{"product_id":"arrietty-借りぐらしのアリエッティ-original-japanese-double-sided-b1-roadshow-theatrical-poster-2010-rare-b1-size","title":"“ARRIETTY \/ 借りぐらしのアリエッティ”, ORIGINAL JAPANESE DOUBLE-SIDED B1 ROADSHOW THEATRICAL POSTER 2010, Ultra Rare, B1 Size (c. 72.8 x 103cm)","description":"\u003cp data-start=\"157\" data-end=\"475\"\u003e\u003cstrong data-start=\"157\" data-end=\"312\"\u003e“ARRIETTY \/ 借りぐらしのアリエッティ” (2010) – ORIGINAL JAPANESE DOUBLE-SIDED B1 ROADSHOW THEATRICAL POSTER – HIROMASA YONEBAYASHI \/ HAYAO MIYAZAKI \/ STUDIO GHIBLI\u003c\/strong\u003e\u003cbr data-start=\"312\" data-end=\"315\"\u003e\u003cstrong data-start=\"315\" data-end=\"475\"\u003eUltra-Rare Double-Sided B1 Oversize | Original Japanese First-Release Roadshow Campaign | Light-Box Printing | c. 72.8 × 103 cm \/ 28.7 × 40.6 in | Excellent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"477\" data-end=\"783\"\u003eAn exceptional \u003cstrong data-start=\"492\" data-end=\"556\"\u003eoriginal Japanese double-sided B1 theatrical roadshow poster\u003c\/strong\u003e for Studio Ghibli’s lyrical 2010 masterpiece \u003cstrong data-start=\"602\" data-end=\"629\"\u003eArrietty \/ 借りぐらしのアリエッティ\u003c\/strong\u003e, directed by \u003cstrong data-start=\"643\" data-end=\"667\"\u003eHiromasa Yonebayashi\u003c\/strong\u003e from a screenplay by \u003cstrong data-start=\"689\" data-end=\"707\"\u003eHayao Miyazaki\u003c\/strong\u003e and \u003cstrong data-start=\"712\" data-end=\"726\"\u003eKeiko Niwa\u003c\/strong\u003e, based on Mary Norton’s classic novel \u003cstrong data-start=\"765\" data-end=\"782\"\u003eThe Borrowers\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"785\" data-end=\"1060\"\u003eThis is the beautiful and highly desirable \u003cstrong data-start=\"828\" data-end=\"857\"\u003eleaf \/ ivy key art design\u003c\/strong\u003e: Arrietty in her red dress hidden among enormous green leaves, dew drops, vines, and secret garden textures, with the unforgettable vertical tagline \u003cstrong data-start=\"1007\" data-end=\"1060\"\u003e人間に見られてはいけない。 — “She must not be seen by humans.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1062\" data-end=\"1359\"\u003eThis is one of the most elegant and sought-after poster designs for \u003cstrong data-start=\"1130\" data-end=\"1142\"\u003eArrietty\u003c\/strong\u003e, and it is especially rare in the \u003cstrong data-start=\"1177\" data-end=\"1199\"\u003eB1 oversize format\u003c\/strong\u003e. This example is further distinguished by its \u003cstrong data-start=\"1246\" data-end=\"1281\"\u003edouble-sided light-box printing\u003c\/strong\u003e, with the reverse printed in \u003cstrong data-start=\"1311\" data-end=\"1327\"\u003emirror image\u003c\/strong\u003e for illuminated cinema display.\u003c\/p\u003e\n\u003cp data-start=\"1361\" data-end=\"1498\"\u003e\u003cstrong data-start=\"1361\" data-end=\"1498\"\u003eA major Studio Ghibli rarity: Arrietty hidden among the leaves, at full B1 scale, in scarce double-sided theatrical light-box format.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"1lrmp69\" data-start=\"1500\" data-end=\"1516\"\u003e\u003cspan role=\"text\"\u003eKey Facts\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1518\" data-end=\"2363\"\u003e\u003cstrong data-start=\"1518\" data-end=\"1527\"\u003eFilm:\u003c\/strong\u003e Arrietty \/ Karigurashi no Arrietty \/ 借りぐらしのアリエッティ\u003cbr data-start=\"1577\" data-end=\"1580\"\u003e\u003cstrong data-start=\"1580\" data-end=\"1604\"\u003eInternational title:\u003c\/strong\u003e The Secret World of Arrietty\u003cbr data-start=\"1633\" data-end=\"1636\"\u003e\u003cstrong data-start=\"1636\" data-end=\"1649\"\u003eDirector:\u003c\/strong\u003e Hiromasa Yonebayashi \/ 米林宏昌\u003cbr data-start=\"1677\" data-end=\"1680\"\u003e\u003cstrong data-start=\"1680\" data-end=\"1706\"\u003ePlanning \/ Screenplay:\u003c\/strong\u003e Hayao Miyazaki \/ 宮崎駿\u003cbr data-start=\"1727\" data-end=\"1730\"\u003e\u003cstrong data-start=\"1730\" data-end=\"1745\"\u003eScreenplay:\u003c\/strong\u003e Keiko Niwa \/ 丹羽圭子\u003cbr data-start=\"1763\" data-end=\"1766\"\u003e\u003cstrong data-start=\"1766\" data-end=\"1785\"\u003eOriginal Story:\u003c\/strong\u003e Mary Norton \/ メアリー・ノートン, \u003cstrong data-start=\"1811\" data-end=\"1838\"\u003eThe Borrowers \/ 床下の小人たち\u003c\/strong\u003e\u003cbr data-start=\"1838\" data-end=\"1841\"\u003e\u003cstrong data-start=\"1841\" data-end=\"1854\"\u003eProducer:\u003c\/strong\u003e Toshio Suzuki \/ 鈴木敏夫\u003cbr data-start=\"1875\" data-end=\"1878\"\u003e\u003cstrong data-start=\"1878\" data-end=\"1901\"\u003eMusic \/ Theme Song:\u003c\/strong\u003e Cécile Corbel \/ セシル・コルベル\u003cbr data-start=\"1926\" data-end=\"1929\"\u003e\u003cstrong data-start=\"1929\" data-end=\"1940\"\u003eStudio:\u003c\/strong\u003e Studio Ghibli \/ スタジオジブリ\u003cbr data-start=\"1964\" data-end=\"1967\"\u003e\u003cstrong data-start=\"1967\" data-end=\"1983\"\u003eDistributor:\u003c\/strong\u003e Toho \/ 東宝\u003cbr data-start=\"1993\" data-end=\"1996\"\u003e\u003cstrong data-start=\"1996\" data-end=\"2022\"\u003eJapanese release date:\u003c\/strong\u003e 17 July 2010\u003cbr data-start=\"2035\" data-end=\"2038\"\u003e\u003cstrong data-start=\"2038\" data-end=\"2056\"\u003ePoster format:\u003c\/strong\u003e Japanese B1 — c. 72.8 × 103 cm \/ 28.7 × 40.6 in\u003cbr data-start=\"2104\" data-end=\"2107\"\u003e\u003cstrong data-start=\"2107\" data-end=\"2123\"\u003ePoster type:\u003c\/strong\u003e Original Japanese theatrical roadshow \/ cinema display poster\u003cbr data-start=\"2185\" data-end=\"2188\"\u003e\u003cstrong data-start=\"2188\" data-end=\"2201\"\u003ePrinting:\u003c\/strong\u003e \u003cstrong data-start=\"2202\" data-end=\"2270\"\u003eDouble-sided light-box printing, reverse printed in mirror image\u003c\/strong\u003e\u003cbr data-start=\"2270\" data-end=\"2273\"\u003e\u003cstrong data-start=\"2273\" data-end=\"2300\"\u003eSpecial format feature:\u003c\/strong\u003e \u003cstrong data-start=\"2301\" data-end=\"2363\"\u003eScarce oversize B1 double-sided theatrical light-box sheet\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"1rtfgf4\" data-start=\"2792\" data-end=\"2833\"\u003e\u003cspan role=\"text\"\u003eDate \u0026amp; Japanese Theatrical Release\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2835\" data-end=\"3095\"\u003e\u003cstrong data-start=\"2835\" data-end=\"2862\"\u003eArrietty \/ 借りぐらしのアリエッティ\u003c\/strong\u003e opened theatrically in Japan on \u003cstrong data-start=\"2895\" data-end=\"2911\"\u003e17 July 2010\u003c\/strong\u003e, distributed by \u003cstrong data-start=\"2928\" data-end=\"2936\"\u003eToho\u003c\/strong\u003e. This B1 poster belongs to the film’s original Japanese first-release roadshow campaign and carries the period theatrical release line along the lower border:\u003c\/p\u003e\n\u003cp data-start=\"3097\" data-end=\"3184\"\u003e\u003cstrong data-start=\"3097\" data-end=\"3120\"\u003e7月17日（土）全国東宝系ロードショー\u003c\/strong\u003e\u003cbr data-start=\"3120\" data-end=\"3123\"\u003e\u003cstrong data-start=\"3123\" data-end=\"3184\"\u003e“Saturday, July 17, nationwide Toho theatrical roadshow.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3186\" data-end=\"3434\"\u003eOriginal Japanese theatrical paper for Studio Ghibli titles carries particular collector weight because these posters represent the film’s home-market presentation: how audiences in Japan first encountered the work at the moment it entered cinemas.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1n8fv1x\" data-start=\"3436\" data-end=\"3488\"\u003e\u003cspan role=\"text\"\u003eThe Film \u0026amp; Its Place in Studio Ghibli History\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3490\" data-end=\"3901\"\u003eDirected by \u003cstrong data-start=\"3502\" data-end=\"3526\"\u003eHiromasa Yonebayashi\u003c\/strong\u003e, with \u003cstrong data-start=\"3533\" data-end=\"3551\"\u003eHayao Miyazaki\u003c\/strong\u003e credited for planning and screenplay, \u003cstrong data-start=\"3590\" data-end=\"3602\"\u003eArrietty\u003c\/strong\u003e is one of Studio Ghibli’s most delicate and visually refined works. Rather than the epic scale of \u003cstrong data-start=\"3701\" data-end=\"3722\"\u003ePrincess Mononoke\u003c\/strong\u003e or the mechanical fantasy of \u003cstrong data-start=\"3752\" data-end=\"3776\"\u003eHowl’s Moving Castle\u003c\/strong\u003e, this film finds wonder in miniature: sugar cubes, pins, leaves, floorboards, hidden passages, and the danger of being seen.\u003c\/p\u003e\n\u003cp data-start=\"3903\" data-end=\"4427\"\u003eThe film became a major commercial success in Japan. The Motion Picture Producers Association of Japan lists \u003cstrong data-start=\"4012\" data-end=\"4039\"\u003eKarigurashi no Arrietty\u003c\/strong\u003e as the \u003cstrong data-start=\"4047\" data-end=\"4078\"\u003eNo. 1 Japanese film of 2010\u003c\/strong\u003e, with an estimated domestic gross of \u003cstrong data-start=\"4116\" data-end=\"4133\"\u003e¥9.25 billion\u003c\/strong\u003e, distributed by \u003cstrong data-start=\"4150\" data-end=\"4158\"\u003eToho\u003c\/strong\u003e. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e It also won \u003cstrong data-start=\"4210\" data-end=\"4252\"\u003eBest Animation \/ Animation of the Year\u003c\/strong\u003e at the \u003cstrong data-start=\"4260\" data-end=\"4288\"\u003e34th Japan Academy Prize\u003c\/strong\u003e, where the official Japan Academy Prize materials list \u003cstrong data-start=\"4344\" data-end=\"4360\"\u003e借りぐらしのアリエッティ\u003c\/strong\u003e as the top animation winner. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"4429\" data-end=\"4657\"\u003eFor Ghibli collectors, this gives the poster a particularly strong position: it is not only a beautiful key-art sheet, but the original Japanese theatrical advertising for one of Ghibli’s biggest domestic successes of the 2010s.\u003c\/p\u003e\n\u003ch3 data-section-id=\"l6og63\" data-start=\"4659\" data-end=\"4687\"\u003e\u003cspan role=\"text\"\u003eCécile Corbel’s Score\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"4689\" data-end=\"4936\"\u003e\u003cstrong data-start=\"4689\" data-end=\"4708\"\u003eCécile Corbel’s\u003c\/strong\u003e music is central to the film’s atmosphere. Her harp-led score and theme song give \u003cstrong data-start=\"4791\" data-end=\"4803\"\u003eArrietty\u003c\/strong\u003e its intimate, fragile, almost secretive emotional texture — perfectly matched to a story about tiny people living just out of sight.\u003c\/p\u003e\n\u003cp data-start=\"4938\" data-end=\"5163\"\u003eThe official Studio Ghibli work listing credits \u003cstrong data-start=\"4986\" data-end=\"5014\"\u003eセシル・コルベル \/ Cécile Corbel\u003c\/strong\u003e for both \u003cstrong data-start=\"5024\" data-end=\"5048\"\u003emusic and theme song\u003c\/strong\u003e, making the soundtrack one of the film’s most distinctive creative elements. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"13i7qd0\" data-start=\"5165\" data-end=\"5184\"\u003e\u003cspan role=\"text\"\u003eDesign Notes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"5186\" data-end=\"5318\"\u003eThis is one of the most beautiful and immediately recognizable \u003cstrong data-start=\"5249\" data-end=\"5261\"\u003eArrietty\u003c\/strong\u003e theatrical images, and it has superb impact at B1 scale:\u003c\/p\u003e\n\u003cp data-start=\"5320\" data-end=\"5512\"\u003e\u003cstrong data-start=\"5320\" data-end=\"5357\"\u003eArrietty hidden among the leaves:\u003c\/strong\u003e the central image captures the entire emotional premise of the film — a small girl living in a giant human world, always close but never meant to be seen.\u003c\/p\u003e\n\u003cp data-start=\"5514\" data-end=\"5643\"\u003e\u003cstrong data-start=\"5514\" data-end=\"5530\"\u003eThe tagline:\u003c\/strong\u003e \u003cstrong data-start=\"5531\" data-end=\"5584\"\u003e人間に見られてはいけない。 — “She must not be seen by humans.”\u003c\/strong\u003e A perfect Ghibli line: quiet, urgent, and full of mystery.\u003c\/p\u003e\n\u003cp data-start=\"5645\" data-end=\"5786\"\u003e\u003cstrong data-start=\"5645\" data-end=\"5676\"\u003eLush botanical composition:\u003c\/strong\u003e the huge green leaves, water droplets, vines, and hidden garden textures create an immersive miniature world.\u003c\/p\u003e\n\u003cp data-start=\"5788\" data-end=\"5913\"\u003e\u003cstrong data-start=\"5788\" data-end=\"5812\"\u003eColour and contrast:\u003c\/strong\u003e the bright red of Arrietty’s dress against the greens of the ivy makes the image instantly striking.\u003c\/p\u003e\n\u003cp data-start=\"5915\" data-end=\"6079\"\u003e\u003cstrong data-start=\"5915\" data-end=\"5939\"\u003eLarge-format impact:\u003c\/strong\u003e in \u003cstrong data-start=\"5943\" data-end=\"5954\"\u003eB1 size\u003c\/strong\u003e, the leaves and dew drops become almost life-size, making the “tiny world” concept work beautifully as a theatrical display.\u003c\/p\u003e\n\u003cp data-start=\"6081\" data-end=\"6227\"\u003e\u003cstrong data-start=\"6081\" data-end=\"6117\"\u003eDouble-sided light-box printing:\u003c\/strong\u003e the reverse is printed in mirror image, confirming this as a cinema display format intended for illumination.\u003c\/p\u003e\n\u003cp data-start=\"6229\" data-end=\"6398\"\u003e\u003cstrong data-start=\"6229\" data-end=\"6256\"\u003eCollector significance:\u003c\/strong\u003e this is not the more commonly encountered smaller display format; it is the scarce \u003cstrong data-start=\"6340\" data-end=\"6397\"\u003eoversize B1 double-sided theatrical light-box version\u003c\/strong\u003e.\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"6403\" data-end=\"6433\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"1ynrob0\" data-start=\"6954\" data-end=\"6996\"\u003e\u003cspan role=\"text\"\u003eThe Double-Sided Light-Box Printing\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"6998\" data-end=\"7269\"\u003eThis example is especially desirable because it is \u003cstrong data-start=\"7049\" data-end=\"7065\"\u003edouble-sided\u003c\/strong\u003e, with the reverse printed in \u003cstrong data-start=\"7095\" data-end=\"7111\"\u003emirror image\u003c\/strong\u003e. That is a key feature of theatrical light-box posters: the reverse-side image strengthens the colour and density when the poster is illuminated from behind.\u003c\/p\u003e\n\u003cp data-start=\"7271\" data-end=\"7544\"\u003eFor collectors, this matters a great deal. A double-sided B1 is not simply a larger version of the standard poster. It is a premium cinema-display format, made for illuminated theatrical presentation and distributed in far smaller quantities than ordinary one-sided sheets.\u003c\/p\u003e\n\u003cp data-start=\"7546\" data-end=\"7800\"\u003eBecause a poster of this type would likely have been intended for a protected light-box or cinema display case, it also helps explain the excellent preservation seen here: strong colour, clean image presence, and very little visible handling distraction.\u003c\/p\u003e\n\u003ch3 data-section-id=\"48tnf0\" data-start=\"7802\" data-end=\"7860\"\u003e\u003cspan role=\"text\"\u003eThe Japanese B1 Format and Why It’s So Hard to Find\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"7862\" data-end=\"7993\"\u003eJapan’s standard theatrical poster size is \u003cstrong data-start=\"7905\" data-end=\"7911\"\u003eB2\u003c\/strong\u003e, and most original Japanese Studio Ghibli posters are encountered in that format.\u003c\/p\u003e\n\u003cp data-start=\"7995\" data-end=\"8448\"\u003eThe \u003cstrong data-start=\"7999\" data-end=\"8012\"\u003eB1 format\u003c\/strong\u003e is a different category. At approximately \u003cstrong data-start=\"8055\" data-end=\"8072\"\u003e72.8 × 103 cm\u003c\/strong\u003e, it is an oversize display sheet intended for higher-impact placements such as theatre lobbies, large poster cases, and premium roadshow displays. B1 posters were produced and distributed in much smaller numbers than standard B2 sheets, and their survival rate is lower: they are harder to store, easier to damage, and more likely to have been discarded after theatrical use.\u003c\/p\u003e\n\u003cp data-start=\"8450\" data-end=\"8699\"\u003eThis example is rarer again because it is \u003cstrong data-start=\"8492\" data-end=\"8508\"\u003edouble-sided\u003c\/strong\u003e, with the reverse printed in mirror image for \u003cstrong data-start=\"8555\" data-end=\"8581\"\u003elight-box illumination\u003c\/strong\u003e. Original Japanese Ghibli \u003cstrong data-start=\"8608\" data-end=\"8627\"\u003edouble-sided B1\u003c\/strong\u003e sheets are extremely difficult to source, especially in this condition.\u003c\/p\u003e\n\u003cp data-start=\"8701\" data-end=\"9029\"\u003eWith no official public print-run records available, any exact production figure would be speculative. The reliable collector point is clear: an original 2010 Japanese \u003cstrong data-start=\"8869\" data-end=\"8897\"\u003eB1 double-sided Arrietty\u003c\/strong\u003e theatrical poster is dramatically scarcer than the standard B2 format and is seldom encountered in excellent, unrestored condition.\u003c\/p\u003e\n\u003ch3 data-section-id=\"q1vs13\" data-start=\"9031\" data-end=\"9109\"\u003e\u003cspan role=\"text\"\u003eAbout the Artists: Hiromasa Yonebayashi, Hayao Miyazaki \u0026amp; Studio Ghibli\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"9111\" data-end=\"9319\"\u003eWhile Japanese theatrical posters often do not credit a single poster illustrator in the Western collecting sense, Studio Ghibli’s key art is best understood as an extension of the film’s own visual language.\u003c\/p\u003e\n\u003cp data-start=\"9321\" data-end=\"9627\"\u003eThis poster captures \u003cstrong data-start=\"9342\" data-end=\"9354\"\u003eArrietty\u003c\/strong\u003e with remarkable clarity: the world is enormous, the leaves are monumental, the water droplets feel like glass, and Arrietty herself appears both brave and vulnerable. The design is quiet but incredibly powerful — a perfect theatrical expression of the film’s central idea.\u003c\/p\u003e\n\u003cp data-start=\"9629\" data-end=\"9922\"\u003eIt is also important to distinguish the creative credits accurately: \u003cstrong data-start=\"9698\" data-end=\"9747\"\u003eArrietty was directed by Hiromasa Yonebayashi\u003c\/strong\u003e, while \u003cstrong data-start=\"9755\" data-end=\"9773\"\u003eHayao Miyazaki\u003c\/strong\u003e is credited for planning and screenplay. That makes this a key Studio Ghibli work with major Miyazaki involvement, but not a Miyazaki-directed film.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1c450de\" data-start=\"9924\" data-end=\"9956\"\u003e\u003cspan role=\"text\"\u003eAuthenticity and Reprints\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"9958\" data-end=\"10188\"\u003eImportant note: \u003cstrong data-start=\"9974\" data-end=\"9986\"\u003eArrietty\u003c\/strong\u003e imagery has been reproduced in later decorative prints, retail posters, and modern display formats. Genuine 2010 Japanese theatrical posters need to be distinguished carefully from later reproductions.\u003c\/p\u003e\n\u003cp data-start=\"10190\" data-end=\"10328\"\u003eThe example offered here is an \u003cstrong data-start=\"10221\" data-end=\"10271\"\u003eoriginal vintage Japanese theatrical B1 poster\u003c\/strong\u003e from the film’s first-release roadshow campaign in 2010.\u003c\/p\u003e\n\u003cp data-start=\"10330\" data-end=\"10599\"\u003eIt is \u003cstrong data-start=\"10336\" data-end=\"10343\"\u003enot\u003c\/strong\u003e a modern Ghibli shop print, \u003cstrong data-start=\"10372\" data-end=\"10379\"\u003enot\u003c\/strong\u003e a decorative reproduction, \u003cstrong data-start=\"10407\" data-end=\"10414\"\u003enot\u003c\/strong\u003e a later retail poster, and \u003cstrong data-start=\"10442\" data-end=\"10449\"\u003enot\u003c\/strong\u003e a contemporary reprint. It is the real theatrical article: \u003cstrong data-start=\"10509\" data-end=\"10599\"\u003eB1 size, double-sided, mirror-image reverse, and printed for cinema light-box display.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"17lu9js\" data-start=\"10601\" data-end=\"10624\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"10604\" data-end=\"10624\"\u003eCondition Report\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"10626\" data-end=\"10679\"\u003e\u003cstrong data-start=\"10626\" data-end=\"10651\"\u003eOverall presentation:\u003c\/strong\u003e \u003cstrong data-start=\"10652\" data-end=\"10679\"\u003eExcellent \/ Unrestored.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"10681\" data-end=\"10916\"\u003eThis is a superb original example with bright colour, crisp image presence, and excellent overall display quality. The sheet presents beautifully at full B1 scale, with the double-sided light-box printing adding major collector appeal.\u003c\/p\u003e\n\u003cp data-start=\"11617\" data-end=\"11688\" data-is-last-node=\"\" data-is-only-node=\"\"\u003ePlease refer to the images provided — this is the exact poster offered.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56965322015098,"sku":null,"price":1375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-looking-at-an-art-gallery-wall_65.jpg?v=1781165235","url":"https:\/\/japanposter.co.uk\/products\/arrietty-%e5%80%9f%e3%82%8a%e3%81%90%e3%82%89%e3%81%97%e3%81%ae%e3%82%a2%e3%83%aa%e3%82%a8%e3%83%83%e3%83%86%e3%82%a3-original-japanese-double-sided-b1-roadshow-theatrical-poster-2010-rare-b1-size","provider":"Japan Poster Shop","version":"1.0","type":"link"}