{"product_id":"andy-warhol-exhibition-1983-1984-original-japanese-keiichi-tanaami-exhibition-poster-1983-b1-size-73-103-cm-aa49","title":"“Andy Warhol Exhibition 1983–1984”, Original Japanese Keiichi Tanaami Exhibition Poster 1983, B1 Size (73 × 103 cm) AA49","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThis is an \u003cstrong\u003eoriginal Japanese B1 exhibition poster designed by Keiichi Tanaami for the nationwide 1983–1984 Andy Warhol exhibition organised by the Gendai Hanga Center\u003c\/strong\u003e (現代版画センター \/ Contemporary Print Center). Measuring approximately \u003cstrong\u003e72.8 × 103 cm\u003c\/strong\u003e, it represents an exceptional meeting between two defining figures of international Pop Art: \u003cstrong\u003eAndy Warhol and Keiichi Tanaami\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCreated during a pivotal period in Japan’s engagement with Warhol’s work, the poster combines his familiar portrait, signatures, and \u003cem\u003eKiku\u003c\/em\u003e imagery with Tanaami’s unmistakable vocabulary of psychedelic colour, Japanese decorative motifs, commercial graphics, and visual excess.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhibition background\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Gendai Hanga Center organised an extensive programme of Andy Warhol exhibitions across Japan during \u003cstrong\u003e1983 and 1984\u003c\/strong\u003e, presenting his work to audiences through a nationwide series of museum, gallery, and commercial venues.\u003c\/p\u003e\n\u003cp\u003eThe project coincided with Warhol’s production of works specifically associated with the Japanese market, most notably the \u003cstrong\u003eKiku—or chrysanthemum—screenprint series\u003c\/strong\u003e. The chrysanthemum carried considerable cultural resonance in Japan, allowing Warhol to transform a highly traditional national symbol through his characteristic methods of repetition, colour variation, and commercial printmaking.\u003c\/p\u003e\n\u003cp\u003eThe Japanese text at upper right promotes the nationwide exhibition programme and the \u003cstrong\u003e“Warhol Tokyo 365 Days”\u003c\/strong\u003e project, which commenced at Shibuya Parco in June 1983. It also advertises the exhibition’s substantial catalogue and associated Warhol print material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoster design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis spectacular B1 composition is unmistakably the work of \u003cstrong\u003eKeiichi Tanaami\u003c\/strong\u003e, one of the principal architects of Japanese Pop and psychedelic graphic design.\u003c\/p\u003e\n\u003cp\u003eA monumental metallic-gold triangle rises through the centre of the poster like a spotlight, pyramid, or theatrical stage. At its apex is a vivid red form containing an enormous watching eye—one of Tanaami’s recurring symbols of \u003cstrong\u003esurveillance, spectacle, dreams, and altered perception\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAcross the central field appears a delicate green line drawing of a chrysanthemum, directly referencing Warhol’s celebrated \u003cstrong\u003eKiku series\u003c\/strong\u003e. The flower is partially transparent and appears to float between the eye above and Warhol’s portrait below.\u003c\/p\u003e\n\u003cp\u003eThe centre carries Warhol’s observation:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“WITH ALL THE CONFUSIONS IN JAPAN IT IS STILL PEACEFUL”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe statement has the detached, paradoxical quality associated with Warhol’s public persona, contrasting Japan’s density of imagery, commerce, and activity with its underlying social order.\u003c\/p\u003e\n\u003cp\u003eAt the base of the triangle is a black-and-white portrait of a smiling Andy Warhol, overlaid with a brilliant orange-red facsimile signature and a second mirrored inscription in metallic silver.\u003c\/p\u003e\n\u003cp\u003eBelow, the composition dissolves into an expansive field of stylised \u003cstrong\u003eblue, black, and gold waves\u003c\/strong\u003e, recalling the visual language of Japanese ukiyo-e while simultaneously resembling the dense repetitive patterns of commercial printing and comic-book illustration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTypography and Japanese references\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAround the margins, the letters of \u003cstrong\u003eWARHOL\u003c\/strong\u003e and \u003cstrong\u003eANDY\u003c\/strong\u003e appear individually within colourful red, yellow, and green sunburst squares. These modular devices resemble commercial logos, television identities, record-company branding, or early digital-game graphics.\u003c\/p\u003e\n\u003cp\u003eBehind them, large grey Japanese hiragana characters spell out Warhol’s name phonetically:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e「あんでぃ・うぉーほる」\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e“Andy Warhol”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis layering of English and Japanese typography reinforces the poster’s position between \u003cstrong\u003eAmerican Pop Art and Japanese mass visual culture\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe lower-left edge carries the printed designer credit:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“KEIICHI TANAAMI”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ewhile the central lower margin identifies the organising body:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e「現代版画センター」\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e“Gendai Hanga Center \/ Contemporary Print Center”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCultural significance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTanaami had absorbed the influence of American Pop Art from the 1960s onward and encountered Warhol’s wider creative world during his visits to the United States. Designing the official poster for this major Japanese exhibition therefore represented a significant cross-cultural exchange between an artist who helped define American Pop and one of the most important figures in its Japanese transformation.\u003c\/p\u003e\n\u003cp\u003eRather than simply reproducing Warhol’s imagery, Tanaami integrates it into his own visual universe. The poster combines \u003cstrong\u003eWarhol’s portrait, signature, and chrysanthemum imagery with Japanese waves, psychedelic eyes, metallic colour, commercial logos, and bilingual typography\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe result is not merely an exhibition advertisement but an independent work of graphic art documenting a particularly important moment in the international reception of Warhol and the development of Japanese contemporary visual culture.\u003c\/p\u003e\n\u003cp\u003eOriginal B1 examples are now \u003cstrong\u003ehighly sought after by collectors of Warhol, Tanaami, Japanese graphic design, and post-war contemporary art\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExcellent+.\u003c\/strong\u003e The poster retains exceptional colour, strong metallic-gold printing, crisp typography, and superb overall display impact. Only minimal evidence of period handling is visible along the margins, entirely consistent with an authentic large-format exhibition poster of this age. Please review the photographs—they show the exact poster for sale.\u003c\/p\u003e\n\u003cp\u003eThis is an \u003cstrong\u003eoriginal Japanese B1 exhibition poster produced for the 1983–1984 Andy Warhol exhibition\u003c\/strong\u003e.\u003cbr\u003eIt is \u003cstrong\u003enot a reproduction or a modern reprint\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt is approximately \u003cstrong\u003e43 years old\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57123922444666,"sku":null,"price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-looking-at-an-art-gallery-wall-2026-07-29T084357.518.jpg?v=1785282362","url":"https:\/\/japanposter.co.uk\/products\/andy-warhol-exhibition-1983-1984-original-japanese-keiichi-tanaami-exhibition-poster-1983-b1-size-73-103-cm-aa49","provider":"Japan Poster Shop","version":"1.0","type":"link"}