{"product_id":"amoureuse-愛されすぎて-original-japanese-movie-poster-1992-b2-size-51-73-cm-g288","title":"“Amoureuse” \/ 「愛されすぎて」, Original Japanese Movie Poster 1992, B2 Size (51 × 73 cm) G288","description":"\u003cp data-start=\"92\" data-end=\"329\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThis is an \u003cstrong data-start=\"103\" data-end=\"145\"\u003eoriginal Japanese B2 theatrical poster\u003c\/strong\u003e printed for the 1992 Japanese release of \u003cstrong data-start=\"187\" data-end=\"211\"\u003eAmoureuse \/ 「愛されすぎて」\u003c\/strong\u003e, Jacques Doillon’s intimate French romantic drama starring \u003cstrong data-start=\"271\" data-end=\"328\"\u003eCharlotte Gainsbourg, Yvan Attal, and Thomas Langmann\u003c\/strong\u003e.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"331\" data-end=\"573\"\u003eThe Japanese title, \u003cstrong data-start=\"351\" data-end=\"378\"\u003eAisaresugite \/ 「愛されすぎて」\u003c\/strong\u003e, may be translated as \u003cstrong data-start=\"401\" data-end=\"422\"\u003e“Loved Too Much.”\u003c\/strong\u003e The poster uses a warm, candid portrait of Gainsbourg to reflect the film’s emotionally direct exploration of love, freedom, and romantic uncertainty.\u003c\/p\u003e\n\u003cp data-start=\"575\" data-end=\"594\"\u003e\u003cstrong data-start=\"575\" data-end=\"594\"\u003eFilm background\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"596\" data-end=\"701\"\u003eThe film follows \u003cstrong data-start=\"613\" data-end=\"622\"\u003eMarie\u003c\/strong\u003e, a young Parisian woman involved in an established relationship with \u003cstrong data-start=\"692\" data-end=\"700\"\u003ePaul\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"703\" data-end=\"956\"\u003eHer emotional security is disrupted when she falls passionately in love with another man, \u003cstrong data-start=\"793\" data-end=\"804\"\u003eAntoine\u003c\/strong\u003e. Unable to dismiss either relationship, Marie becomes caught between two contrasting forms of affection and the different futures they appear to offer.\u003c\/p\u003e\n\u003cp data-start=\"958\" data-end=\"1145\"\u003eRather than treating the situation as a conventional romantic triangle, the film examines emotional dependence, fidelity, desire, and the difficulty of loving freely without causing pain.\u003c\/p\u003e\n\u003cp data-start=\"1147\" data-end=\"1299\"\u003eThe film was directed and written by \u003cstrong data-start=\"1184\" data-end=\"1203\"\u003eJacques Doillon\u003c\/strong\u003e, from an original idea associated with \u003cstrong data-start=\"1243\" data-end=\"1265\"\u003eHenri-Pierre Roché\u003c\/strong\u003e, and produced by \u003cstrong data-start=\"1283\" data-end=\"1298\"\u003eAlain Sarde\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1301\" data-end=\"1329\"\u003eThe principal cast includes:\u003c\/p\u003e\n\u003cp data-start=\"1331\" data-end=\"1404\"\u003e\u003cstrong data-start=\"1331\" data-end=\"1404\"\u003eCharlotte Gainsbourg\u003cbr data-start=\"1353\" data-end=\"1356\"\u003eYvan Attal\u003cbr data-start=\"1366\" data-end=\"1369\"\u003eThomas Langmann\u003cbr data-start=\"1384\" data-end=\"1387\"\u003eStephania Cotta\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1406\" data-end=\"1455\"\u003eThe cinematography was by \u003cstrong data-start=\"1432\" data-end=\"1454\"\u003eChristophe Pollock\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1457\" data-end=\"1649\"\u003eDoillon’s restrained direction and Gainsbourg’s naturalistic performance give the film an intimate, observational quality, focusing closely on the contradictions within Marie’s emotional life.\u003c\/p\u003e\n\u003cp data-start=\"1651\" data-end=\"1668\"\u003e\u003cstrong data-start=\"1651\" data-end=\"1668\"\u003ePoster design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1670\" data-end=\"1773\"\u003eThis understated Japanese poster is dominated by a large portrait of \u003cstrong data-start=\"1739\" data-end=\"1772\"\u003eCharlotte Gainsbourg as Marie\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1775\" data-end=\"2024\"\u003eShown with her characteristic short haircut and wearing a soft cream knitted sweater, Gainsbourg turns towards the camera with a broad, unguarded smile. The informal pose feels more like a candid personal photograph than conventional star publicity.\u003c\/p\u003e\n\u003cp data-start=\"2026\" data-end=\"2262\"\u003eThe background is rendered in muted grey and brown tones with a deliberately grainy photographic texture. This subdued treatment places all attention on Gainsbourg’s expression and reinforces the film’s intimate, naturalistic character.\u003c\/p\u003e\n\u003cp data-start=\"2264\" data-end=\"2305\"\u003eThe vertical white tagline at left reads:\u003c\/p\u003e\n\u003cp data-start=\"2307\" data-end=\"2341\"\u003e\u003cstrong data-start=\"2307\" data-end=\"2341\"\u003e「死んだパパのように、もっと自由に人を愛せたらいいのに……」\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2343\" data-end=\"2354\"\u003eTranslated:\u003c\/p\u003e\n\u003cp data-start=\"2356\" data-end=\"2427\"\u003e\u003cstrong data-start=\"2356\" data-end=\"2427\"\u003e“If only I could love people more freely, like my late father did…”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2429\" data-end=\"2563\"\u003eThe line expresses Marie’s longing to experience love without the expectations, guilt, and restrictions surrounding her relationships.\u003c\/p\u003e\n\u003cp data-start=\"2565\" data-end=\"2616\"\u003eThe actress’s name appears above the title in pink:\u003c\/p\u003e\n\u003cp data-start=\"2618\" data-end=\"2637\"\u003e\u003cstrong data-start=\"2618\" data-end=\"2637\"\u003e「シャルロット・ゲンズブール」\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2639\" data-end=\"2664\"\u003eThe large Japanese title:\u003c\/p\u003e\n\u003cp data-start=\"2666\" data-end=\"2678\"\u003e\u003cstrong data-start=\"2666\" data-end=\"2678\"\u003e「愛されすぎて」\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2680\" data-end=\"2772\"\u003eis printed across the lower centre in refined red lettering, with the original French title:\u003c\/p\u003e\n\u003cp data-start=\"2774\" data-end=\"2789\"\u003e\u003cstrong data-start=\"2774\" data-end=\"2789\"\u003e“Amoureuse”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2791\" data-end=\"2811\"\u003edirectly beneath it.\u003c\/p\u003e\n\u003cp data-start=\"2813\" data-end=\"3063\"\u003eThe upper-right corner lists the principal cast in Japanese and English, while the lower credit block identifies \u003cstrong data-start=\"2926\" data-end=\"2998\"\u003eJacques Doillon, Henri-Pierre Roché, Christophe Pollock, Alain Sarde\u003c\/strong\u003e, and the Japanese release companies \u003cstrong data-start=\"3035\" data-end=\"3062\"\u003eAlcine Terran and Amuse\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3065\" data-end=\"3200\"\u003eThe result is a restrained and elegant Japanese design, relying upon expression, texture, and typography rather than narrative montage.\u003c\/p\u003e\n\u003cp data-start=\"3202\" data-end=\"3215\"\u003e\u003cstrong data-start=\"3202\" data-end=\"3215\"\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3217\" data-end=\"3348\"\u003e\u003cstrong data-start=\"3217\" data-end=\"3242\"\u003eVery Good+ condition.\u003c\/strong\u003e The poster retains clear photographic detail, attractive muted tones, and strong red and pink typography.\u003c\/p\u003e\n\u003cp data-start=\"3607\" data-end=\"3627\"\u003e\u003cstrong data-start=\"3607\" data-end=\"3627\"\u003eReference: G288.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3629\" data-end=\"3707\"\u003ePlease review the photograph carefully, as it shows the exact poster for sale.\u003c\/p\u003e\n\u003cp data-start=\"3709\" data-end=\"3838\"\u003eThis is an \u003cstrong data-start=\"3720\" data-end=\"3806\"\u003eoriginal Japanese theatrical poster from the film’s 1992 Japanese release campaign\u003c\/strong\u003e, not a reproduction or reprint.\u003c\/p\u003e\n\u003cp data-start=\"3840\" data-end=\"3872\"\u003e\u003cstrong data-start=\"3840\" data-end=\"3872\"\u003eIt is now over 30 years old.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3874\" data-end=\"3915\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"3874\" data-end=\"3915\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57093670011258,"sku":null,"price":115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-07-21T190719.078.jpg?v=1784628578","url":"https:\/\/japanposter.co.uk\/products\/amoureuse-%e6%84%9b%e3%81%95%e3%82%8c%e3%81%99%e3%81%8e%e3%81%a6-original-japanese-movie-poster-1992-b2-size-51-73-cm-g288","provider":"Japan Poster Shop","version":"1.0","type":"link"}