strong\u003e — \u003cem data-start=\"1646\" data-end=\"1694\"\u003e“This autumn, this anime will evolve cinema!!”\u003c\/em\u003e\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eA crisp, gallery‑clean layout that has become one of the most iconic visuals of the 1990s.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1789\" data-end=\"2139\"\u003e\u003cstrong data-start=\"1789\" data-end=\"1802\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1802\" data-end=\"1805\"\u003e\u003cstrong data-start=\"1805\" data-end=\"1818\"\u003eExcellent\u003c\/strong\u003e overall, \u003cstrong data-start=\"1828\" data-end=\"1861\"\u003eunrestored \u0026amp; not linen‑backed\u003c\/strong\u003e. Stored flat\/rolled with \u003cstrong data-start=\"1887\" data-end=\"1904\"\u003eno fold lines\u003c\/strong\u003e; only the lightest handling to extreme edges from prior viewing. Paper is strong and clean; inks are even and rich. \u003cstrong data-start=\"2021\" data-end=\"2058\"\u003ePresents beautifully when framed.\u003c\/strong\u003e Please review the photos (front and detail); they show the exact poster offered.\u003c\/p\u003e\n\u003cp data-start=\"2141\" data-end=\"2260\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is \u003cstrong data-start=\"2147\" data-end=\"2170\"\u003earound 30 years old\u003c\/strong\u003e!\u003cbr data-start=\"2171\" data-end=\"2174\"\u003eIt is \u003cstrong data-start=\"2180\" data-end=\"2187\"\u003enot\u003c\/strong\u003e a reproduction or a reprint.\u003cbr data-start=\"2216\" data-end=\"2219\"\u003e\u003cstrong data-start=\"2219\" data-end=\"2260\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55919735996794,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/IMG_1001_7df41289-ca18-42c8-9221-24f1fd15acc0.jpg?v=1758251088"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-release-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-o103-copy","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Release Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) O167","description":"\u003cp data-start=\"113\" data-end=\"656\"\u003eThis is an original Japanese poster printed in \u003cstrong data-start=\"160\" data-end=\"168\"\u003e1995\u003c\/strong\u003e for \u003cstrong data-start=\"173\" data-end=\"191\"\u003eMamoru Oshii’s\u003c\/strong\u003e cyberpunk landmark \u003cstrong data-start=\"211\" data-end=\"241\"\u003eGhost in the Shell (攻殻機動隊)\u003c\/strong\u003e, based on \u003cstrong data-start=\"252\" data-end=\"273\"\u003eMasamune Shirow’s\u003c\/strong\u003e manga and produced by \u003cstrong data-start=\"296\" data-end=\"314\"\u003eProduction I.G\u003c\/strong\u003e. A touchstone that helped define late‑20th‑century sci‑fi, the film’s meditations on identity and consciousness influenced a generation of cinema and visual culture (its impact on \u003cem data-start=\"495\" data-end=\"507\"\u003eThe Matrix\u003c\/em\u003e is famously acknowledged). Issued at the time of release, this scarce \u003cstrong data-start=\"578\" data-end=\"589\"\u003eB2 (半裁)\u003c\/strong\u003e is avidly sought after by anime, cyberpunk, and design collectors.\u003c\/p\u003e\n\u003cp data-start=\"658\" data-end=\"1100\"\u003e\u003cstrong data-start=\"658\" data-end=\"713\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003cbr data-start=\"713\" data-end=\"716\"\u003eOriginal Japanese B2s for the 1995 campaign surface only intermittently and command strong interest worldwide. This sheet carries period identifiers at lower margin—\u003cstrong data-start=\"881\" data-end=\"955\"\u003e©1995 SHIROW MASAMUNE \/ KODANSHA \/ BANDAI VISUAL \/ MANGA ENTERTAINMENT\u003c\/strong\u003e—plus the \u003cstrong data-start=\"965\" data-end=\"972\"\u003eRCA\u003c\/strong\u003e mark and \u003cstrong data-start=\"982\" data-end=\"1002\"\u003eBMG VICTOR, INC.\u003c\/strong\u003e logo, confirming an authentic contemporaneous issue tied to the film’s release and media rollout.\u003c\/p\u003e\n\u003cp data-start=\"1102\" data-end=\"1617\"\u003e\u003cstrong data-start=\"1102\" data-end=\"1119\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1119\" data-end=\"1122\"\u003eNeo‑noir Hong Kong‑style canyons glow under a rose sky while a looming aircraft silhouette cuts across the signage. Along the lower half, \u003cstrong data-start=\"1260\" data-end=\"1340\"\u003evertical panes reveal Major Motoko Kusanagi’s emergence in the “birth tank,”\u003c\/strong\u003e intercut with micro‑vignettes from the film. Bilingual title work—\u003cstrong data-start=\"1407\" data-end=\"1437\"\u003eGHOST IN THE SHELL \/ 攻殻機動隊\u003c\/strong\u003e—sits above the line: \u003cem data-start=\"1459\" data-end=\"1566\"\u003e“People love machines in 2029 A.D. ‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/em\u003e—a perfect encapsulation of the film’s mythic tone.\u003c\/p\u003e\n\u003cp data-start=\"1619\" data-end=\"2051\"\u003e\u003cstrong data-start=\"1619\" data-end=\"1632\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1632\" data-end=\"1635\"\u003e\u003cstrong data-start=\"1635\" data-end=\"1661\"\u003eExcellent\u003c\/strong\u003e: completely \u003cstrong data-start=\"1674\" data-end=\"1688\"\u003eunrestored\u003c\/strong\u003e and \u003cstrong data-start=\"1693\" data-end=\"1713\"\u003enot linen‑backed\u003c\/strong\u003e. Presents \u003cstrong data-start=\"1936\" data-end=\"1963\"\u003ebeautifully when framed\u003c\/strong\u003e. Please review all photographs (front and details); they show the exact poster offered.\u003c\/p\u003e\n\u003cp data-start=\"2053\" data-end=\"2165\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is over \u003cstrong data-start=\"2059\" data-end=\"2071\"\u003e30 years\u003c\/strong\u003e old!\u003cbr data-start=\"2076\" data-end=\"2079\"\u003eIt is \u003cstrong data-start=\"2085\" data-end=\"2092\"\u003enot\u003c\/strong\u003e a reproduction or a reprint.\u003cbr data-start=\"2121\" data-end=\"2124\"\u003e\u003cstrong data-start=\"2124\" data-end=\"2165\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55934923899258,"sku":null,"price":600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/IMG_1453.jpg?v=1758582495"},{"product_id":"making-of-ghost-in-the-shell-database-cd-rom-講談社-original-japanese-promotional-shop-poster-1995-ultra-rare-size-approx-73-26-cm","title":"“Making of GHOST IN THE SHELL” Database CD‑ROM (講談社), Original Japanese Promotional Shop Poster 1995, Size (approx. 73 × 26 cm) O182","description":"\u003cp data-end=\"634\" data-start=\"167\"\u003eThis is an original \u003cstrong data-end=\"227\" data-start=\"187\"\u003eJapanese retail\/point‑of‑sale poster\u003c\/strong\u003e issued in \u003cstrong data-end=\"246\" data-start=\"238\"\u003e1995\u003c\/strong\u003e by \u003cstrong data-end=\"268\" data-start=\"250\"\u003eKodansha (講談社)\u003c\/strong\u003e to promote the hybrid \u003cstrong data-end=\"317\" data-start=\"291\"\u003eWindows 95 \u0026amp; Macintosh\u003c\/strong\u003e \u003cstrong data-end=\"328\" data-start=\"318\"\u003eCD‑ROM\u003c\/strong\u003e release \u003cem data-end=\"388\" data-start=\"337\"\u003eMaking of GHOST IN THE SHELL — アニメ映画『攻殻機動隊』データベース\u003c\/em\u003e (price \u003cstrong data-end=\"406\" data-start=\"396\"\u003e¥4,800\u003c\/strong\u003e). Period rights line appears above the date panel: \u003cstrong data-end=\"506\" data-start=\"458\"\u003e©1995 士郎正宗／講談社・バンダイビジュアル・MANGA ENTERTAINMENT\u003c\/strong\u003e. The \u003cstrong data-end=\"534\" data-start=\"512\"\u003erelease date 12.18\u003c\/strong\u003e is printed boldly—this was a \u003cstrong data-end=\"590\" data-start=\"564\"\u003eshort‑lead shop poster\u003c\/strong\u003e, never sold to the public and seldom saved.\u003c\/p\u003e\n\u003cp data-end=\"693\" data-start=\"636\"\u003e\u003cstrong data-end=\"691\" data-start=\"636\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-end=\"1075\" data-start=\"694\"\u003e\n\u003cli data-end=\"851\" data-start=\"694\"\u003e\n\u003cp data-end=\"851\" data-start=\"696\"\u003e\u003cstrong data-end=\"726\" data-start=\"696\"\u003eB2 縦長 (tate‑naga \/ narrow)\u003c\/strong\u003e shop format (\u003cstrong data-end=\"757\" data-start=\"740\"\u003ec. 73 × 26 cm\u003c\/strong\u003e) used by book, video and CD retailers—\u003cstrong data-end=\"812\" data-start=\"796\"\u003elow survival\u003c\/strong\u003e compared to standard theatrical B2s.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"978\" data-start=\"852\"\u003e\n\u003cp data-end=\"978\" data-start=\"854\"\u003eCross‑collectible appeal: \u003cstrong data-end=\"897\" data-start=\"880\"\u003eanime history\u003c\/strong\u003e, \u003cstrong data-end=\"933\" data-start=\"899\"\u003e’90s multimedia\/CD‑ROM culture\u003c\/strong\u003e, and the \u003cstrong data-end=\"965\" data-start=\"943\"\u003eGhost in the Shell\u003c\/strong\u003e franchise.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1075\" data-start=\"979\"\u003e\n\u003cp data-end=\"1075\" data-start=\"981\"\u003eContemporary to the film’s first Japanese release, aligning with the original marketing cycle.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1096\" data-start=\"1077\"\u003e\u003cstrong data-end=\"1094\" data-start=\"1077\"\u003ePoster design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-end=\"1768\" data-start=\"1097\"\u003e\n\u003cli data-end=\"1261\" data-start=\"1097\"\u003e\n\u003cp data-end=\"1261\" data-start=\"1099\"\u003eTop copy shouts: \u003cstrong data-end=\"1144\" data-start=\"1116\"\u003e「アニメ映画『攻殻機動隊』のすべてがここに!!」\u003c\/strong\u003e (\u003cem data-end=\"1213\" data-start=\"1146\"\u003e“Everything about the animated film Ghost in the Shell is here!!”\u003c\/em\u003e) under a neon‑outlined \u003cstrong data-end=\"1249\" data-start=\"1237\"\u003eAccess!!\u003c\/strong\u003e masthead.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1387\" data-start=\"1262\"\u003e\n\u003cp data-end=\"1387\" data-start=\"1264\"\u003e\u003cstrong data-end=\"1289\" data-start=\"1264\"\u003eMajor Motoko Kusanagi\u003c\/strong\u003e—cabled, visor‑shaded, pistol in hand—fills the central register against a cool, high‑tech blue.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1490\" data-start=\"1388\"\u003e\n\u003cp data-end=\"1490\" data-start=\"1390\"\u003eThe mid‑section reveals a \u003cstrong data-end=\"1446\" data-start=\"1416\"\u003eglittering cityscape panel\u003c\/strong\u003e, echoing Production I.G’s urban futurism.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1768\" data-start=\"1491\"\u003e\n\u003cp data-end=\"1768\" data-start=\"1493\"\u003eBottom typography anchors the layout: \u003cstrong data-end=\"1551\" data-start=\"1531\"\u003e“12·18 ON SALE!”\u003c\/strong\u003e and the bilingual title \u003cstrong data-end=\"1636\" data-start=\"1576\"\u003eMAKING OF GHOST IN THE SHELL \/ アニメ映画『攻殻機動隊』データベース CD‑ROM\u003c\/strong\u003e, with the \u003cstrong data-end=\"1659\" data-start=\"1647\"\u003eKodansha\u003c\/strong\u003e wordmark at lower right. A circular burst notes the \u003cstrong data-end=\"1743\" data-start=\"1712\"\u003efirst‑press bonus postcards\u003c\/strong\u003e (\u003cstrong data-end=\"1766\" data-start=\"1745\"\u003e初回特典オリジナルポストカード付き\u003c\/strong\u003e).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2051\" data-start=\"1619\"\u003e\u003cstrong data-end=\"1632\" data-start=\"1619\"\u003eCondition\u003c\/strong\u003e\u003cbr data-end=\"1635\" data-start=\"1632\"\u003e\u003cstrong data-end=\"1661\" data-start=\"1635\"\u003eExcellent\u003c\/strong\u003e. Please review all photographs (front and details); they show the exact poster offered.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2165\" data-start=\"2053\"\u003eIt is over \u003cstrong data-end=\"2071\" data-start=\"2059\"\u003e30 years\u003c\/strong\u003e old!\u003cbr data-end=\"2079\" data-start=\"2076\"\u003eIt is \u003cstrong data-end=\"2092\" data-start=\"2085\"\u003enot\u003c\/strong\u003e a reproduction or a reprint.\u003cbr data-end=\"2124\" data-start=\"2121\"\u003e\u003cstrong data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2165\" data-start=\"2124\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":55942813090170,"sku":null,"price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-09-24T135755.671.jpg?v=1758689958"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-release-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-j111-copy","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Release Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) O388 (G)","description":"\u003cp data-end=\"737\" data-start=\"113\"\u003eThis is an original Japanese poster printed in \u003cstrong data-end=\"168\" data-start=\"160\"\u003e1995\u003c\/strong\u003e for \u003cstrong data-end=\"191\" data-start=\"173\"\u003eMamoru Oshii’s\u003c\/strong\u003e cyber‑punk landmark \u003cstrong data-end=\"242\" data-start=\"212\"\u003eGhost in the Shell (攻殻機動隊)\u003c\/strong\u003e, based on \u003cstrong data-end=\"274\" data-start=\"253\"\u003eMasamune Shirow’s\u003c\/strong\u003e manga and animated by \u003cstrong data-end=\"315\" data-start=\"297\"\u003eProduction I.G\u003c\/strong\u003e. A defining work of late‑20th‑century science fiction, the film’s meditations on identity and embodiment profoundly influenced global cinema (its impact on \u003cem data-end=\"484\" data-start=\"472\"\u003eThe Matrix\u003c\/em\u003e is widely acknowledged). Period identifiers run along the credit block: \u003cstrong data-end=\"620\" data-start=\"557\"\u003e原作：士郎正宗（講談社『週刊ヤングマガジン』掲載）／監督：押井守／アニメーション制作：プロダクションI.G／配給：松竹\u003c\/strong\u003e, with \u003cstrong data-end=\"675\" data-start=\"627\"\u003e©1995 士郎正宗／講談社・バンダイビジュアル・MANGA ENTERTAINMENT\u003c\/strong\u003e and \u003cstrong data-end=\"696\" data-start=\"680\"\u003eDolby Stereo\u003c\/strong\u003e mark—confirming a genuine theatrical B2.\u003c\/p\u003e\n\u003cp data-end=\"1104\" data-start=\"739\"\u003e\u003cstrong data-end=\"794\" data-start=\"739\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003cbr data-end=\"797\" data-start=\"794\"\u003eAuthentic 1995 Japanese \u003cstrong data-end=\"832\" data-start=\"821\"\u003eB2 (半裁)\u003c\/strong\u003e posters surface only intermittently and command strong international interest from anime, design, and sci‑fi collectors. This variant features the striking \u003cstrong data-end=\"1017\" data-start=\"989\"\u003eyellow publicity banners\u003c\/strong\u003e at upper right, a sought‑after release configuration seldom encountered in high grade.\u003c\/p\u003e\n\u003cp data-end=\"1547\" data-start=\"1106\"\u003e\u003cstrong data-end=\"1123\" data-start=\"1106\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-end=\"1126\" data-start=\"1123\"\u003eThe key “birth of the cyborg” image: \u003cstrong data-end=\"1188\" data-start=\"1163\"\u003eMajor Motoko Kusanagi\u003c\/strong\u003e kneels against a near‑blank field, umbilical cables arcing in black and red. The bilingual line anchors the composition: \u003cem data-end=\"1417\" data-start=\"1310\"\u003e“People love machines in 2029 A.D. ‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/em\u003e Below sits the classic \u003cstrong data-end=\"1477\" data-start=\"1441\"\u003eGHOST ▵ IN ▵ THE ▵ SHELL \/ 攻殻機動隊\u003c\/strong\u003e logotype and full Japanese credits. The vertical yellow text reads:\u003c\/p\u003e\n\u003cul data-end=\"1787\" data-start=\"1548\"\u003e\n\u003cli data-end=\"1614\" data-start=\"1548\"\u003e\n\u003cp data-end=\"1614\" data-start=\"1550\"\u003e\u003cstrong data-end=\"1564\" data-start=\"1550\"\u003e「世界同時公開決定」\u003c\/strong\u003e — \u003cem data-end=\"1612\" data-start=\"1567\"\u003e“Worldwide simultaneous release confirmed.”\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1787\" data-start=\"1615\"\u003e\n\u003cp data-end=\"1787\" data-start=\"1617\"\u003e\u003cstrong data-end=\"1643\" data-start=\"1617\"\u003e「この秋、このアニメが映画を進化させる!!」\u003c\/strong\u003e — \u003cem data-end=\"1694\" data-start=\"1646\"\u003e“This autumn, this anime will evolve cinema!!”\u003c\/em\u003e\u003cbr data-end=\"1697\" data-start=\"1694\"\u003eA crisp, gallery‑clean layout that has become one of the most iconic visuals of the 1990s.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2139\" data-start=\"1789\"\u003e\u003cstrong data-end=\"1802\" data-start=\"1789\"\u003eCondition\u003c\/strong\u003e\u003cbr data-end=\"1805\" data-start=\"1802\"\u003e\u003cstrong data-end=\"1818\" data-start=\"1805\"\u003eExcellent\u003c\/strong\u003e overall, \u003cstrong data-end=\"1861\" data-start=\"1828\"\u003eunrestored \u0026amp; not linen‑backed\u003c\/strong\u003e. Please see additional imagery provided (we have taken some extremely minor condition issues into account when pricing. \u003cstrong data-end=\"2058\" data-start=\"2021\"\u003ePresents beautifully when framed.\u003c\/strong\u003e Please review the photos (front and detail); they show the exact poster offered.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2260\" data-start=\"2141\"\u003eIt is \u003cstrong data-end=\"2170\" data-start=\"2147\"\u003earound 30 years old\u003c\/strong\u003e!\u003cbr data-end=\"2174\" data-start=\"2171\"\u003eIt is \u003cstrong data-end=\"2187\" data-start=\"2180\"\u003enot\u003c\/strong\u003e a reproduction or a reprint.\u003cbr data-end=\"2219\" data-start=\"2216\"\u003e\u003cstrong data-is-last-node=\"\" data-end=\"2260\" data-start=\"2219\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56056296669562,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-10-22T195632.757.jpg?v=1761130631"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-not-for-sale-bmg-victor-soundtrack-issue-o105-copy","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Japanese Wall Calendar Poster 1996, Rare, Size (42 × 60 cm) O474","description":"\u003cp data-start=\"104\" data-end=\"661\"\u003eThis is an original Japanese calendar poster issued in 1996 for Mamoru Oshii’s cyber-punk landmark \u003cem data-start=\"202\" data-end=\"222\"\u003eGhost in the Shell\u003c\/em\u003e (based on Masamune Shirow’s manga, produced by Production I.G.). Released at the height of the film’s first-run success, it’s an authentic period promotional calendar—distinct from theatrical B2 posters—and survives far less often. Credits printed in the lower margin read: ©1995 士郎正宗／講談社・バンダイビジュアル・MANGA ENTERTAINMENT. Design staff are explicitly credited on the art: \u003cstrong data-start=\"592\" data-end=\"620\"\u003eLayout by TAKASHI WATABE\u003c\/strong\u003e \/ \u003cstrong data-start=\"623\" data-end=\"660\"\u003eIllustrated by HIROTSUGU KAWASAKI\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"663\" data-end=\"1441\"\u003eDesign\u003cbr data-start=\"669\" data-end=\"672\"\u003eStriking, character-led composition of Major Motoko Kusanagi seated front-and-center in deep teal tactical wear, with neon-violet accents and exposed thigh—a confident, human\/inhuman allure that mirrors the film’s identity questions. The top band carries the bilingual campaign copy:\u003cbr\u003e\u003cem data-start=\"956\" data-end=\"993\"\u003e“People love machines in 2029 A.D.”\u003c\/em\u003e and \u003cem data-start=\"998\" data-end=\"1071\"\u003e“‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/em\u003e\u003cbr data-start=\"1071\" data-end=\"1074\"\u003eBelow it sits the classic \u003cstrong data-start=\"1100\" data-end=\"1128\"\u003eGHOST △ IN △ THE △ SHELL\u003c\/strong\u003e logotype with Japanese title 「攻殻機動隊」 in metallic ink. The image block is printed over a grainy, out-of-focus background that suggests memory artifacts. A clean, blue-type \u003cstrong data-start=\"1300\" data-end=\"1308\" data-is-only-node=\"\"\u003e1996\u003c\/strong\u003e month grid runs along the lower third (January–December), completing a utilitarian but highly displayable piece of period marketing.\u003c\/p\u003e\n\u003cp data-start=\"1443\" data-end=\"1978\"\u003eWhy collectors care (cult status \u0026amp; context)\u003cbr data-start=\"1486\" data-end=\"1489\"\u003eOshii’s film is a defining work of late-20th-century science fiction whose philosophy and visuals profoundly influenced global cinema (most famously \u003cem data-start=\"1638\" data-end=\"1650\"\u003eThe Matrix\u003c\/em\u003e). Genuine 1995–96 Japanese promo materials—especially \u003cstrong data-start=\"1705\" data-end=\"1724\"\u003ecalendar poster sheets\u003c\/strong\u003e—were printed in smaller numbers for bookstores\/retail partners and were typically discarded after use, making surviving examples scarce. The explicit Watabe\/Kawasaki credit line further distinguishes this piece within the franchise’s vast visual corpus.\u003c\/p\u003e\n\u003cp data-start=\"1980\" data-end=\"2186\"\u003eCondition\u003cbr data-start=\"1989\" data-end=\"1992\"\u003eExcellent. Please review the photos—they show the exact calendar poster for sale. The image of the verso shows two horizontal \"bends\" - these are waves in the paper as the poster was stored for almost three decades in a typical Japanese loose three fold - these are not hard folds and can be easily flattened out without a trace!\u003c\/p\u003e\n\u003cp data-start=\"2188\" data-end=\"2315\"\u003eThis is an original 1996 Japanese promotional calendar poster for \u003cem data-start=\"2253\" data-end=\"2273\"\u003eGhost in the Shell\u003c\/em\u003e.\u003cbr data-start=\"2274\" data-end=\"2277\"\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp data-start=\"2317\" data-end=\"2341\"\u003eIt is over 29 years old!\u003c\/p\u003e\n\u003cp data-start=\"2343\" data-end=\"2380\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56146404835706,"sku":null,"price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/minimal-room-with-a-retro-electronic-piano.jpg?v=1762555285"},{"product_id":"jin-roh-the-wolf-brigade-人狼-jin-roh-original-release-japanese-movie-poster-2000-b2-size-51-73-cm-za408","title":"“Jin-Roh: The Wolf Brigade” (人狼 JIN-ROH), Original Release Japanese Movie Poster 2000, B2 Size (51 × 73 cm) ZA408","description":"\u003cp data-start=\"2296\" data-end=\"2644\"\u003eThis is an original Japanese B2 poster printed in 2000 for the first Japanese theatrical release of \u003cem data-start=\"2396\" data-end=\"2423\"\u003eJin‑Roh: The Wolf Brigade\u003c\/em\u003e (人狼 JIN‑ROH), the acclaimed animated feature directed by Hiroyuki Okiura, written by Mamoru Oshii and produced by Production I.G, with Bandai Visual handling distribution in Japan. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"2646\" data-end=\"2663\"\u003eFilm background\u003c\/p\u003e\n\u003cp data-start=\"2665\" data-end=\"3370\"\u003eSet in an alternate post‑war Japan where Nazi Germany has won World War II, the film follows Kazuki Fuse, a member of the heavily armoured “Kerberos” unit of the Capital Police, as he struggles with guilt after failing to shoot a teenage bomb courier during a riot. Drawn into a relationship with a mysterious young woman linked to the dead girl, Fuse becomes a pawn in a power struggle between rival security agencies, with the fairy tale of “Little Red Riding Hood” used as a haunting metaphor for hunters and prey. Blending political thriller, tragic romance and philosophical meditation on violence, \u003cem data-start=\"3269\" data-end=\"3278\"\u003eJin‑Roh\u003c\/em\u003e is regarded as a key work in Oshii’s Kerberos Saga. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"3372\" data-end=\"3387\"\u003ePoster design\u003c\/p\u003e\n\u003cp data-start=\"3389\" data-end=\"4049\"\u003eThe poster’s composition is stark and lyrical. A huge, melancholy close‑up of the young woman’s face, framed by a deep red hood, fills the upper half of the sheet, evoking the Red Riding Hood motif. Below, Fuse stands with his back to the viewer on a devastated urban landscape, clad in heavy black armour and cradling his rifle, the white “JIN‑ROH” title printed across his shoulders. The glowing calligraphic kanji 「人狼」 slash across the centre in warm gold, their brush strokes echoing muzzle flashes or claw marks, while a vertical tagline runs down the right edge. The cool blue‑to‑violet background gradient emphasises the film’s somber, nocturnal mood.\u003c\/p\u003e\n\u003cp data-start=\"4051\" data-end=\"4162\"\u003eThis poster is in excellent condition (please refer to the imagery of the exact poster for sale).\u003c\/p\u003e\n\u003cp data-start=\"4164\" data-end=\"4190\"\u003eIt is over 25 years old.\u003c\/p\u003e\n\u003cp data-start=\"4192\" data-end=\"4270\"\u003eIt is not a reproduction or a reprint. Certificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56197637964154,"sku":null,"price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-11-19T204339.362.jpg?v=1763552650"},{"product_id":"innocence-イノセンス-original-first-release-japanese-movie-poster-2004-double-sided-b1-size-71-103-cm","title":"“Ghost in the Shell 2: Innocence” (イノセンス), Original First Release Japanese Movie Poster 2004, Double-Sided B1 Size (71 × 103 cm) FA28","description":"\u003cp data-start=\"126\" data-end=\"628\"\u003eThis is an \u003cstrong data-start=\"137\" data-end=\"179\"\u003eoriginal Japanese B1 theatrical poster\u003c\/strong\u003e printed in 2004 for the first release of \u003cem data-start=\"221\" data-end=\"232\"\u003eInnocence\u003c\/em\u003e (イノセンス) (internationally released as \u003cem data-start=\"270\" data-end=\"303\"\u003eGhost in the Shell 2: Innocence\u003c\/em\u003e), Mamoru Oshii’s visually lavish cyberpunk follow-up set in the \u003cem data-start=\"368\" data-end=\"388\"\u003eGhost in the Shell\u003c\/em\u003e universe. \u003cstrong data-start=\"399\" data-end=\"446\"\u003eB1 is the larger Japanese theatrical format\u003c\/strong\u003e (roughly US one-sheet size) and is far less commonly seen than the standard B2, making this an especially desirable display piece in this size. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"630\" data-end=\"1229\"\u003e\u003cem data-start=\"630\" data-end=\"641\"\u003eInnocence\u003c\/em\u003e is a 2004 Japanese animated cyberpunk feature \u003cstrong data-start=\"688\" data-end=\"728\"\u003ewritten and directed by Mamoru Oshii\u003c\/strong\u003e, produced by \u003cstrong data-start=\"742\" data-end=\"760\"\u003eProduction I.G\u003c\/strong\u003e (with production cooperation from \u003cstrong data-start=\"795\" data-end=\"812\"\u003eStudio Ghibli\u003c\/strong\u003e) and released theatrically in Japan on \u003cstrong data-start=\"852\" data-end=\"869\"\u003eMarch 6, 2004\u003c\/strong\u003e, with distribution by \u003cstrong data-start=\"892\" data-end=\"900\"\u003eToho\u003c\/strong\u003e. Loosely based on Masamune Shirow’s \u003cem data-start=\"937\" data-end=\"961\" data-is-only-node=\"\"\u003eThe Ghost in the Shell\u003c\/em\u003e, the story follows Section 9’s Batou and Togusa as they investigate a disturbing case involving advanced gynoid “dolls,” pushing the film’s central questions about consciousness, identity, and what separates humans from machines. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1231\" data-end=\"1794\"\u003eThis distinctive key art is one of the most striking designs associated with the film: Batou’s silhouetted figure cradles his basset hound in the foreground while the background glows with \u003cstrong data-start=\"1420\" data-end=\"1470\"\u003egolden clockwork, gears, and industrial piping\u003c\/strong\u003e, visually echoing the film’s mechanical\/automaton motifs. The bold red vertical Japanese tagline reads:\u003cbr data-start=\"1574\" data-end=\"1577\"\u003e「イノセンス それは、いのち。」\u003cbr data-start=\"1593\" data-end=\"1596\"\u003e(“Innocence—this is life.”)\u003cbr data-start=\"1623\" data-end=\"1626\"\u003eAbove the title, the banner reads 「押井 守 監督作品」 (“A film by Mamoru Oshii”), and the bottom release line confirms the original roadshow date: 「2004年3月6日(土) 全国東宝洋画系ロードショー」.\u003c\/p\u003e\n\u003cp data-start=\"1796\" data-end=\"2217\"\u003eCondition\u003cbr data-start=\"1805\" data-end=\"1808\"\u003eExcellent. \u003cstrong data-start=\"1840\" data-end=\"1856\"\u003eDouble-sided\u003c\/strong\u003e (printing present on the reverse; see photos). Please review the photos (front and back); they show the exact poster for sale. Please also review additional imagery provided.\u003c\/p\u003e\n\u003cp data-start=\"2219\" data-end=\"2328\"\u003eIt is over 21 years old!\u003cbr data-start=\"2243\" data-end=\"2246\"\u003eIt is \u003cstrong data-start=\"2252\" data-end=\"2287\"\u003enot a reproduction or a reprint\u003c\/strong\u003e.\u003cbr data-start=\"2288\" data-end=\"2291\"\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56424764440954,"sku":null,"price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/apartment-dining-room-with-city-views_2.jpg?v=1767694776"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-release-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-j111-copy-1","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Release Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) O717","description":"\u003cp data-end=\"552\" data-start=\"114\"\u003e\u003cem\u003e\u003cstrong\u003eSold at Christie’s New York (Asian Art Week), “Anime Starts Here” (Sale 24872) — Price realised: USD 1,905.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"552\" data-start=\"114\"\u003eThis is an original Japanese theatrical poster printed in 1995 for Mamoru Oshii’s cyber‑punk landmark \u003cstrong data-end=\"246\" data-start=\"216\"\u003eGHOST IN THE SHELL \/ 攻殻機動隊\u003c\/strong\u003e, adapted from Masamune Shirow’s manga and animated by Production I.G, with Japanese theatrical distribution by Shochiku (松竹). Shochiku’s official film database lists the \u003cstrong data-end=\"457\" data-start=\"417\"\u003eoriginal release date as 1995年11月18日\u003c\/strong\u003e and notes the film’s international rollout (日・米・英で同時公開). \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1079\" data-start=\"554\"\u003eA defining work of late‑20th‑century science fiction, Ghost in the Shell helped set the visual and philosophical template for modern cyber‑thrillers—probing selfhood, consciousness, and embodiment in a hyper‑networked near future. Production I.G itself explicitly credits the 1995 film’s world‑shaping impact, noting its influence on global creators including \u003cstrong data-end=\"945\" data-start=\"914\"\u003ethe Wachowskis (The Matrix)\u003c\/strong\u003e and \u003cstrong data-end=\"967\" data-start=\"950\"\u003eJames Cameron\u003c\/strong\u003e, and describing it as a work that revolutionized later SF screen imagery. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1389\" data-start=\"1081\"\u003eIts reputation also reflects genuine cult status: English‑language coverage has long pointed to the film’s dedicated following outside Japan, especially through home video discovery, and its enduring influence on how pop culture imagines cyberspace and “digital selves.” \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"2077\" data-start=\"1832\"\u003ePoster design\u003cbr data-end=\"1848\" data-start=\"1845\"\u003eThis is the most iconic “birth of the cyborg” key art: a kneeling cybernetic figure in a near‑blank, gallery‑white void, tethered by sweeping umbilical cables in black, violet, and red. The bilingual line anchors the composition:\u003c\/p\u003e\n\u003cp data-end=\"2186\" data-start=\"2079\"\u003e“People love machines in 2029 A.D.\u003cbr data-end=\"2116\" data-start=\"2113\"\u003e‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/p\u003e\n\u003cp data-end=\"2288\" data-start=\"2188\"\u003eBelow sits the classic \u003cstrong data-end=\"2247\" data-start=\"2211\"\u003eGHOST △ IN △ THE △ SHELL \/ 攻殻機動隊\u003c\/strong\u003e logotype and full Japanese credit block.\u003c\/p\u003e\n\u003cp data-end=\"2414\" data-start=\"2290\"\u003eThis B2 configuration is especially sought‑after for the bold, stepped \u003cstrong data-end=\"2389\" data-start=\"2361\"\u003eyellow publicity banners\u003c\/strong\u003e at upper right, reading:\u003c\/p\u003e\n\u003cp data-end=\"2546\" data-start=\"2416\"\u003e「世界同時公開決定」 — “Worldwide simultaneous release confirmed.”\u003cbr data-end=\"2475\" data-start=\"2472\"\u003e「この秋、このアニメが映画を進化させる!!」 — “This autumn, this anime will evolve cinema!!”\u003c\/p\u003e\n\u003cp data-end=\"2834\" data-start=\"2548\"\u003eDesign credit is printed on the sheet itself (“Illustrated by Hiroyuki Okiura \/ Designed by Teruhisa Tajima”).\u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"3327\" data-start=\"2836\"\u003eA particularly nice “period” authenticity detail: the bottom line notes \u003cstrong data-end=\"2931\" data-start=\"2908\"\u003e東京国際ファンタスティック映画祭’95\u003c\/strong\u003e (Tokyo International Fantastic Film Festival ’95) and “ワールドプレミア上映” (world premiere screening), echoed in Japanese event reporting that recalls the 1995 Tokyo festival screening of the Oshii film. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003cbr data-end=\"3168\" data-start=\"3165\"\u003eLower right also carries the \u003cstrong data-end=\"3213\" data-start=\"3197\"\u003eDolby Stereo\u003c\/strong\u003e mark and the circular \u003cstrong data-end=\"3242\" data-start=\"3236\"\u003e映倫\u003c\/strong\u003e (Eirin) approval seal—both consistent with original theatrical materials of the era.\u003c\/p\u003e\n\u003cp data-end=\"3839\" data-start=\"3329\"\u003eCondition\u003cbr data-end=\"3341\" data-start=\"3338\"\u003eExcellent overall—\u003cstrong data-end=\"3392\" data-start=\"3359\"\u003everging on close to near mint\u003c\/strong\u003e. Presented in the photos held by magnets (no pinholes), with \u003cstrong data-end=\"3508\" data-start=\"3491\"\u003eno fold lines\u003c\/strong\u003e, no tears, and no staining visible. Whites remain clean, inks are strong and even, and the reverse is blank\/clean with only the lightest age‑appropriate handling evidence at the extreme edges. This is a standout display copy that frames beautifully. Please review the photos (front and detail); they show the exact poster offered.\u003c\/p\u003e\n\u003cp data-end=\"3948\" data-start=\"3841\"\u003eIt is around 30 years old!\u003cbr data-end=\"3870\" data-start=\"3867\"\u003eIt is not a reproduction or a reprint.\u003cbr data-end=\"3911\" data-start=\"3908\"\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56483934634362,"sku":null,"price":1905.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-01-15T135708.647.jpg?v=1768453057"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-release-japanese-movie-poster-1995-ultra-rare-b1-size","title":"“Ghost in the Shell” (攻殻機動隊), Original Release Japanese Movie Poster 1995, Ultra Rare, B1 Size (approx. 73 × 103 cm)","description":"\u003cp data-start=\"342\" data-end=\"624\"\u003e\u003cstrong\u003e*Please note the price is fixed for this item. It is not included in any of our periodic sales (e.g. Black Friday)!*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"342\" data-end=\"624\"\u003eThis is an \u003cstrong data-start=\"353\" data-end=\"414\"\u003eoriginal Japanese theatrical movie poster printed in 1995\u003c\/strong\u003e for \u003cstrong data-start=\"419\" data-end=\"486\"\u003eMamoru Oshii’s cyber-punk landmark \u003cem data-start=\"456\" data-end=\"476\"\u003eGhost in the Shell\u003c\/em\u003e (攻殻機動隊)\u003c\/strong\u003e, adapted from \u003cstrong data-start=\"501\" data-end=\"528\"\u003eMasamune Shirow’s manga\u003c\/strong\u003e and animated by \u003cstrong data-start=\"545\" data-end=\"563\"\u003eProduction I.G\u003c\/strong\u003e, with domestic theatrical distribution by \u003cstrong data-start=\"606\" data-end=\"623\"\u003eShochiku (松竹)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"626\" data-end=\"972\"\u003eShochiku’s official film records list the original Japanese release date as \u003cstrong data-start=\"702\" data-end=\"737\"\u003eNovember 18, 1995 (1995年11月18日)\u003c\/strong\u003e and explicitly note the film’s \u003cstrong data-start=\"769\" data-end=\"863\"\u003esimultaneous international rollout across Japan, the United States, and the United Kingdom\u003c\/strong\u003e—an unusually ambitious strategy at the time, reflecting the studio’s confidence in the film’s global appeal.\u003c\/p\u003e\n\u003cp data-start=\"974\" data-end=\"1595\"\u003eWidely regarded as \u003cstrong data-start=\"993\" data-end=\"1064\"\u003eone of the most influential animated films of the late 20th century\u003c\/strong\u003e, \u003cem data-start=\"1066\" data-end=\"1086\"\u003eGhost in the Shell\u003c\/em\u003e reshaped how science fiction cinema visualizes cyberspace, identity, and embodiment. \u003cstrong data-start=\"1172\" data-end=\"1243\"\u003eProduction I.G has repeatedly acknowledged the film’s global impact\u003c\/strong\u003e, citing its influence on major creators including \u003cstrong data-start=\"1294\" data-end=\"1327\"\u003ethe Wachowskis (\u003cem data-start=\"1312\" data-end=\"1324\"\u003eThe Matrix\u003c\/em\u003e)\u003c\/strong\u003e and \u003cstrong data-start=\"1332\" data-end=\"1349\"\u003eJames Cameron\u003c\/strong\u003e, while English-language criticism has long recognized its cult status outside Japan—particularly through international home-video discovery in the late 1990s. Today, the film is considered a foundational work of modern cyber-thriller aesthetics.\u003c\/p\u003e\n\u003chr data-start=\"1597\" data-end=\"1600\"\u003e\n\u003ch3 data-start=\"1602\" data-end=\"1623\"\u003e\u003cstrong data-start=\"1606\" data-end=\"1623\"\u003ePoster design\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1625\" data-end=\"1899\"\u003eThis poster features the \u003cstrong data-start=\"1650\" data-end=\"1699\"\u003emost iconic “birth of the cyborg” key artwork\u003c\/strong\u003e from \u003cem data-start=\"1705\" data-end=\"1725\"\u003eGhost in the Shell\u003c\/em\u003e:\u003cbr data-start=\"1726\" data-end=\"1729\"\u003ea kneeling cybernetic figure set against a near-blank, gallery-white void, tethered by sweeping \u003cstrong data-start=\"1825\" data-end=\"1868\"\u003eblack, violet, and red umbilical cables\u003c\/strong\u003e that dominate the composition.\u003c\/p\u003e\n\u003cp data-start=\"1901\" data-end=\"2178\"\u003eThe bilingual thematic line anchors the image:\u003cbr data-start=\"1947\" data-end=\"1950\"\u003e\u003cstrong data-start=\"1950\" data-end=\"2059\"\u003e“People love machines in 2029 A.D. ‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/strong\u003e\u003cbr data-start=\"2059\" data-end=\"2062\"\u003eBelow sits the classic \u003cstrong data-start=\"2085\" data-end=\"2121\"\u003eGHOST △ IN △ THE △ SHELL \/ 攻殻機動隊\u003c\/strong\u003e logotype with the full Japanese theatrical credit block.\u003c\/p\u003e\n\u003cp data-start=\"2180\" data-end=\"2452\"\u003eA particularly important authenticity detail: this design includes the \u003cstrong data-start=\"2251\" data-end=\"2302\"\u003estepped yellow publicity banners at upper right\u003c\/strong\u003e, reading:\u003cbr data-start=\"2312\" data-end=\"2315\"\u003e\u003cstrong data-start=\"2315\" data-end=\"2329\"\u003e「世界同時公開決定」\u003c\/strong\u003e (“Worldwide simultaneous release confirmed”)\u003cbr data-start=\"2374\" data-end=\"2377\"\u003e\u003cstrong data-start=\"2377\" data-end=\"2403\"\u003e「この秋、このアニメが映画を進化させる!!」\u003c\/strong\u003e (“This autumn, this anime will evolve cinema!!”)\u003c\/p\u003e\n\u003cp data-start=\"2454\" data-end=\"2594\"\u003eDesign and illustration credits are \u003cstrong data-start=\"2490\" data-end=\"2523\"\u003eprinted directly on the sheet\u003c\/strong\u003e:\u003cbr data-start=\"2524\" data-end=\"2527\"\u003e\u003cstrong data-start=\"2527\" data-end=\"2594\"\u003e“Illustrated by Hiroyuki Okiura \/ Designed by Teruhisa Tajima.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2596\" data-end=\"3010\"\u003eAlong the bottom, the poster references \u003cstrong data-start=\"2636\" data-end=\"2659\"\u003e東京国際ファンタスティック映画祭’95\u003c\/strong\u003e (\u003cem data-start=\"2661\" data-end=\"2710\"\u003eTokyo International Fantastic Film Festival ’95\u003c\/em\u003e) and notes \u003cstrong data-start=\"2722\" data-end=\"2736\"\u003eワールドプレミア上映\u003c\/strong\u003e (“World premiere screening”), aligning precisely with contemporary Japanese reporting on the film’s festival debut. The \u003cstrong data-start=\"2857\" data-end=\"2878\"\u003eDolby Stereo mark\u003c\/strong\u003e and circular \u003cstrong data-start=\"2892\" data-end=\"2920\"\u003e映倫 (Eirin) approval seal\u003c\/strong\u003e appear at lower right—both fully consistent with original theatrical materials from 1995.\u003c\/p\u003e\n\u003chr data-start=\"3012\" data-end=\"3015\"\u003e\n\u003ch3 data-start=\"3017\" data-end=\"3060\"\u003e\u003cstrong data-start=\"3021\" data-end=\"3060\"\u003eB1 format rarity — why this matters\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3062\" data-end=\"3173\"\u003eWhile \u003cem data-start=\"3068\" data-end=\"3088\"\u003eGhost in the Shell\u003c\/em\u003e B2 posters are already highly collectible, \u003cstrong data-start=\"3132\" data-end=\"3172\"\u003ethe B1 format is exponentially rarer\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3175\" data-end=\"3655\"\u003eIn Japan, \u003cstrong data-start=\"3185\" data-end=\"3243\"\u003eB2 posters were the standard commercial display format\u003c\/strong\u003e, printed in relatively large numbers for nationwide cinema distribution. \u003cstrong data-start=\"3317\" data-end=\"3385\"\u003eB1 posters, by contrast, were produced in far smaller quantities\u003c\/strong\u003e, typically reserved for \u003cstrong data-start=\"3410\" data-end=\"3488\"\u003eflagship cinemas, major urban locations, or special promotional placements\u003c\/strong\u003e. For anime titles—especially mid-1990s releases—the survival rate of B1 posters is dramatically lower due to their size, storage difficulty, and limited original use.\u003c\/p\u003e\n\u003cp data-start=\"3657\" data-end=\"4119\"\u003eFor \u003cem data-start=\"3661\" data-end=\"3681\"\u003eGhost in the Shell\u003c\/em\u003e, the \u003cstrong data-start=\"3687\" data-end=\"3749\"\u003eB1 format elevates this artwork to true grail-level status\u003c\/strong\u003e. It is widely understood among collectors that \u003cstrong data-start=\"3797\" data-end=\"3844\"\u003eB1 examples are many times scarcer than B2s\u003c\/strong\u003e, and far less likely to surface on the open market—particularly in this condition. This scale also transforms the visual impact: the sweeping cables and negative space become architectural, making the poster feel closer to a gallery artwork than a conventional movie poster.\u003c\/p\u003e\n\u003chr data-start=\"4121\" data-end=\"4124\"\u003e\n\u003ch3 data-start=\"4126\" data-end=\"4143\"\u003e\u003cstrong data-start=\"4130\" data-end=\"4143\"\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"4145\" data-end=\"4522\"\u003e\u003cstrong data-start=\"4145\" data-end=\"4190\"\u003eExcellent condition — close to near mint.\u003c\/strong\u003e\u003cbr data-start=\"4190\" data-end=\"4193\"\u003eThe poster presents beautifully, with \u003cstrong data-start=\"4231\" data-end=\"4288\"\u003eno fold lines, no tears, no staining, and no pinholes\u003c\/strong\u003e (shown held by magnets only). The whites remain clean and even, inks are strong and unfaded, and the reverse is blank and clean, showing only the lightest age-appropriate handling at the extreme edges. An outstanding display example.\u003c\/p\u003e\n\u003cp data-start=\"4524\" data-end=\"4607\"\u003ePlease review the photos carefully—they show \u003cstrong data-start=\"4569\" data-end=\"4606\"\u003ethe exact poster offered for sale\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-start=\"4609\" data-end=\"4612\"\u003e\n\u003ch3 data-start=\"4614\" data-end=\"4634\"\u003e\u003cstrong data-start=\"4618\" data-end=\"4634\"\u003eAuthenticity\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"4636\" data-end=\"4783\"\u003e\n\u003cli data-start=\"4636\" data-end=\"4682\"\u003e\n\u003cp data-start=\"4638\" data-end=\"4682\"\u003e\u003cstrong data-start=\"4638\" data-end=\"4682\"\u003e100% original Japanese theatrical poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4683\" data-end=\"4704\"\u003e\n\u003cp data-start=\"4685\" data-end=\"4704\"\u003e\u003cstrong data-start=\"4685\" data-end=\"4704\"\u003ePrinted in 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4705\" data-end=\"4740\"\u003e\n\u003cp data-start=\"4707\" data-end=\"4740\"\u003e\u003cstrong data-start=\"4707\" data-end=\"4740\"\u003eNot a reproduction or reprint\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4741\" data-end=\"4783\"\u003e\n\u003cp data-start=\"4743\" data-end=\"4783\"\u003e\u003cstrong data-start=\"4743\" data-end=\"4783\"\u003eCertificate of Authenticity included\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4785\" data-end=\"4815\"\u003e\u003cstrong data-start=\"4785\" data-end=\"4815\"\u003eIt is over 30 years old.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56561489215866,"sku":null,"price":7985.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/room-with-a-contemporary-armchair_5.jpg?v=1770629809"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-release-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-p173","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Release Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) P173","description":"\u003cp data-start=\"113\" data-end=\"737\"\u003eThis is an original Japanese poster printed in \u003cstrong data-start=\"160\" data-end=\"168\"\u003e1995\u003c\/strong\u003e for \u003cstrong data-start=\"173\" data-end=\"191\"\u003eMamoru Oshii’s\u003c\/strong\u003e cyber‑punk landmark \u003cstrong data-start=\"212\" data-end=\"242\"\u003eGhost in the Shell (攻殻機動隊)\u003c\/strong\u003e, based on \u003cstrong data-start=\"253\" data-end=\"274\"\u003eMasamune Shirow’s\u003c\/strong\u003e manga and animated by \u003cstrong data-start=\"297\" data-end=\"315\"\u003eProduction I.G\u003c\/strong\u003e. A defining work of late‑20th‑century science fiction, the film’s meditations on identity and embodiment profoundly influenced global cinema (its impact on \u003cem data-start=\"472\" data-end=\"484\"\u003eThe Matrix\u003c\/em\u003e is widely acknowledged). Period identifiers run along the credit block: \u003cstrong data-start=\"557\" data-end=\"620\"\u003e原作：士郎正宗（講談社『週刊ヤングマガジン』掲載）／監督：押井守／アニメーション制作：プロダクションI.G／配給：松竹\u003c\/strong\u003e, with \u003cstrong data-start=\"627\" data-end=\"675\"\u003e©1995 士郎正宗／講談社・バンダイビジュアル・MANGA ENTERTAINMENT\u003c\/strong\u003e and \u003cstrong data-start=\"680\" data-end=\"696\"\u003eDolby Stereo\u003c\/strong\u003e mark—confirming a genuine theatrical B2.\u003c\/p\u003e\n\u003cp data-start=\"739\" data-end=\"1104\"\u003e\u003cstrong data-start=\"739\" data-end=\"794\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003cbr data-start=\"794\" data-end=\"797\"\u003eAuthentic 1995 Japanese \u003cstrong data-start=\"821\" data-end=\"832\"\u003eB2 (半裁)\u003c\/strong\u003e posters surface only intermittently and command strong international interest from anime, design, and sci‑fi collectors. This variant features the striking \u003cstrong data-start=\"989\" data-end=\"1017\"\u003eyellow publicity banners\u003c\/strong\u003e at upper right, a sought‑after release configuration seldom encountered in high grade.\u003c\/p\u003e\n\u003cp data-start=\"1106\" data-end=\"1547\"\u003e\u003cstrong data-start=\"1106\" data-end=\"1123\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1123\" data-end=\"1126\"\u003eThe key “birth of the cyborg” image: \u003cstrong data-start=\"1163\" data-end=\"1188\"\u003eMajor Motoko Kusanagi\u003c\/strong\u003e kneels against a near‑blank field, umbilical cables arcing in black and red. The bilingual line anchors the composition: \u003cem data-start=\"1310\" data-end=\"1417\"\u003e“People love machines in 2029 A.D. ‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/em\u003e Below sits the classic \u003cstrong data-start=\"1441\" data-end=\"1477\"\u003eGHOST ▵ IN ▵ THE ▵ SHELL \/ 攻殻機動隊\u003c\/strong\u003e logotype and full Japanese credits. The vertical yellow text reads:\u003c\/p\u003e\n\u003cul data-start=\"1548\" data-end=\"1787\"\u003e\n\u003cli data-start=\"1548\" data-end=\"1614\"\u003e\n\u003cp data-start=\"1550\" data-end=\"1614\"\u003e\u003cstrong data-start=\"1550\" data-end=\"1564\"\u003e「世界同時公開決定」\u003c\/strong\u003e — \u003cem data-start=\"1567\" data-end=\"1612\"\u003e“Worldwide simultaneous release confirmed.”\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1615\" data-end=\"1787\"\u003e\n\u003cp data-start=\"1617\" data-end=\"1787\"\u003e\u003cstrong data-start=\"1617\" data-end=\"1643\"\u003e「この秋、このアニメが映画を進化させる!!」\u003c\/strong\u003e — \u003cem data-start=\"1646\" data-end=\"1694\"\u003e“This autumn, this anime will evolve cinema!!”\u003c\/em\u003e\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eA crisp, gallery‑clean layout that has become one of the most iconic visuals of the 1990s.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1789\" data-end=\"2139\"\u003e\u003cstrong data-start=\"1789\" data-end=\"1802\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1802\" data-end=\"1805\"\u003e\u003cstrong data-start=\"1805\" data-end=\"1818\"\u003eExcellent (close to near mint)\u003c\/strong\u003e overall, \u003cstrong data-start=\"1828\" data-end=\"1861\"\u003eunrestored \u0026amp; not linen‑backed\u003c\/strong\u003e. Stored flat\/rolled with \u003cstrong data-start=\"1887\" data-end=\"1904\"\u003eno fold lines\u003c\/strong\u003e; only the lightest handling to extreme edges from prior viewing. Paper is strong and clean; inks are even and rich. \u003cstrong data-start=\"2021\" data-end=\"2058\"\u003ePresents beautifully when framed.\u003c\/strong\u003e Please review the photos (front and detail); they show the exact poster offered.\u003c\/p\u003e\n\u003cp data-start=\"2141\" data-end=\"2260\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is \u003cstrong data-start=\"2147\" data-end=\"2170\"\u003earound 30 years old\u003c\/strong\u003e!\u003cbr data-start=\"2171\" data-end=\"2174\"\u003eIt is \u003cstrong data-start=\"2180\" data-end=\"2187\"\u003enot\u003c\/strong\u003e a reproduction or a reprint.\u003cbr data-start=\"2216\" data-end=\"2219\"\u003e\u003cstrong data-start=\"2219\" data-end=\"2260\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56704159154554,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-03-18T085447.047.jpg?v=1773791711"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-release-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-o103-copy-1","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Release Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) P239","description":"\u003cp data-start=\"113\" data-end=\"656\"\u003eThis is an original Japanese poster printed in \u003cstrong data-start=\"160\" data-end=\"168\"\u003e1995\u003c\/strong\u003e for \u003cstrong data-start=\"173\" data-end=\"191\"\u003eMamoru Oshii’s\u003c\/strong\u003e cyberpunk landmark \u003cstrong data-start=\"211\" data-end=\"241\"\u003eGhost in the Shell (攻殻機動隊)\u003c\/strong\u003e, based on \u003cstrong data-start=\"252\" data-end=\"273\"\u003eMasamune Shirow’s\u003c\/strong\u003e manga and produced by \u003cstrong data-start=\"296\" data-end=\"314\"\u003eProduction I.G\u003c\/strong\u003e. A touchstone that helped define late‑20th‑century sci‑fi, the film’s meditations on identity and consciousness influenced a generation of cinema and visual culture (its impact on \u003cem data-start=\"495\" data-end=\"507\"\u003eThe Matrix\u003c\/em\u003e is famously acknowledged). Issued at the time of release, this scarce \u003cstrong data-start=\"578\" data-end=\"589\"\u003eB2 (半裁)\u003c\/strong\u003e is avidly sought after by anime, cyberpunk, and design collectors.\u003c\/p\u003e\n\u003cp data-start=\"658\" data-end=\"1100\"\u003e\u003cstrong data-start=\"658\" data-end=\"713\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003cbr data-start=\"713\" data-end=\"716\"\u003eOriginal Japanese B2s for the 1995 campaign surface only intermittently and command strong interest worldwide. This sheet carries period identifiers at lower margin—\u003cstrong data-start=\"881\" data-end=\"955\"\u003e©1995 SHIROW MASAMUNE \/ KODANSHA \/ BANDAI VISUAL \/ MANGA ENTERTAINMENT\u003c\/strong\u003e—plus the \u003cstrong data-start=\"965\" data-end=\"972\"\u003eRCA\u003c\/strong\u003e mark and \u003cstrong data-start=\"982\" data-end=\"1002\"\u003eBMG VICTOR, INC.\u003c\/strong\u003e logo, confirming an authentic contemporaneous issue tied to the film’s release and media rollout.\u003c\/p\u003e\n\u003cp data-start=\"1102\" data-end=\"1617\"\u003e\u003cstrong data-start=\"1102\" data-end=\"1119\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1119\" data-end=\"1122\"\u003eNeo‑noir Hong Kong‑style canyons glow under a rose sky while a looming aircraft silhouette cuts across the signage. Along the lower half, \u003cstrong data-start=\"1260\" data-end=\"1340\"\u003evertical panes reveal Major Motoko Kusanagi’s emergence in the “birth tank,”\u003c\/strong\u003e intercut with micro‑vignettes from the film. Bilingual title work—\u003cstrong data-start=\"1407\" data-end=\"1437\"\u003eGHOST IN THE SHELL \/ 攻殻機動隊\u003c\/strong\u003e—sits above the line: \u003cem data-start=\"1459\" data-end=\"1566\"\u003e“People love machines in 2029 A.D. ‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/em\u003e—a perfect encapsulation of the film’s mythic tone.\u003c\/p\u003e\n\u003cp data-start=\"1619\" data-end=\"2051\"\u003e\u003cstrong data-start=\"1619\" data-end=\"1632\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1632\" data-end=\"1635\"\u003e\u003cstrong data-start=\"1635\" data-end=\"1661\"\u003eExcellent\u003c\/strong\u003e: completely \u003cstrong data-start=\"1674\" data-end=\"1688\"\u003eunrestored\u003c\/strong\u003e and \u003cstrong data-start=\"1693\" data-end=\"1713\"\u003enot linen‑backed\u003c\/strong\u003e. Presents \u003cstrong data-start=\"1936\" data-end=\"1963\"\u003ebeautifully when framed\u003c\/strong\u003e. Please review all photographs (front and details); they show the exact poster offered.\u003c\/p\u003e\n\u003cp data-start=\"2053\" data-end=\"2165\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is over \u003cstrong data-start=\"2059\" data-end=\"2071\"\u003e30 years\u003c\/strong\u003e old!\u003cbr data-start=\"2076\" data-end=\"2079\"\u003eIt is \u003cstrong data-start=\"2085\" data-end=\"2092\"\u003enot\u003c\/strong\u003e a reproduction or a reprint.\u003cbr data-start=\"2121\" data-end=\"2124\"\u003e\u003cstrong data-start=\"2124\" data-end=\"2165\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56731752497530,"sku":null,"price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-03-26T125853.355_37a9557b-e775-40e0-9e7c-1dd12d8ec1f0.jpg?v=1774497621"},{"product_id":"kerberos-hellhounds-of-the-watchdog-unit-ケルベロス-地獄の番犬-straydog-kerberos-panzer-cops-original-japanese-release-movie-poster-1991-b2-size-51-73-cm-p266","title":"“Kerberos: Hellhounds of the Watchdog Unit” , Original Japanese Release Movie Poster 1991, B2 Size (51 × 73 cm) P266","description":"\u003cp data-start=\"164\" data-end=\"620\"\u003eThis is an original Japanese B2 poster printed in 1991 for the first Japanese theatrical release of \u003cstrong data-start=\"264\" data-end=\"309\"\u003eKerberos: Hellhounds of the Watchdog Unit\u003c\/strong\u003e (ケルベロス-地獄の番犬), Mamoru Oshii’s live-action science-fiction action film. Produced by Bandai and Fuji Television and distributed by Shochiku, the film opened in Japan on \u003cstrong data-start=\"477\" data-end=\"494\"\u003e23 March 1991\u003c\/strong\u003e and stars \u003cstrong data-start=\"505\" data-end=\"555\"\u003eYoshikatsu Fujiki, Shigeru Chiba, Sue Eaching,\u003c\/strong\u003e and \u003cstrong data-start=\"560\" data-end=\"581\"\u003eTakashi Matsuyama\u003c\/strong\u003e. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"622\" data-end=\"1193\"\u003eFilm background\u003cbr data-start=\"637\" data-end=\"640\"\u003eSet in a near-future world, the film follows a former member of the elite Special Armed Garrison “Kerberos” unit as he becomes entangled in pursuit, betrayal, and political violence. It is one of the key live-action works in Oshii’s broader \u003cstrong data-start=\"881\" data-end=\"898\"\u003eKerberos Saga\u003c\/strong\u003e, and the National Film Archive of Japan identifies it as the live-action follow-up to \u003cstrong data-start=\"985\" data-end=\"1007\"\u003eThe Red Spectacles\u003c\/strong\u003e. The film was also officially invited to the \u003cstrong data-start=\"1053\" data-end=\"1115\"\u003eYubari International Fantastic Adventure Film Festival ’91\u003c\/strong\u003e, a detail echoed on this poster itself. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1905\"\u003ePoster design\u003cbr data-start=\"1208\" data-end=\"1211\"\u003eA superb and highly displayable Japanese design built around the unforgettable image of the \u003cstrong data-start=\"1303\" data-end=\"1319\"\u003eProtect Gear\u003c\/strong\u003e helmet, its glowing red eyes dominating the upper half of the sheet against a cold blue-black field. The huge red title \u003cstrong data-start=\"1440\" data-end=\"1449\"\u003eケルベロス\u003c\/strong\u003e slams across the centre with tremendous force, while the lower montage of stills introduces the film’s urban violence, armed squads, and bleak near-future atmosphere. This example is especially appealing as a \u003cstrong data-start=\"1659\" data-end=\"1686\"\u003e“絶賛上映中” (“Now Showing”)\u003c\/strong\u003e theatrical variant, giving it the feel of an active cinema campaign piece rather than a generic advance poster. It is exactly the sort of bold, menacing early-1990s Japanese sci-fi design that looks exceptional framed.\u003c\/p\u003e\n\u003cp data-start=\"1907\" data-end=\"2271\"\u003eCondition\u003cbr data-start=\"1916\" data-end=\"1919\"\u003eVery Good. Please review the photos—they show the exact poster for sale. It has the expected original fold wear and light age-related handling from period cinema use, with visible horizontal fold lines and minor general wear. The reverse also shows period exhibition markings \/ notes, reinforcing its authenticity as original release-era theatre paper.\u003c\/p\u003e\n\u003cp data-start=\"2273\" data-end=\"2378\"\u003eIt is over 34 years old!\u003cbr data-start=\"2297\" data-end=\"2300\"\u003eIt is not a reproduction or a reprint.\u003cbr data-start=\"2338\" data-end=\"2341\"\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56749785645434,"sku":null,"price":110.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-03-28T161123.072.jpg?v=1774681996"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-japanese-promotional-kodansha-poster-1995-ultra-rare-b2-size-73-51-cm-p292","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Japanese Promotional Kodansha Poster 1995, Ultra Rare, B2 Size (73 × 51 cm) P292","description":"\u003cp data-start=\"125\" data-end=\"790\"\u003eThis is an \u003cstrong data-start=\"136\" data-end=\"176\"\u003eoriginal Japanese promotional poster\u003c\/strong\u003e printed in \u003cstrong data-start=\"188\" data-end=\"196\"\u003e1995\u003c\/strong\u003e for \u003cstrong data-start=\"201\" data-end=\"266\"\u003eMamoru Oshii’s cyber-punk landmark Ghost in the Shell (攻殻機動隊)\u003c\/strong\u003e, based on \u003cstrong data-start=\"277\" data-end=\"304\"\u003eMasamune Shirow’s manga\u003c\/strong\u003e and animated by \u003cstrong data-start=\"321\" data-end=\"340\"\u003eProduction I.G.\u003c\/strong\u003e A defining work of late-20th-century science fiction, the film’s meditations on \u003cstrong data-start=\"421\" data-end=\"461\"\u003eidentity, technology, and embodiment\u003c\/strong\u003e profoundly influenced global cinema. This \u003cstrong data-start=\"504\" data-end=\"545\"\u003escarce horizontal promotional variant\u003c\/strong\u003e carries the period copyright line \u003cstrong data-start=\"580\" data-end=\"648\"\u003e©1995 SHIROW MASAMUNE\/KODANSHA·BANDAI VISUAL·MANGA ENTERTAINMENT\u003c\/strong\u003e, together with the boxed \u003cstrong data-start=\"674\" data-end=\"683\"\u003e“500”\u003c\/strong\u003e mark, print code \u003cstrong data-start=\"701\" data-end=\"713\"\u003e“1195G,”\u003c\/strong\u003e and \u003cstrong data-start=\"718\" data-end=\"727\"\u003eMOVIC\u003c\/strong\u003e logo—clear indicators of an \u003cstrong data-start=\"756\" data-end=\"789\"\u003eauthentic 1995 Japanese issue\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"792\" data-end=\"1284\"\u003e\u003cstrong data-start=\"792\" data-end=\"847\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003cbr data-start=\"847\" data-end=\"850\"\u003eAuthentic \u003cstrong data-start=\"860\" data-end=\"916\"\u003e1995 Japanese Ghost in the Shell promotional posters\u003c\/strong\u003e surface only intermittently and attract strong international demand from \u003cstrong data-start=\"990\" data-end=\"1042\"\u003eanime, cyber-punk, and graphic design collectors\u003c\/strong\u003e. This \u003cstrong data-start=\"1049\" data-end=\"1087\"\u003eKodansha \/ MOVIC landscape variant\u003c\/strong\u003e is especially elusive, \u003cstrong data-start=\"1111\" data-end=\"1168\" data-is-only-node=\"\"\u003emarkedly scarcer than the standard theatrical designs\u003c\/strong\u003e and \u003cstrong data-start=\"1173\" data-end=\"1213\"\u003every seldom found in such high grade\u003c\/strong\u003e. It is also \u003cstrong data-start=\"1226\" data-end=\"1283\"\u003ethe first time we have had this poster in our gallery\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1286\" data-end=\"2278\"\u003e\u003cstrong data-start=\"1286\" data-end=\"1303\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1303\" data-end=\"1306\"\u003eA \u003cstrong data-start=\"1308\" data-end=\"1348\"\u003esuperb, circuitry-framed composition\u003c\/strong\u003e that perfectly captures the film’s \u003cstrong data-start=\"1384\" data-end=\"1410\"\u003etechno-noir atmosphere\u003c\/strong\u003e. The upper left is anchored by the classic \u003cstrong data-start=\"1454\" data-end=\"1484\"\u003eGHOST IN THE SHELL \/ 攻殻機動隊\u003c\/strong\u003e logotype beneath the line: \u003cstrong data-start=\"1512\" data-end=\"1551\" data-is-only-node=\"\"\u003e“People love machines in 2029 A.D.”\u003c\/strong\u003e followed by the haunting question, \u003cstrong data-start=\"1587\" data-end=\"1660\"\u003e“Who are you? Who slips into my robot body and whispers to my ghost?”\u003c\/strong\u003e The central image shows \u003cstrong data-start=\"1685\" data-end=\"1710\"\u003eMajor Motoko Kusanagi\u003c\/strong\u003e crouched with weapon drawn in a shadowed urban canyon, while \u003cstrong data-start=\"1772\" data-end=\"1793\"\u003efive inset scenes\u003c\/strong\u003e run across the lower portion of the design, including \u003cstrong data-start=\"1848\" data-end=\"1948\"\u003eaction imagery, combat stills, the iconic cybernetic “birth” visual, and the underwater portrait\u003c\/strong\u003e. Along the bottom, the world-building text reads: \u003cstrong data-start=\"1999\" data-end=\"2220\"\u003e“It is the year 2029. The corporate network covers the sky. Though electronic data span the globe in pulses of light, information runs so scarce that nations and peoples are barely extant. Welcome to the near future.”\u003c\/strong\u003e A \u003cstrong data-start=\"2223\" data-end=\"2277\"\u003estriking and highly displayable 1990s anime design\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2280\" data-end=\"2749\"\u003e\u003cstrong data-start=\"2280\" data-end=\"2293\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"2293\" data-end=\"2296\"\u003e\u003cstrong data-start=\"2296\" data-end=\"2317\"\u003eNear mint overall\u003c\/strong\u003e, \u003cstrong data-start=\"2319\" data-end=\"2333\"\u003eunrestored\u003c\/strong\u003e and \u003cstrong data-start=\"2338\" data-end=\"2358\"\u003enot linen-backed\u003c\/strong\u003e. Stored flat with \u003cstrong data-start=\"2377\" data-end=\"2394\"\u003eno fold lines\u003c\/strong\u003e; only the most negligible signs of handling at the extreme edges from age and prior storage. Paper is \u003cstrong data-start=\"2497\" data-end=\"2516\"\u003eclean and fresh\u003c\/strong\u003e, colours remain \u003cstrong data-start=\"2533\" data-end=\"2555\"\u003edeep and saturated\u003c\/strong\u003e, and the blank reverse is equally well preserved. \u003cstrong data-start=\"2606\" data-end=\"2650\"\u003ePresents exceptionally well when framed.\u003c\/strong\u003e Please review the photos (\u003cstrong data-start=\"2677\" data-end=\"2707\"\u003efront, detail, and reverse\u003c\/strong\u003e); they show the \u003cstrong data-start=\"2724\" data-end=\"2748\"\u003eexact poster offered\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2751\" data-end=\"2870\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"2751\" data-end=\"2781\"\u003eIt is around 30 years old!\u003c\/strong\u003e\u003cbr data-start=\"2781\" data-end=\"2784\"\u003e\u003cstrong data-start=\"2784\" data-end=\"2826\"\u003eIt is not a reproduction or a reprint.\u003c\/strong\u003e\u003cbr data-start=\"2826\" data-end=\"2829\"\u003e\u003cstrong data-start=\"2829\" data-end=\"2870\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56767668650362,"sku":null,"price":725.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-04-03T135052.821.jpg?v=1775191895"},{"product_id":"ghost-in-the-shell-original-release-gekijo-ban-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-o106-1","title":"\"Ghost in the Shell\", Original Release \"Gekijo-ban\" Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) O106","description":"\u003cp data-start=\"105\" data-end=\"689\"\u003eThis is an original Japanese poster printed \u003cstrong data-start=\"149\" data-end=\"159\"\u003e1995\u003c\/strong\u003e for \u003cstrong data-start=\"164\" data-end=\"182\"\u003eMamoru Oshii’s\u003c\/strong\u003e cyber‑punk landmark \u003cstrong data-start=\"203\" data-end=\"233\"\u003eGhost in the Shell (攻殻機動隊)\u003c\/strong\u003e, based on \u003cstrong data-start=\"244\" data-end=\"265\"\u003eMasamune Shirow’s\u003c\/strong\u003e manga and produced by \u003cstrong data-start=\"288\" data-end=\"306\"\u003eProduction I.G\u003c\/strong\u003e. A defining work of late‑20th‑century science fiction, its meditations on identity and embodiment profoundly influenced global cinema (its impact on \u003cem data-start=\"456\" data-end=\"468\"\u003eThe Matrix\u003c\/em\u003e is widely acknowledged). Period identifiers are present at lower left: \u003cstrong data-start=\"540\" data-end=\"626\"\u003e©1994 Shirow Masamune. Illustration by Hiroyuki Okiura. Designed by Thesedays Inc.\u003c\/strong\u003e—confirming a genuine, contemporaneous Japanese campaign sheet. It is a \"Gekijo-ban\" poster!\u003c\/p\u003e\n\u003cp data-start=\"691\" data-end=\"1053\"\u003e\u003cstrong data-start=\"691\" data-end=\"746\"\u003eWhy this example is extraordinary (rarity \u0026amp; market)\u003c\/strong\u003e\u003cbr data-start=\"746\" data-end=\"749\"\u003eAuthentic Japanese B2s for the 1995 release surface only intermittently and command strong international interest from anime, design, and sci‑fi collectors. This minimalist “birth of the cyborg” variant is one of the \u003cstrong data-start=\"966\" data-end=\"982\"\u003emost coveted\u003c\/strong\u003e images from the campaign—often referenced, seldom found in high grade.\u003c\/p\u003e\n\u003cp data-start=\"1055\" data-end=\"1685\"\u003e\u003cstrong data-start=\"1055\" data-end=\"1072\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1072\" data-end=\"1075\"\u003eMajor \u003cstrong data-start=\"1081\" data-end=\"1100\"\u003eMotoko Kusanagi\u003c\/strong\u003e kneels against an almost blank, cream field, umbilical cables sweeping in arcs of black and red—an elegant visualization of mankind wired to the machine. The bilingual line anchors the composition: \u003cem data-start=\"1299\" data-end=\"1406\"\u003e“People love machines in 2029 A.D. ‘Who are you? Who slips into my robot body and whispers to my ghost?’”\u003c\/em\u003e The classic \u003cstrong data-start=\"1419\" data-end=\"1447\"\u003eGHOST ▵ IN ▵ THE ▵ SHELL\u003c\/strong\u003e logotype and full credits (script \u003cstrong data-start=\"1482\" data-end=\"1498\" data-is-only-node=\"\"\u003eKazunori Itō\u003c\/strong\u003e, director \u003cstrong data-start=\"1509\" data-end=\"1525\"\u003eMamoru Oshii\u003c\/strong\u003e, animation director \u003cstrong data-start=\"1546\" data-end=\"1569\"\u003eToshihiko Nishikubo\u003c\/strong\u003e, character designer \u003cstrong data-start=\"1590\" data-end=\"1609\"\u003eHiroyuki Okiura\u003c\/strong\u003e, art director \u003cstrong data-start=\"1624\" data-end=\"1642\"\u003eHiromasa Ogura\u003c\/strong\u003e) complete an iconic, gallery‑clean layout.\u003c\/p\u003e\n\u003cp data-start=\"1687\" data-end=\"2037\"\u003e\u003cstrong data-start=\"1687\" data-end=\"1700\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1700\" data-end=\"1703\"\u003e\u003cstrong data-start=\"1703\" data-end=\"1716\"\u003eExcellent\u003c\/strong\u003e overall, \u003cstrong data-start=\"1726\" data-end=\"1759\"\u003eunrestored \u0026amp; not linen‑backed\u003c\/strong\u003e. Stored flat\/rolled with \u003cstrong data-start=\"1785\" data-end=\"1802\"\u003eno fold lines\u003c\/strong\u003e; only the lightest handling to extreme edges from past viewing. Paper is strong and clean; inks are crisp and even. \u003cstrong data-start=\"1919\" data-end=\"1956\"\u003ePresents beautifully when framed.\u003c\/strong\u003e Please review the photos (front and detail); they show the exact poster offered.\u003c\/p\u003e\n\u003cp data-start=\"2039\" data-end=\"2158\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is \u003cstrong data-start=\"2045\" data-end=\"2068\"\u003eover 30 years old\u003c\/strong\u003e!\u003cbr data-start=\"2069\" data-end=\"2072\"\u003eIt is \u003cstrong data-start=\"2078\" data-end=\"2085\"\u003enot\u003c\/strong\u003e a reproduction or a reprint.\u003cbr data-start=\"2114\" data-end=\"2117\"\u003e\u003cstrong data-start=\"2117\" data-end=\"2158\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003cstrong data-end=\"1953\" data-start=\"1940\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56770260042106,"sku":null,"price":950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-04-04T165424.485.jpg?v=1775289289"},{"product_id":"ghost-in-the-shell-stand-alone-complex-攻殻機動隊-stand-alone-complex-original-japanese-playstation-2-promotional-poster-2004-b2-size-51-73-cm-q11","title":"“Ghost in the Shell: Stand Alone Complex” (攻殻機動隊 STAND ALONE COMPLEX), Original Japanese PlayStation 2 Promotional Poster 2004, B2 Size (51 × 73 cm) Q11","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69c08a3e-a300-83a4-805e-b9361b92a1b5-18\" data-testid=\"conversation-turn-166\" data-scroll-anchor=\"true\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"405f8c3b-159b-4523-96fa-b6aa6afc03f1\" dir=\"auto\" data-message-model-slug=\"gpt-5-4-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"154\" data-end=\"733\"\u003eThis is an original Japanese B2 promotional poster issued in \u003cstrong data-start=\"215\" data-end=\"223\"\u003e2004\u003c\/strong\u003e for the \u003cstrong data-start=\"232\" data-end=\"249\"\u003ePlayStation 2\u003c\/strong\u003e video game \u003cstrong data-start=\"261\" data-end=\"304\"\u003eGhost in the Shell: Stand Alone Complex\u003c\/strong\u003e. Produced as an official Japanese marketing poster for the game’s launch, it is a striking piece of early-2000s cyberpunk game ephemera, built around one of the franchise’s most iconic images: \u003cstrong data-start=\"498\" data-end=\"517\"\u003eMotoko Kusanagi\u003c\/strong\u003e standing against a night skyline in her cybernetic suit. The poster prominently features the Japanese release date of \u003cstrong data-start=\"636\" data-end=\"652\"\u003e4 March 2004\u003c\/strong\u003e (\u003cstrong data-start=\"654\" data-end=\"668\"\u003e2004.03.04\u003c\/strong\u003e), making it a highly specific and desirable period release item.\u003c\/p\u003e\n\u003cp data-start=\"735\" data-end=\"1320\"\u003e\u003cstrong data-start=\"735\" data-end=\"749\"\u003eBackground\u003c\/strong\u003e\u003cbr data-start=\"749\" data-end=\"752\"\u003eBy 2004, \u003cstrong data-start=\"761\" data-end=\"804\"\u003eGhost in the Shell: Stand Alone Complex\u003c\/strong\u003e had already established itself as one of the most important and visually distinctive branches of the wider Ghost in the Shell universe. The PlayStation 2 game was released as part of that wave, bringing the world of Section 9, cybernetic warfare, and near-future counter-terror operations into interactive form. The poster also references \u003cstrong data-start=\"1144\" data-end=\"1163\"\u003eProduction I.G.\u003c\/strong\u003e, the studio behind the anime series, reinforcing the game’s close connection to the visual world that made Stand Alone Complex such a major sci-fi property.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1908\"\u003e\u003cstrong data-start=\"1322\" data-end=\"1339\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1339\" data-end=\"1342\"\u003eThis is a superb and highly displayable design. The composition is dominated by a large full-body image of \u003cstrong data-start=\"1449\" data-end=\"1468\"\u003eMotoko Kusanagi\u003c\/strong\u003e, rendered in cool metallic tones against a moody urban waterfront skyline. The glowing red title \u003cstrong data-start=\"1566\" data-end=\"1595\"\u003e攻殻機動隊 STAND ALONE COMPLEX\u003c\/strong\u003e cuts across the centre with tremendous force, while the lower section includes period launch details, gameplay stills, pricing, and campaign information tied to the original Japanese release. The result is exactly what one wants from a 2004 cyberpunk game poster: sleek, futuristic, and immediately recognisable.\u003c\/p\u003e\n\u003cp data-start=\"1910\" data-end=\"2010\"\u003e\u003cstrong data-start=\"1910\" data-end=\"1923\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1923\" data-end=\"1926\"\u003eExcellent \/ Near Mint. Please review the photos—they show the exact poster for sale.\u003c\/p\u003e\n\u003cp data-start=\"2012\" data-end=\"2129\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is \u003cstrong data-start=\"2018\" data-end=\"2040\"\u003eover 22 years old!\u003c\/strong\u003e\u003cbr data-start=\"2040\" data-end=\"2043\"\u003eIt is \u003cstrong data-start=\"2049\" data-end=\"2085\"\u003enot a reproduction or a reprint.\u003c\/strong\u003e\u003cbr data-start=\"2085\" data-end=\"2088\"\u003e\u003cstrong data-start=\"2088\" data-end=\"2129\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56771689611642,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-04-05T203222.065.jpg?v=1775388783"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-japanese-first-release-cinema-pamphlet-1995-b4-size-c-26-36-cm","title":"“Ghost in the Shell” (攻殻機動隊), Original Japanese First-Release Cinema Pamphlet 1995, B4 Size (c. 26 × 36 cm) Q66","description":"\u003cp data-start=\"109\" data-end=\"537\"\u003eThis is an original Japanese first-release cinema pamphlet issued for the 1995 theatrical release of \u003cstrong data-start=\"210\" data-end=\"232\"\u003eGhost in the Shell\u003c\/strong\u003e (攻殻機動隊), Mamoru Oshii’s landmark cyberpunk anime adapted from Shirow Masamune’s manga. In Japan, these cinema pamphlets were sold at theatres as premium souvenirs rather than distributed as ordinary advertising, and first-release examples for major anime titles are now highly sought after by collectors.\u003c\/p\u003e\n\u003cp data-start=\"539\" data-end=\"558\"\u003ePamphlet background\u003c\/p\u003e\n\u003cp data-start=\"560\" data-end=\"1025\"\u003eIssued for the film’s Japanese premiere on \u003cstrong data-start=\"603\" data-end=\"623\"\u003e18 November 1995\u003c\/strong\u003e, this programme belongs to the very first wave of material produced for the film’s domestic launch, before its later elevation into one of the most influential and internationally celebrated anime works ever made. As such, it is not merely ancillary merchandise but an important contemporary document of how \u003cem data-start=\"932\" data-end=\"952\"\u003eGhost in the Shell\u003c\/em\u003e was originally presented to Japanese audiences at the moment of release.\u003c\/p\u003e\n\u003cp data-start=\"1027\" data-end=\"1046\"\u003eContents and design\u003c\/p\u003e\n\u003cp data-start=\"1048\" data-end=\"1660\"\u003eThis pamphlet is in the larger \u003cstrong data-start=\"1079\" data-end=\"1092\"\u003eB4 format\u003c\/strong\u003e, with a rich mixture of production imagery, design material, character information, and world-building content. It is especially valued for presenting the film’s visual universe in a format closer to an art programme than a simple brochure. As noted, examples from this release are known to include a set of large-format panels and substantial background material from Oshii’s production team, giving the booklet real archival value for collectors interested in the film’s development, design language, and early reception.\u003c\/p\u003e\n\u003cp data-start=\"1662\" data-end=\"2153\"\u003eThe front cover is instantly recognisable: Major Kusanagi dominates the composition in one of the film’s most iconic early images, with the English \u003cstrong data-start=\"1810\" data-end=\"1832\"\u003eGHOST IN THE SHELL\u003c\/strong\u003e title in bold red across the lower half. The reverse is equally important for collectors, featuring a \u003cstrong data-start=\"1935\" data-end=\"1961\"\u003eperiod-correct Pioneer\u003c\/strong\u003e advertisement. That back-cover advert is one of the clearest tells that this is an authentic original issue from the time of the film’s first release, and not a later reproduction or reprint.\u003c\/p\u003e\n\u003cp data-start=\"2155\" data-end=\"2178\"\u003eWhy collectors prize it\u003c\/p\u003e\n\u003cp data-start=\"2180\" data-end=\"2275\"\u003e\u003cstrong data-start=\"2180\" data-end=\"2222\"\u003eFirst-release Japanese cinema pamphlet\u003c\/strong\u003e for one of the most important anime films ever made.\u003c\/p\u003e\n\u003cp data-start=\"2277\" data-end=\"2382\"\u003eA significant \u003cstrong data-start=\"2291\" data-end=\"2312\"\u003ehistorical record\u003c\/strong\u003e of the film before its full global rise to cult and canonical status.\u003c\/p\u003e\n\u003cp data-start=\"2384\" data-end=\"2481\"\u003eThe \u003cstrong data-start=\"2388\" data-end=\"2424\"\u003ePioneer back-cover advertisement\u003c\/strong\u003e is a key period detail and a strong authenticity marker.\u003c\/p\u003e\n\u003cp data-start=\"2483\" data-end=\"2632\"\u003eLarger \u003cstrong data-start=\"2490\" data-end=\"2503\"\u003eB4 format\u003c\/strong\u003e gives it excellent visual presence and makes it especially appealing alongside original posters and other 1995 release material.\u003c\/p\u003e\n\u003cp data-start=\"2634\" data-end=\"2643\"\u003eCondition\u003c\/p\u003e\n\u003cp data-start=\"2645\" data-end=\"3005\"\u003eExcellent. Please review the photos—they show the exact pamphlet for sale. \u003c\/p\u003e\n\u003cp data-start=\"3007\" data-end=\"3033\"\u003eIt is almost 30 years old!\u003c\/p\u003e\n\u003cp data-start=\"3035\" data-end=\"3073\"\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp data-start=\"3075\" data-end=\"3112\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56818351735162,"sku":null,"price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/image1_30fe99c2-8397-4e68-b960-a921721cae8b.jpg?v=1776508171"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-release-japanese-movie-poster-1995-ultra-rare-b2-size-51-73-cm-o717-copy","title":"\"Ghost in the Shell\" (攻殻機動隊), Original Release Japanese Movie Poster 1995, Ultra Rare, B2 Size (51 × 73 cm) Q117","description":"\u003cp data-start=\"110\" data-end=\"328\"\u003eThis is an \u003cstrong data-start=\"121\" data-end=\"163\"\u003eoriginal Japanese theatrical B2 poster\u003c\/strong\u003e printed in 1995 for Mamoru Oshii’s cyberpunk landmark \u003cem data-start=\"218\" data-end=\"238\"\u003eGhost in the Shell\u003c\/em\u003e \/ \u003cstrong data-start=\"241\" data-end=\"250\"\u003e攻殻機動隊\u003c\/strong\u003e, adapted from \u003cstrong data-start=\"265\" data-end=\"292\"\u003eMasamune Shirow’s manga\u003c\/strong\u003e and animated by \u003cstrong data-start=\"309\" data-end=\"327\"\u003eProduction I.G\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"330\" data-end=\"739\"\u003eThis is one of the most important Japanese anime posters of the 1990s. \u003cem data-start=\"401\" data-end=\"421\"\u003eGhost in the Shell\u003c\/em\u003e helped define the visual language of modern cyberpunk cinema, combining philosophical science fiction with images of networks, artificial bodies, surveillance, memory, and consciousness. More than thirty years later, its influence remains central to the way global cinema and popular culture imagine the digital self.\u003c\/p\u003e\n\u003cp data-start=\"741\" data-end=\"1135\"\u003eThe film’s reputation is exceptional. Directed by \u003cstrong data-start=\"791\" data-end=\"807\"\u003eMamoru Oshii\u003c\/strong\u003e, with animation by \u003cstrong data-start=\"827\" data-end=\"845\"\u003eProduction I.G\u003c\/strong\u003e, it became one of the key Japanese animated films to reach an international audience in the 1990s. Its impact on later science fiction cinema is widely recognised, particularly in relation to cyber-thrillers, artificial intelligence, and the merging of human identity with machine systems.\u003c\/p\u003e\n\u003cp data-start=\"1137\" data-end=\"1495\"\u003eThis B2 is one of the most desirable original Japanese posters for the film. It is not only a theatrical release poster, but one of the most iconic printed images associated with \u003cem data-start=\"1316\" data-end=\"1336\"\u003eGhost in the Shell\u003c\/em\u003e: the “birth of the cyborg” composition, with Major Motoko Kusanagi suspended in a near-blank white field, connected by sweeping black, violet, and red cables.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1610\"\u003e\u003cstrong data-start=\"1497\" data-end=\"1610\"\u003eA holy grail Japanese anime poster for one of the most influential science-fiction films ever made.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 data-section-id=\"wrxkpj\" data-start=\"1612\" data-end=\"1621\"\u003eDesign\u003c\/h4\u003e\n\u003cp data-start=\"1623\" data-end=\"1707\"\u003eThe design is among the most recognisable Japanese anime poster images of the 1990s.\u003c\/p\u003e\n\u003cp data-start=\"1709\" data-end=\"2090\"\u003eAt the centre of the composition is the cybernetic body of \u003cstrong data-start=\"1768\" data-end=\"1787\"\u003eMotoko Kusanagi\u003c\/strong\u003e, kneeling in a stripped-back white space, head tilted upward, handgun in hand, and connected by thick umbilical cables. The emptiness of the background gives the image a clinical, almost sacred quality, turning the character into a figure of technological birth, transformation, and uncertain identity.\u003c\/p\u003e\n\u003cp data-start=\"2092\" data-end=\"2178\"\u003eThe bilingual English line below the image anchors the philosophical tone of the film:\u003c\/p\u003e\n\u003cp data-start=\"2180\" data-end=\"2295\"\u003e\u003cstrong data-start=\"2180\" data-end=\"2219\"\u003e“People love machines in 2029 A.D.”\u003c\/strong\u003e\u003cbr data-start=\"2219\" data-end=\"2222\"\u003e\u003cstrong data-start=\"2222\" data-end=\"2295\"\u003e“Who are you? Who slips into my robot body and whispers to my ghost?”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2297\" data-end=\"2411\"\u003eBeneath this sits the classic \u003cstrong data-start=\"2327\" data-end=\"2363\"\u003eGHOST △ IN △ THE △ SHELL \/ 攻殻機動隊\u003c\/strong\u003e title treatment and full Japanese credit block.\u003c\/p\u003e\n\u003cp data-start=\"2413\" data-end=\"2490\"\u003eThe upper-right yellow publicity banners are especially important. They read:\u003c\/p\u003e\n\u003cp data-start=\"2492\" data-end=\"2550\"\u003e\u003cstrong data-start=\"2492\" data-end=\"2504\"\u003e世界同時公開決定\u003c\/strong\u003e\u003cbr data-start=\"2504\" data-end=\"2507\"\u003e“Worldwide simultaneous release confirmed.”\u003c\/p\u003e\n\u003cp data-start=\"2552\" data-end=\"2625\"\u003e\u003cstrong data-start=\"2552\" data-end=\"2576\"\u003eこの秋、このアニメが映画を進化させる!!\u003c\/strong\u003e\u003cbr data-start=\"2576\" data-end=\"2579\"\u003e“This autumn, this anime will evolve cinema!!”\u003c\/p\u003e\n\u003cp data-start=\"2839\" data-end=\"2903\"\u003eThe lower credit area also includes the important period detail:\u003c\/p\u003e\n\u003cp data-start=\"2905\" data-end=\"3021\"\u003e\u003cstrong data-start=\"2905\" data-end=\"2940\"\u003e東京国際ファンタスティック映画祭’95にてワールドプレミア上映\u003c\/strong\u003e\u003cbr data-start=\"2940\" data-end=\"2943\"\u003e“World premiere screening at Tokyo International Fantastic Film Festival ’95.”\u003c\/p\u003e\n\u003cp data-start=\"3023\" data-end=\"3069\"\u003eThe printed design credits at the bottom read:\u003c\/p\u003e\n\u003cp data-start=\"3071\" data-end=\"3135\"\u003e\u003cstrong data-start=\"3071\" data-end=\"3135\"\u003eIllustrated by Hiroyuki Okiura \/ Designed by Teruhisa Tajima\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3137\" data-end=\"3280\"\u003eThese details are highly desirable for collectors, as they connect the poster directly to the film’s original production and campaign identity.\u003c\/p\u003e\n\u003ch4 data-section-id=\"1gj13r\" data-start=\"3282\" data-end=\"3318\"\u003eRarity and Collector Significance\u003c\/h4\u003e\n\u003cp data-start=\"3320\" data-end=\"3437\"\u003eOriginal Japanese B2 posters for \u003cem data-start=\"3353\" data-end=\"3373\"\u003eGhost in the Shell\u003c\/em\u003e are among the most sought-after modern anime posters we handle.\u003c\/p\u003e\n\u003cp data-start=\"3439\" data-end=\"3724\"\u003eThe film sits at the intersection of several major collecting fields: \u003cstrong data-start=\"3509\" data-end=\"3644\"\u003eJapanese animation, cyberpunk cinema, science fiction, manga adaptation, Production I.G, Mamoru Oshii, and 1990s global cult cinema\u003c\/strong\u003e. For many collectors, this is one of the essential anime posters of the decade.\u003c\/p\u003e\n\u003cp data-start=\"3726\" data-end=\"4016\"\u003eIts importance also lies in the fact that the image is not simply decorative. It distils the central idea of the film: the human body transformed into machinery, the mind distributed through networks, and the question of whether identity can survive once the body itself becomes artificial.\u003c\/p\u003e\n\u003cp data-start=\"4018\" data-end=\"4105\"\u003eFor a serious collector of Japanese anime cinema paper, this is an acquisition-tier B2.\u003c\/p\u003e\n\u003ch4 data-section-id=\"hrykuu\" data-start=\"5119\" data-end=\"5131\"\u003eCondition\u003c\/h4\u003e\n\u003cp data-start=\"5133\" data-end=\"5230\"\u003e\u003cstrong data-start=\"5133\" data-end=\"5230\"\u003eExcellent overall presentation. Please review the photos—they show the exact poster for sale.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"5232\" data-end=\"5460\"\u003eThis is a \u003cstrong data-start=\"5242\" data-end=\"5265\"\u003ecinema-used example\u003c\/strong\u003e. The lower edge shows signs of where the poster was originally stuck up and displayed, and there is a \u003cstrong data-start=\"5368\" data-end=\"5399\"\u003etiny pinhole in each corner\u003c\/strong\u003e. These are minor, period-consistent signs of theatrical use.\u003c\/p\u003e\n\u003cp data-start=\"5462\" data-end=\"5773\"\u003eThe poster remains in excellent overall condition, with strong colour, clean whites, and superb display impact. The reverse shows light age-appropriate evidence of handling and display, consistent with an original theatrical poster of this type.\u003c\/p\u003e\n\u003cp data-start=\"5775\" data-end=\"5829\"\u003eWe have taken the condition into account when pricing.\u003c\/p\u003e\n\u003cp data-start=\"5831\" data-end=\"5861\"\u003eIt is \u003cstrong data-start=\"5837\" data-end=\"5860\"\u003earound 31 years old\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"5863\" data-end=\"5905\"\u003eIt is \u003cstrong data-start=\"5869\" data-end=\"5904\"\u003enot a reproduction or a reprint\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"5907\" data-end=\"5948\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"5907\" data-end=\"5948\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56883658129786,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-05-13T093017.279.jpg?v=1778632230"},{"product_id":"ghost-in-the-shell-攻殻機動隊-original-release-japanese-movie-poster-1995-ultra-rare-b1-size-approx-73-103-cm-copy","title":"“Ghost in the Shell” (攻殻機動隊), Scarce Original Japanese Artpresto CYBERNETICS 5 Untrimmed Production‑Proof \/ Printer‑Control Sheet 1997, Large Format c. 78.5 × 59 cm Q145","description":"\u003cp data-end=\"576\" data-start=\"170\"\u003eThis is an \u003cstrong data-end=\"243\" data-start=\"181\"\u003eoriginal Japanese Artpresto large-format promotional sheet\u003c\/strong\u003e for \u003cem data-end=\"268\" data-start=\"248\"\u003eGhost in the Shell\u003c\/em\u003e, produced in Japan in 1997 and preserved in an unusually revealing \u003cstrong data-end=\"390\" data-start=\"336\"\u003euntrimmed production-proof \/ printer-control state\u003c\/strong\u003e. Rather than a standard finished wall poster, this example retains its wide raw factory margins, crop and registration marks, colour-control strip, and lower-margin production metadata.\u003c\/p\u003e\n\u003cp data-end=\"949\" data-start=\"578\"\u003eThe sheet is marked \u003cstrong data-end=\"632\" data-start=\"598\"\u003e“ARTPRESTO 1997 MADE IN JAPAN”\u003c\/strong\u003e and carries the rights line \u003cstrong data-end=\"735\" data-start=\"661\"\u003e©1995 Masamune Shirow \/ Kodansha \/ Bandai Visual \/ MANGA ENTERTAINMENT\u003c\/strong\u003e. Artpresto was active in official character goods, posters, and specialty printed promotional material.\u003c\/p\u003e\n\u003cp data-end=\"1308\" data-start=\"1279\"\u003e\u003cstrong data-end=\"1308\" data-start=\"1279\"\u003eDating and identification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1522\" data-start=\"1310\"\u003eThe lower production margin contains printed technical information including \u003cstrong data-end=\"1396\" data-start=\"1387\"\u003eCMYBk\u003c\/strong\u003e, \u003cstrong data-end=\"1426\" data-start=\"1398\"\u003e“Job Name: koukaku_T_ap”\u003c\/strong\u003e, \u003cstrong data-end=\"1454\" data-start=\"1428\"\u003e“Folder No.3 Top flat”\u003c\/strong\u003e, and the Japanese output line \u003cstrong data-end=\"1521\" data-start=\"1485\"\u003e出力日時：1997年06月06日（金）21時36分28秒 JST\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"1916\" data-start=\"1524\"\u003eThis identifies the sheet as a production-stage object connected to the print workflow. The Japanese term \u003cstrong data-end=\"1638\" data-start=\"1630\"\u003e出力日時\u003c\/strong\u003e is best understood as \u003cstrong data-end=\"1681\" data-start=\"1661\"\u003eoutput date\/time\u003c\/strong\u003e, rather than a handwritten annotation or later seller description. The timestamp places the sheet on \u003cstrong data-end=\"1814\" data-start=\"1783\"\u003e6 June 1997 at 21:36:28 JST\u003c\/strong\u003e, in the same period as the broader 1997 \u003cem data-end=\"1875\" data-start=\"1855\"\u003eGhost in the Shell\u003c\/em\u003e merchandising and promotional programme.\u003c\/p\u003e\n\u003cp data-end=\"2367\" data-start=\"1918\"\u003eThe retained margins are central to the object’s significance. The right edge shows a full vertical \u003cstrong data-end=\"2047\" data-start=\"2018\"\u003eCMYK colour-control strip\u003c\/strong\u003e, while the upper and side edges preserve crop and alignment guides. These features would normally be outside the finished image area and removed or excluded from a standard trimmed poster. This example is an \u003cstrong data-end=\"2366\" data-start=\"2311\"\u003euntrimmed printer-control or production-proof sheet\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"2748\" data-start=\"2369\"\u003eThe circular device at upper left reads \u003cstrong data-end=\"2428\" data-start=\"2409\"\u003e“5 CYBERNETICS”\u003c\/strong\u003e, identifying this as the \u003cstrong data-end=\"2471\" data-start=\"2454\"\u003eCYBERNETICS 5\u003c\/strong\u003e design within Artpresto’s numbered \u003cem data-end=\"2527\" data-start=\"2507\"\u003eGhost in the Shell\u003c\/em\u003e CYBERNETICS sequence. Publicly documented examples from related CYBERNETICS numbers suggest a broader numbered series, making this a scarce surviving example from that production group rather than a one-off retail issue.\u003c\/p\u003e\n\u003cp data-end=\"2767\" data-start=\"2750\"\u003e\u003cstrong data-end=\"2767\" data-start=\"2750\"\u003ePoster design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"3136\" data-start=\"2769\"\u003eThe composition is a densely layered cyberpunk montage centred on \u003cstrong data-end=\"2860\" data-start=\"2835\"\u003eMajor Motoko Kusanagi\u003c\/strong\u003e, shown in the foreground holding a compact firearm against a luminous mechanical landscape. Her figure is rendered in deep violet, red, and blue tones, merging human anatomy with synthetic surface and suggesting the film’s central tension between body, machine, and identity.\u003c\/p\u003e\n\u003cp data-end=\"3479\" data-start=\"3138\"\u003eBehind her rises a pale cybernetic face, fractured by red circuit-like lines and partially overlaid with exposed mechanical structures. A futuristic city skyline occupies the upper left field, while a hovering rotor craft projects a vertical red beam downward, intensifying the sense of surveillance, intervention, and technological control.\u003c\/p\u003e\n\u003cp data-end=\"3909\" data-start=\"3481\"\u003eAt the right edge, the title \u003cstrong data-end=\"3532\" data-start=\"3510\"\u003eGHOST IN THE SHELL\u003c\/strong\u003e appears in a tall vertical masthead over a dark, neon architectural ground. The typography is metallic and imposing, integrated with red linear circuitry and digital colour fragments. The overall design has the visual character of a late-1990s Japanese specialty print: saturated, reflective, highly graphic, and unmistakably tied to the cybernetic aesthetic of the franchise.\u003c\/p\u003e\n\u003cp data-end=\"4268\" data-start=\"3911\"\u003eThe sheet is printed on a \u003cstrong data-end=\"4011\" data-start=\"3948\"\u003emetallic finished reflective substrate (not normal paper stock)\u003c\/strong\u003e, with a pronounced sheen visible across both the image and the margins. \u003c\/p\u003e\n\u003cp data-end=\"4307\" data-start=\"4270\"\u003e\u003cstrong data-end=\"4307\" data-start=\"4270\"\u003eWhy collectors prize this example\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-end=\"5596\" data-start=\"4309\"\u003e\n\u003cli data-end=\"4467\" data-start=\"4309\" data-section-id=\"1lxbc8r\"\u003e\n\u003cstrong data-end=\"4368\" data-start=\"4311\"\u003eOriginal 1997 Japanese Artpresto production artefact:\u003c\/strong\u003e marked \u003cstrong data-end=\"4410\" data-start=\"4376\"\u003e“ARTPRESTO 1997 MADE IN JAPAN”\u003c\/strong\u003e with period rights information for \u003cem data-end=\"4466\" data-start=\"4446\"\u003eGhost in the Shell\u003c\/em\u003e.\u003c\/li\u003e\n\u003cli data-end=\"4647\" data-start=\"4469\" data-section-id=\"1bjvxay\"\u003e\n\u003cstrong data-end=\"4507\" data-start=\"4471\"\u003eUntrimmed printer-control state:\u003c\/strong\u003e retains wide factory margins, crop guides, registration features, colour bars, and workflow metadata normally absent from finished posters.\u003c\/li\u003e\n\u003cli data-end=\"4798\" data-start=\"4649\" data-section-id=\"1bgbraj\"\u003e\n\u003cstrong data-end=\"4687\" data-start=\"4651\"\u003eTimestamped production evidence:\u003c\/strong\u003e the lower margin records \u003cstrong data-end=\"4742\" data-start=\"4713\"\u003e6 June 1997, 21:36:28 JST\u003c\/strong\u003e, giving the sheet unusually specific documentary value.\u003c\/li\u003e\n\u003cli data-end=\"4952\" data-start=\"4800\" data-section-id=\"1n5yaik\"\u003e\n\u003cstrong data-end=\"4827\" data-start=\"4802\"\u003eCYBERNETICS 5 design:\u003c\/strong\u003e part of the desirable Artpresto CYBERNETICS sequence, with the upper-left roundel clearly identifying this numbered variant.\u003c\/li\u003e\n\u003cli data-end=\"5142\" data-start=\"4954\" data-section-id=\"2mo50\"\u003e\n\u003cstrong data-end=\"4994\" data-start=\"4956\"\u003eMajor Motoko Kusanagi key imagery:\u003c\/strong\u003e a strong cybernetic composition combining Kusanagi, exposed machinery, a synthetic face, city architecture, aircraft, and vertical title treatment.\u003c\/li\u003e\n\u003cli data-end=\"5338\" data-start=\"5144\" data-section-id=\"kb5253\"\u003e\n\u003cstrong data-end=\"5184\" data-start=\"5146\"\u003eSpecialty reflective presentation:\u003c\/strong\u003e the metallic-looking surface and production margins give the sheet a distinctive industrial quality closely aligned with the franchise’s visual language.\u003c\/li\u003e\n\u003cli data-end=\"5596\" data-start=\"5340\" data-section-id=\"h6xse5\"\u003e\n\u003cstrong data-end=\"5374\" data-start=\"5342\"\u003eMore than a standard poster:\u003c\/strong\u003e its importance lies not only in the printed image, but in the preserved evidence of manufacture, making it attractive to collectors of anime production material, Japanese promotional print culture, and cyberpunk ephemera.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"5611\" data-start=\"5598\"\u003e\u003cstrong data-end=\"5611\" data-start=\"5598\"\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"6016\" data-start=\"5613\"\u003eVery Good \/ Excellent condition overall.\u003c\/p\u003e\n\u003cp data-end=\"6269\" data-start=\"6018\"\u003eThe production borders remain intact, including the right-side colour-control strip and lower workflow metadata. \u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"6560\" data-start=\"6271\"\u003ePlease review the photographs carefully, as they show the exact item offered for sale.\u003cbr data-end=\"6360\" data-start=\"6357\"\u003eThis is an \u003cstrong data-end=\"6491\" data-start=\"6371\"\u003eoriginal 1997 Japanese Artpresto Ghost in the Shell CYBERNETICS 5 untrimmed production-proof \/ printer-control sheet\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"6560\" data-start=\"6271\"\u003e\u003cstrong\u003eCertificate of Authenticity Included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56894587765114,"sku":null,"price":775.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-looking-at-an-art-gallery-wall_39.jpg?v=1779086226"},{"product_id":"ghost-in-the-shell-project-2501-攻殻機動隊-project-2501-original-japanese-promotional-poster-1996-b2-size-51-73-cm-q234","title":"“Ghost in the Shell – PROJECT 2501” (攻殻機動隊 PROJECT 2501), Original Japanese Promotional Poster 1996, B2 Size (51 × 73 cm) Q234","description":"\u003cp data-start=\"123\" data-end=\"554\"\u003eThis is an original Japanese B2 poster printed in 1996 for the retail promotional release of \u003cstrong data-start=\"216\" data-end=\"307\"\u003ePROJECT 2501: The Real Image Collection of GHOST IN THE SHELL – Dialogue \u0026amp; Sound Effect\u003c\/strong\u003e, issued by LiPop Record \/ BMG Entertainment (catalog BVCH-1524; price ¥2,500) to coincide with the album’s 21 November 1996 street date. Scarcer than standard theatrical materials, these record-shop display pieces were printed in limited numbers.\u003c\/p\u003e\n\u003cp data-start=\"556\" data-end=\"892\"\u003eFilm background\u003cbr data-start=\"571\" data-end=\"574\"\u003eFollowing Mamoru Oshii’s landmark 1995 feature, PROJECT 2501 compiled music cues, SFX (handguns, machine guns, etc.), and dialogue arrangements—offering an alternate, sound-driven “image album” experience within Masamune Shirow’s cyber-punk world, and expanding the franchise’s cross-media footprint in the late 1990s.\u003c\/p\u003e\n\u003cp data-start=\"894\" data-end=\"1400\"\u003ePoster design\u003cbr data-start=\"907\" data-end=\"910\"\u003eMajor Motoko Kusanagi is depicted mid-materialisation, pistol raised, cables and data shards streaming across a crimson digital sea. Bold bilingual typography frames the lower field—「攻殻機動隊」 and GHOST IN THE SHELL—above the large \u003cstrong data-start=\"1139\" data-end=\"1155\"\u003ePROJECT 2501\u003c\/strong\u003e lockup and the on-sale line \u003cstrong data-start=\"1184\" data-end=\"1214\"\u003e1996.NOVEMBER.21 ON SALE!!\u003c\/strong\u003e. Credits to Bandai Visual \/ Manga Entertainment run along the footer; artwork credits on the piece include 江面 久 and 北久保弘之. A striking, high-impact shop poster with superb wall presence.\u003c\/p\u003e\n\u003cp data-start=\"1402\" data-end=\"1501\"\u003eCondition\u003cbr data-end=\"1626\" data-start=\"1623\"\u003e\u003cspan\u003eThis poster is in excellent condition. Please refer to the imagery (both front and back) as this is the exact poster that is for sale. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1503\" data-end=\"1522\"\u003eIt is over 29 years old.\u003c\/p\u003e\n\u003cp data-start=\"1524\" data-end=\"1562\"\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp data-start=\"1564\" data-end=\"1601\"\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56975781134714,"sku":null,"price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-06-15T142627.582.jpg?v=1781501201"},{"product_id":"assault-girls-アサルトガールズ-original-first-release-japanese-movie-poster-2009-b2-size-51-73-cm-za699","title":"“Assault Girls” \/ 「アサルトガールズ」, Original First Release Japanese Movie Poster 2009, B2 Size (51 × 73 cm) ZA699","description":"\u003cp data-start=\"113\" data-end=\"414\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThis is an \u003cstrong data-start=\"124\" data-end=\"166\"\u003eoriginal Japanese B2 theatrical poster\u003c\/strong\u003e printed in \u003cstrong data-start=\"178\" data-end=\"186\"\u003e2009\u003c\/strong\u003e for the first release of \u003cstrong data-start=\"212\" data-end=\"229\"\u003eAssault Girls\u003c\/strong\u003e \/ 「アサルトガールズ」, the visually audacious science-fiction feature directed by \u003cstrong data-start=\"303\" data-end=\"319\"\u003eMamoru Oshii\u003c\/strong\u003e and starring \u003cstrong data-start=\"333\" data-end=\"349\"\u003eMeisa Kuroki\u003c\/strong\u003e, \u003cstrong data-start=\"351\" data-end=\"368\"\u003eRinko Kikuchi\u003c\/strong\u003e, \u003cstrong data-start=\"370\" data-end=\"386\"\u003eHinako Saeki\u003c\/strong\u003e, and \u003cstrong data-start=\"392\" data-end=\"413\"\u003eYoshikatsu Fujiki\u003c\/strong\u003e.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"416\" data-end=\"890\"\u003eA distinctive late-period Oshii project, \u003cstrong data-start=\"457\" data-end=\"474\"\u003eAssault Girls\u003c\/strong\u003e occupies a fascinating place within the director’s live-action work. Set within a stark virtual battleground and built around atmosphere, design, and action imagery rather than conventional narrative momentum, it has become a cult title admired for its world-building, futuristic iconography, and unmistakable auteur sensibility. This original Japanese poster is especially striking in person and displays superbly.\u003c\/p\u003e\n\u003cp data-start=\"892\" data-end=\"1094\"\u003e\u003cstrong data-start=\"892\" data-end=\"911\"\u003eFilm background\u003c\/strong\u003e\u003cbr data-start=\"911\" data-end=\"914\"\u003eReleased in Japan in \u003cstrong data-start=\"935\" data-end=\"943\"\u003e2009\u003c\/strong\u003e, \u003cstrong data-start=\"945\" data-end=\"962\"\u003eAssault Girls\u003c\/strong\u003e was written and directed by \u003cstrong data-start=\"991\" data-end=\"1007\"\u003eMamoru Oshii\u003c\/strong\u003e, the celebrated filmmaker behind \u003cstrong data-start=\"1041\" data-end=\"1063\"\u003eGhost in the Shell\u003c\/strong\u003e, \u003cstrong data-start=\"1065\" data-end=\"1077\"\u003ePatlabor\u003c\/strong\u003e, and \u003cstrong data-start=\"1083\" data-end=\"1093\"\u003eAvalon\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1096\" data-end=\"1502\"\u003eThe film is set in a desolate, post-apocalyptic virtual combat zone known as \u003cstrong data-start=\"1173\" data-end=\"1186\"\u003eAvalon(f)\u003c\/strong\u003e, where players hunt giant creatures in order to advance through the game’s deadly hierarchy. The story follows a small band of hunters—three women and one man—equipped with sniper rifles, heavy weapons, and advanced battlefield gear as they confront enormous sand-dwelling monsters in a barren futuristic landscape.\u003c\/p\u003e\n\u003cp data-start=\"1504\" data-end=\"1856\"\u003eThe principal cast includes \u003cstrong data-start=\"1532\" data-end=\"1548\"\u003eMeisa Kuroki\u003c\/strong\u003e as Gray, \u003cstrong data-start=\"1558\" data-end=\"1575\"\u003eRinko Kikuchi\u003c\/strong\u003e as Lucifer, \u003cstrong data-start=\"1588\" data-end=\"1604\"\u003eHinako Saeki\u003c\/strong\u003e as Colonel, and \u003cstrong data-start=\"1621\" data-end=\"1642\"\u003eYoshikatsu Fujiki\u003c\/strong\u003e as Jäger. Long admired for its design ambition, the film is particularly noted for its \u003cstrong data-start=\"1730\" data-end=\"1810\"\u003eatmospheric visual effects, surreal combat imagery, and music by Kenji Kawai\u003c\/strong\u003e, one of Oshii’s most important collaborators.\u003c\/p\u003e\n\u003cp data-start=\"1858\" data-end=\"2095\"\u003eThough critically divisive on release, \u003cstrong data-start=\"1897\" data-end=\"1914\"\u003eAssault Girls\u003c\/strong\u003e has since drawn appreciation from viewers interested in Oshii’s more experimental work, especially for its visual imagination and its continuation of themes explored in \u003cstrong data-start=\"2084\" data-end=\"2094\"\u003eAvalon\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2097\" data-end=\"2452\"\u003e\u003cstrong data-start=\"2097\" data-end=\"2114\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"2114\" data-end=\"2117\"\u003eThe poster is a bold and densely layered composition, entirely in keeping with the film’s stylised futuristic world. Dominating the upper register is a chaotic battle montage: a \u003cstrong data-start=\"2295\" data-end=\"2321\"\u003eroaring giant creature\u003c\/strong\u003e, attack aircraft, mechanical drones, missile trails, and explosive sky effects create an atmosphere of near-apocalyptic intensity.\u003c\/p\u003e\n\u003cp data-start=\"2454\" data-end=\"2870\"\u003eAt the centre sits a large \u003cstrong data-start=\"2481\" data-end=\"2522\"\u003ecircular HUD-like targeting interface\u003c\/strong\u003e, within which are stacked, close-up images of the lead actresses’ eyes, giving the design a distinctly cybernetic and surveillance-driven character. Beneath this interface stand the armed hunters in silhouette, positioned against a monumental science-fiction landscape and reinforcing the film’s themes of combat, game-logic, and virtual identity.\u003c\/p\u003e\n\u003cp data-start=\"2872\" data-end=\"2928\"\u003eThe right side carries the enormous calligraphic slogan:\u003c\/p\u003e\n\u003cp data-start=\"2930\" data-end=\"2960\"\u003e\u003cstrong data-start=\"2930\" data-end=\"2941\"\u003e「ぶっ放せ。」\u003c\/strong\u003e\u003cbr data-start=\"2941\" data-end=\"2944\"\u003e\u003cstrong data-start=\"2944\" data-end=\"2960\"\u003e“Fire away.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2962\" data-end=\"3488\"\u003eOn the left, a yellow text block promotes the film as a large-scale SF entertainment in which \u003cstrong data-start=\"3056\" data-end=\"3144\"\u003ethree beautiful female hunters clash with gigantic monsters on a virtual battlefield\u003c\/strong\u003e. Across the top, the leading actresses’ names are printed prominently in bold black and red text, while the bottom is anchored by the large English title \u003cstrong data-start=\"3299\" data-end=\"3316\"\u003eASSAULT GIRLS\u003c\/strong\u003e in white and red, with the Japanese title \u003cstrong data-start=\"3359\" data-end=\"3371\"\u003eアサルトガールズ\u003c\/strong\u003e beneath. The overall result is \u003cstrong data-start=\"3403\" data-end=\"3487\"\u003eaggressive, graphic, and unmistakably late-2000s Japanese science-fiction design\u003c\/strong\u003e.\u003cstrong data-start=\"3490\" data-end=\"3506\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3687\" data-end=\"3847\"\u003e\u003cstrong data-start=\"3687\" data-end=\"3700\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"3700\" data-end=\"3703\"\u003e\u003cstrong data-start=\"3703\" data-end=\"3727\"\u003eExcellent condition.\u003c\/strong\u003e A very attractive example, with \u003cstrong data-start=\"3760\" data-end=\"3846\"\u003estrong colour, clean paper, sharp printing, and excellent overall display presence\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3849\" data-end=\"3931\"\u003ePlease review the photograph carefully, as it shows the \u003cstrong data-start=\"3905\" data-end=\"3930\"\u003eexact poster for sale\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3933\" data-end=\"4034\"\u003eThis is an \u003cstrong data-start=\"3944\" data-end=\"3988\"\u003eoriginal 2009 Japanese theatrical poster\u003c\/strong\u003e.\u003cbr data-start=\"3989\" data-end=\"3992\"\u003eIt is \u003cstrong data-start=\"3998\" data-end=\"4033\"\u003enot a reproduction or a reprint\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"4036\" data-end=\"4068\"\u003eIt is now \u003cstrong data-start=\"4046\" data-end=\"4067\"\u003eover 15 years old\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"4070\" data-end=\"4111\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"4070\" data-end=\"4111\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57047149248890,"sku":null,"price":115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-07-07T145348.132.jpg?v=1783403721"},{"product_id":"ghost-in-the-shell-project-2501-攻殻機動隊-project-2501-original-japanese-promotional-poster-1996-b2-size-51-73-cm-o102-copy","title":"“Ghost in the Shell – PROJECT 2501” (攻殻機動隊 PROJECT 2501), Original Japanese Promotional Poster 1996, B2 Size (51 × 73 cm) F282","description":"\u003cp data-start=\"123\" data-end=\"554\"\u003eThis is an original Japanese B2 poster printed in 1996 for the retail promotional release of \u003cstrong data-start=\"216\" data-end=\"307\"\u003ePROJECT 2501: The Real Image Collection of GHOST IN THE SHELL – Dialogue \u0026amp; Sound Effect\u003c\/strong\u003e, issued by LiPop Record \/ BMG Entertainment (catalog BVCH-1524; price ¥2,500) to coincide with the album’s 21 November 1996 street date. Scarcer than standard theatrical materials, these record-shop display pieces were printed in limited numbers.\u003c\/p\u003e\n\u003cp data-start=\"556\" data-end=\"892\"\u003eFilm background\u003cbr data-start=\"571\" data-end=\"574\"\u003eFollowing Mamoru Oshii’s landmark 1995 feature, PROJECT 2501 compiled music cues, SFX (handguns, machine guns, etc.), and dialogue arrangements—offering an alternate, sound-driven “image album” experience within Masamune Shirow’s cyber-punk world, and expanding the franchise’s cross-media footprint in the late 1990s.\u003c\/p\u003e\n\u003cp data-start=\"894\" data-end=\"1400\"\u003ePoster design\u003cbr data-start=\"907\" data-end=\"910\"\u003eMajor Motoko Kusanagi is depicted mid-materialisation, pistol raised, cables and data shards streaming across a crimson digital sea. Bold bilingual typography frames the lower field—「攻殻機動隊」 and GHOST IN THE SHELL—above the large \u003cstrong data-start=\"1139\" data-end=\"1155\"\u003ePROJECT 2501\u003c\/strong\u003e lockup and the on-sale line \u003cstrong data-start=\"1184\" data-end=\"1214\"\u003e1996.NOVEMBER.21 ON SALE!!\u003c\/strong\u003e. Credits to Bandai Visual \/ Manga Entertainment run along the footer; artwork credits on the piece include 江面 久 and 北久保弘之. A striking, high-impact shop poster with superb wall presence.\u003c\/p\u003e\n\u003cp data-start=\"1402\" data-end=\"1501\"\u003eCondition\u003cbr data-end=\"1626\" data-start=\"1623\"\u003e\u003cspan\u003eThis poster is in \u003cstrong\u003eexcellent \/ close to near mint\u003c\/strong\u003e condition. Please refer to the imagery (both front and back) as this is the exact poster that is for sale. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1503\" data-end=\"1522\"\u003eIt is over 29 years old.\u003c\/p\u003e\n\u003cp data-start=\"1524\" data-end=\"1562\"\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp data-start=\"1564\" data-end=\"1601\"\u003eCertificate of Authenticity included.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57059848618362,"sku":null,"price":395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-07-11T224905.705.jpg?v=1783777762"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/collections\/IMG_1970_9c36b746-ff05-482e-b6e0-c7c91c7ac2d0.jpg?v=1778722485","url":"https:\/\/japanposter.co.uk\/collections\/ghost-in-shell.oembed","provider":"Japan Poster Shop","version":"1.0","type":"link"}