{"product_id":"annie-hall-アニー-ホール-original-first-release-japanese-movie-poster-1978-b2-size-51-73-cm-za739","title":"“Annie Hall” (アニー・ホール), Original First Release Japanese Movie Poster 1978, B2 Size (51 × 73 cm) ZA739","description":"\u003cp data-start=\"107\" data-end=\"377\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThis is an \u003cstrong data-start=\"118\" data-end=\"160\"\u003eoriginal Japanese B2 theatrical poster\u003c\/strong\u003e printed in \u003cstrong data-start=\"172\" data-end=\"180\"\u003e1978\u003c\/strong\u003e for the \u003cstrong data-start=\"189\" data-end=\"215\"\u003efirst Japanese release\u003c\/strong\u003e of \u003cstrong data-start=\"219\" data-end=\"233\"\u003eAnnie Hall\u003c\/strong\u003e (アニー・ホール), the landmark romantic comedy-drama directed by \u003cstrong data-start=\"292\" data-end=\"307\"\u003eWoody Allen\u003c\/strong\u003e and starring \u003cstrong data-start=\"321\" data-end=\"336\"\u003eWoody Allen\u003c\/strong\u003e, \u003cstrong data-start=\"338\" data-end=\"354\"\u003eDiane Keaton\u003c\/strong\u003e, and \u003cstrong data-start=\"360\" data-end=\"376\"\u003eTony Roberts\u003c\/strong\u003e.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"379\" data-end=\"1027\"\u003eWidely regarded as one of the defining American films of the 1970s, \u003cstrong data-start=\"447\" data-end=\"461\"\u003eAnnie Hall\u003c\/strong\u003e transformed the modern romantic comedy through its wit, formal invention, and emotional intelligence. It remains the film most closely associated with Woody Allen’s early peak as a filmmaker, and one of \u003cstrong data-start=\"665\" data-end=\"683\"\u003eDiane Keaton’s\u003c\/strong\u003e most iconic screen performances. The film’s enormous critical success is prominently acknowledged on this Japanese poster, which celebrates its victory in \u003cstrong data-start=\"839\" data-end=\"878\"\u003efour major Academy Award categories\u003c\/strong\u003e. This example is in \u003cstrong data-start=\"899\" data-end=\"922\"\u003eexcellent condition\u003c\/strong\u003e, and the design is among the most elegant and appealing Japanese campaign posters produced for the film.\u003c\/p\u003e\n\u003cp data-start=\"1029\" data-end=\"1491\"\u003e\u003cstrong data-start=\"1029\" data-end=\"1048\"\u003eFilm background\u003c\/strong\u003e\u003cbr data-start=\"1048\" data-end=\"1051\"\u003eReleased in the United States in \u003cstrong data-start=\"1084\" data-end=\"1092\"\u003e1977\u003c\/strong\u003e and in Japan in \u003cstrong data-start=\"1109\" data-end=\"1117\"\u003e1978\u003c\/strong\u003e, \u003cstrong data-start=\"1119\" data-end=\"1133\"\u003eAnnie Hall\u003c\/strong\u003e follows New York comedian \u003cstrong data-start=\"1160\" data-end=\"1175\"\u003eAlvy Singer\u003c\/strong\u003e as he reflects on his relationship with the warm, eccentric, and irresistibly individual \u003cstrong data-start=\"1265\" data-end=\"1279\"\u003eAnnie Hall\u003c\/strong\u003e. Rather than proceeding as a conventional romance, the film unfolds through memory, digression, fantasy, direct address, and self-analysis, creating a work that is at once deeply funny and unexpectedly poignant.\u003c\/p\u003e\n\u003cp data-start=\"1493\" data-end=\"2076\"\u003eThe film is widely seen as a watershed in American screen comedy. It moved beyond the structure of the conventional gag-driven farce and introduced a more personal, psychologically nuanced mode of storytelling. At the \u003cstrong data-start=\"1711\" data-end=\"1734\"\u003e50th Academy Awards\u003c\/strong\u003e, it won \u003cstrong data-start=\"1743\" data-end=\"1759\"\u003eBest Picture\u003c\/strong\u003e, \u003cstrong data-start=\"1761\" data-end=\"1778\"\u003eBest Director\u003c\/strong\u003e, \u003cstrong data-start=\"1780\" data-end=\"1796\"\u003eBest Actress\u003c\/strong\u003e for \u003cstrong data-start=\"1801\" data-end=\"1817\"\u003eDiane Keaton\u003c\/strong\u003e, and \u003cstrong data-start=\"1823\" data-end=\"1851\"\u003eBest Original Screenplay\u003c\/strong\u003e—a sweep that helped secure its place in film history. It also left a significant mark on fashion and visual culture, with Keaton’s menswear-inflected wardrobe becoming one of the most influential style signatures of the era.\u003c\/p\u003e\n\u003cp data-start=\"2078\" data-end=\"2461\"\u003e\u003cstrong data-start=\"2078\" data-end=\"2095\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"2095\" data-end=\"2098\"\u003eThe Japanese poster presents a highly distinctive and sophisticated layout. The upper half is dominated by a \u003cstrong data-start=\"2207\" data-end=\"2263\"\u003elarge warm-toned monochrome portrait of Diane Keaton\u003c\/strong\u003e, shown looking downward with a gentle, introspective expression. Her styling—collared shirt and tie—immediately evokes the character’s now-iconic look and gives the image its unmistakable identity.\u003c\/p\u003e\n\u003cp data-start=\"2463\" data-end=\"2793\"\u003eAt lower left appears a \u003cstrong data-start=\"2487\" data-end=\"2524\"\u003efull-colour figure of Woody Allen\u003c\/strong\u003e, casually posed in jacket and glasses, smiling with characteristic unease and self-awareness. Along the lower edge, a small beach vignette shows a \u003cstrong data-start=\"2672\" data-end=\"2707\"\u003etiny seated couple by the water\u003c\/strong\u003e, quietly reinforcing the film’s themes of memory, distance, and emotional reflection.\u003c\/p\u003e\n\u003cp data-start=\"2795\" data-end=\"3265\"\u003eThe vertical \u003cstrong data-start=\"2808\" data-end=\"2829\"\u003ered Japanese copy\u003c\/strong\u003e beside Allen captures the melancholy-romantic tone of the film, while the title \u003cstrong data-start=\"2910\" data-end=\"2923\"\u003e「アニー・ホール」\u003c\/strong\u003e is rendered prominently across the lower centre in a sharp, elegant red script. At the bottom, a bold red awards banner announces the film’s \u003cstrong data-start=\"3065\" data-end=\"3088\"\u003efour Academy Awards\u003c\/strong\u003e, giving the sheet both historical context and strong period appeal. The overall effect is refined, emotionally resonant, and unmistakably late-1970s in its graphic sensibility.\u003c\/p\u003e\n\u003cp data-start=\"3267\" data-end=\"3371\"\u003e\u003cstrong data-start=\"3267\" data-end=\"3283\"\u003eRelease note\u003c\/strong\u003e\u003cbr data-start=\"3283\" data-end=\"3286\"\u003eThis poster was printed for the film’s \u003cstrong data-start=\"3325\" data-end=\"3370\"\u003eoriginal 1978 Japanese theatrical release\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3373\" data-end=\"3477\"\u003eIt is an original period Japanese theatrical poster, \u003cstrong data-start=\"3426\" data-end=\"3433\"\u003enot\u003c\/strong\u003e a later reproduction or commercial reprint.\u003c\/p\u003e\n\u003cp data-start=\"3479\" data-end=\"3623\"\u003e\u003cstrong data-start=\"3479\" data-end=\"3492\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"3492\" data-end=\"3495\"\u003e\u003cstrong data-start=\"3495\" data-end=\"3519\"\u003eExcellent condition.\u003c\/strong\u003e A very attractive example, with \u003cstrong data-start=\"3552\" data-end=\"3622\"\u003estrong colour, clean paper, and excellent overall display presence\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3625\" data-end=\"3707\"\u003ePlease review the photograph carefully, as it shows the \u003cstrong data-start=\"3681\" data-end=\"3706\"\u003eexact poster for sale\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3709\" data-end=\"3810\"\u003eThis is an \u003cstrong data-start=\"3720\" data-end=\"3764\"\u003eoriginal 1978 Japanese theatrical poster\u003c\/strong\u003e.\u003cbr data-start=\"3765\" data-end=\"3768\"\u003eIt is \u003cstrong data-start=\"3774\" data-end=\"3809\"\u003enot a reproduction or a reprint\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3812\" data-end=\"3844\"\u003eIt is now \u003cstrong data-start=\"3822\" data-end=\"3843\"\u003eover 45 years old\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3846\" data-end=\"3887\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"3846\" data-end=\"3887\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57047247061370,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-07-07T161314.997.jpg?v=1783408485","url":"https:\/\/japanposter.co.uk\/products\/annie-hall-%e3%82%a2%e3%83%8b%e3%83%bc-%e3%83%9b%e3%83%bc%e3%83%ab-original-first-release-japanese-movie-poster-1978-b2-size-51-73-cm-za739","provider":"Japan Poster Shop","version":"1.0","type":"link"}