{"product_id":"a-woman-is-a-woman-une-femme-est-une-femme-original-re-release-japanese-movie-poster-1988-b2-size-51-x-73cm-l119-copy-1","title":"“Une femme est une femme” \/ “A Woman Is a Woman”, Original Japanese Re-Release Movie Poster 1988, B2 Size (51 × 73 cm) E300","description":"\u003cp data-start=\"125\" data-end=\"413\"\u003eThis is an \u003cstrong data-start=\"136\" data-end=\"178\"\u003eoriginal Japanese B2 theatrical poster\u003c\/strong\u003e printed for the \u003cstrong data-start=\"195\" data-end=\"223\"\u003e1988 Japanese re-release\u003c\/strong\u003e of \u003cstrong data-start=\"227\" data-end=\"275\"\u003eUne femme est une femme \/ A Woman Is a Woman\u003c\/strong\u003e, Jean-Luc Godard’s celebrated French New Wave romantic comedy-drama starring \u003cstrong data-start=\"353\" data-end=\"412\"\u003eAnna Karina, Jean-Paul Belmondo, and Jean-Claude Brialy\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"415\" data-end=\"794\"\u003eOne of Godard’s most playful and visually distinctive films, \u003cstrong data-start=\"476\" data-end=\"498\"\u003eA Woman Is a Woman\u003c\/strong\u003e combines \u003cstrong data-start=\"508\" data-end=\"605\"\u003eromantic comedy, musical pastiche, formal experimentation, and French New Wave self-awareness\u003c\/strong\u003e. This Japanese re-release poster is especially attractive, using a bold \u003cstrong data-start=\"678\" data-end=\"717\"\u003eblue, white, and red graphic design\u003c\/strong\u003e that directly echoes the film’s French identity and Pop-era visual language.\u003c\/p\u003e\n\u003cp data-start=\"796\" data-end=\"1156\"\u003e\u003cstrong data-start=\"796\" data-end=\"815\"\u003eFilm background\u003c\/strong\u003e\u003cbr data-start=\"815\" data-end=\"818\"\u003eOriginally released in \u003cstrong data-start=\"841\" data-end=\"849\"\u003e1961\u003c\/strong\u003e, \u003cstrong data-start=\"851\" data-end=\"873\"\u003eA Woman Is a Woman\u003c\/strong\u003e follows Angela, a Parisian dancer who wants to have a child. When her lover Émile refuses, she turns instead to his best friend Alfred, setting off a witty and stylized romantic triangle filled with comic tension, musical interruptions, and Godard’s characteristic fourth-wall play.\u003c\/p\u003e\n\u003cp data-start=\"1158\" data-end=\"1386\"\u003eThe film was written and directed by \u003cstrong data-start=\"1195\" data-end=\"1214\"\u003eJean-Luc Godard\u003c\/strong\u003e. The principal cast includes \u003cstrong data-start=\"1244\" data-end=\"1259\"\u003eAnna Karina\u003c\/strong\u003e, \u003cstrong data-start=\"1261\" data-end=\"1283\"\u003eJean-Paul Belmondo\u003c\/strong\u003e, and \u003cstrong data-start=\"1289\" data-end=\"1311\"\u003eJean-Claude Brialy\u003c\/strong\u003e, with cinematography by \u003cstrong data-start=\"1336\" data-end=\"1353\"\u003eRaoul Coutard\u003c\/strong\u003e and music by \u003cstrong data-start=\"1367\" data-end=\"1385\"\u003eMichel Legrand\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1388\" data-end=\"1675\"\u003eThe film is widely admired as \u003cstrong data-start=\"1418\" data-end=\"1467\"\u003eGodard’s first colour and CinemaScope feature\u003c\/strong\u003e, and remains one of the key works of the French New Wave. At the \u003cstrong data-start=\"1533\" data-end=\"1576\"\u003e11th Berlin International Film Festival\u003c\/strong\u003e, Anna Karina won the \u003cstrong data-start=\"1598\" data-end=\"1630\"\u003eSilver Bear for Best Actress\u003c\/strong\u003e, while Godard received a special jury award.\u003c\/p\u003e\n\u003cp data-start=\"1677\" data-end=\"2083\"\u003e\u003cstrong data-start=\"1677\" data-end=\"1694\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eThe poster uses a clean and highly graphic \u003cstrong data-start=\"1740\" data-end=\"1765\"\u003etricolour composition\u003c\/strong\u003e. The upper section features a large blue rounded rectangle containing three circular portrait vignettes of the principal cast: \u003cstrong data-start=\"1893\" data-end=\"1915\"\u003eJean-Claude Brialy\u003c\/strong\u003e at left, \u003cstrong data-start=\"1925\" data-end=\"1940\"\u003eAnna Karina\u003c\/strong\u003e at centre, and \u003cstrong data-start=\"1956\" data-end=\"1978\"\u003eJean-Paul Belmondo\u003c\/strong\u003e at right. Each portrait is bordered by small white dots, giving the layout a playful, modernist quality.\u003c\/p\u003e\n\u003cp data-start=\"2085\" data-end=\"2129\"\u003eThe centre is dominated by the French title:\u003c\/p\u003e\n\u003cp data-start=\"2131\" data-end=\"2158\"\u003e\u003cstrong data-start=\"2131\" data-end=\"2158\"\u003eUNE FEMME EST UNE FEMME\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2160\" data-end=\"2264\"\u003eprinted in enormous \u003cstrong data-start=\"2180\" data-end=\"2202\"\u003ered block capitals\u003c\/strong\u003e across a white field. Beneath it appears the director credit:\u003c\/p\u003e\n\u003cp data-start=\"2266\" data-end=\"2298\"\u003e\u003cstrong data-start=\"2266\" data-end=\"2298\"\u003e“un film de JEAN-LUC GODARD”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2300\" data-end=\"2403\"\u003ewith additional credits for \u003cstrong data-start=\"2328\" data-end=\"2345\"\u003eRaoul Coutard\u003c\/strong\u003e, \u003cstrong data-start=\"2347\" data-end=\"2364\"\u003eBernard Evein\u003c\/strong\u003e, and \u003cstrong data-start=\"2370\" data-end=\"2388\"\u003eMichel Legrand\u003c\/strong\u003e printed below.\u003c\/p\u003e\n\u003cp data-start=\"2405\" data-end=\"2716\"\u003eThe lower section features a warm orange-toned still of the three leads together in an interior hallway, with \u003cstrong data-start=\"2515\" data-end=\"2530\"\u003eAnna Karina\u003c\/strong\u003e positioned between Brialy and Belmondo. The contrast between the strong graphic typography and the soft photographic imagery gives the poster a stylish, unmistakably New Wave character.\u003c\/p\u003e\n\u003cp data-start=\"2718\" data-end=\"2850\"\u003eThe overall design is \u003cstrong data-start=\"2740\" data-end=\"2849\"\u003ebright, elegant, and highly evocative of late-1980s Japanese revival poster art for classic French cinema\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2852\" data-end=\"2959\"\u003e\u003cstrong data-start=\"2852\" data-end=\"2868\"\u003eRelease note\u003c\/strong\u003e\u003cbr data-start=\"2868\" data-end=\"2871\"\u003eThis poster was printed for the film’s \u003cstrong data-start=\"2910\" data-end=\"2958\"\u003e1988 Japanese theatrical re-release campaign\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2961\" data-end=\"3061\"\u003eIt is an \u003cstrong data-start=\"2970\" data-end=\"3012\"\u003eoriginal period Japanese cinema poster\u003c\/strong\u003e, not a later reproduction or commercial reprint.\u003c\/p\u003e\n\u003cp data-start=\"3063\" data-end=\"3351\"\u003e\u003cstrong data-start=\"3063\" data-end=\"3076\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"3076\" data-end=\"3079\"\u003e\u003cstrong data-start=\"3079\" data-end=\"3115\"\u003eExcellent condition.\u003c\/strong\u003e A highly displayable example, with \u003cstrong data-start=\"3151\" data-end=\"3238\"\u003estrong colour, clean imagery, sharp typography, and excellent overall visual impact\u003c\/strong\u003e. Minor signs of age and handling may be present, consistent with an original theatrical poster from this period.\u003c\/p\u003e\n\u003cp data-start=\"3353\" data-end=\"3431\"\u003ePlease review the photograph carefully, as it shows the exact poster for sale.\u003c\/p\u003e\n\u003cp data-start=\"3433\" data-end=\"3545\"\u003eThis is an \u003cstrong data-start=\"3444\" data-end=\"3499\"\u003eoriginal 1988 Japanese theatrical re-release poster\u003c\/strong\u003e.\u003cbr data-start=\"3500\" data-end=\"3503\"\u003eIt is \u003cstrong data-start=\"3509\" data-end=\"3544\"\u003enot a reproduction or a reprint\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3547\" data-end=\"3579\"\u003eIt is now \u003cstrong data-start=\"3557\" data-end=\"3578\"\u003eover 35 years old\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3581\" data-end=\"3622\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"3581\" data-end=\"3622\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57055758090618,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-07-10T120224.651.jpg?v=1783652617","url":"https:\/\/japanposter.co.uk\/products\/a-woman-is-a-woman-une-femme-est-une-femme-original-re-release-japanese-movie-poster-1988-b2-size-51-x-73cm-l119-copy-1","provider":"Japan Poster Shop","version":"1.0","type":"link"}