{"product_id":"bandolero-バンドレロ-original-japanese-movie-poster-1968-stb-tatekan-size-approximately-51-145-cm-t112-copy","title":"“In Harm’s Way” \/ 「危険な道」, Original Japanese Re-Release Movie Poster 1971, STB Tatekan Size (approximately 51 × 145 cm) T113","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese STB tatekan theatrical poster\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e produced for the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1971 Japanese re-release of \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eIn Harm’s Way\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cspan\u003e \/ 「危険な道」\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Otto Preminger’s sweeping naval war drama starring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJohn Wayne, Kirk Douglas and Patricia Neal\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released in 1965, the film combines large-scale Pacific naval warfare with an unusually extensive examination of the personal lives, ambitions and responsibilities of its officers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis Japanese design gives the naval action tremendous prominence, pairing a spectacular battle scene with a commanding portrait of John Wayne.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSTB tatekan format consists of two approximately B2-size sheets\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, displayed one above the other to create a tall composition measuring approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e51 × 145 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBoth sheets are included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFilm background\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe story begins with the Japanese attack on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePearl Harbor in December 1941\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and follows American naval personnel through the dangerous opening stages of the Pacific War.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eJohn Wayne\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e plays Captain \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRockwell “Rock” Torrey\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, an experienced officer whose career comes under scrutiny after his cruiser is damaged during operations following the attack. Removed from active command, he must confront professional disappointment while recovering from his injuries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this period, Torrey develops a relationship with naval nurse \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMaggie Haynes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, played by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePatricia Neal\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and reconnects with his estranged son, now serving as a young naval officer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKirk Douglas\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e plays Commander \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePaul Eddington\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, whose personal turmoil introduces a darker strand into the story.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs Torrey receives another opportunity to command, the film brings together military rivalry, family relationships and the heavy responsibility of sending men into combat. These intersecting stories build towards a major naval confrontation in the South Pacific.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe film was \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eproduced and directed by Otto Preminger\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with a screenplay by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWendell Mayes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, adapted from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJames Bassett’s novel \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eHarm’s Way\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe principal cast includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eJohn Wayne\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eKirk Douglas\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePatricia Neal\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTom Tryon\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePaula Prentiss\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eBrandon de Wilde\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDana Andrews\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eHenry Fonda\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eBurgess Meredith\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe score was composed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJerry Goldsmith\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eblack-and-white Panavision cinematography by Loyal Griggs\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePoster design\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis impressive Japanese tatekan uses its extended height to present naval spectacle above a dramatic arrangement of star portraits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eupper sheet\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is dominated by a turbulent blue sea viewed from the deck of a warship. Detailed gun mountings, railings, ammunition racks and helmeted crew members fill the foreground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLong gun barrels project diagonally across the composition, directing the eye towards distant ships surrounded by orange explosions, black smoke and towering columns of spray.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe contrast between the densely detailed foreground machinery and the distant battle gives the scene considerable depth. Its scale makes particularly effective use of the tall two-sheet format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe headline across the top reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e「ハワイ真珠湾から南太平洋まで！壮烈な海戦スペクタクル！」\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTranslated:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“From Pearl Harbor, Hawaii, to the South Pacific! A spectacular naval battle epic!”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elower sheet\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e shifts the emphasis towards the cast. An enormous portrait of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJohn Wayne\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, wearing a white naval cap and khaki uniform, dominates the centre and right side. His serious expression provides a strong visual anchor beneath the expansive battle scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA smaller portrait of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePatricia Neal\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e appears at the lower right, while \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKirk Douglas\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is shown towards the lower left. Burning wreckage and additional shipboard imagery connect these portraits with the action above.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Japanese title:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e「危険な道」\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eis printed in exceptionally large, vivid red lettering across the upper portion of the lower sheet. Its rising diagonal arrangement gives the composition energy and ensures immediate recognition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original English title, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“IN HARM’S WAY,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e appears in red italic lettering near Patricia Neal’s portrait.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe bottom margin carries the distribution credit:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e「パラマウント映画・C.I.C.配給」\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTranslated:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“Paramount Pictures — distributed by C.I.C.”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTogether, the blue sea, fiery battle imagery, oversized red title and prominent Wayne portrait create a striking display with excellent wall presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eExcellent condition.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e A highly attractive complete two-sheet example with strong colour, clear photographic detail and impressive overall presentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReference: T113\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease review the photographs carefully, as they show the exact poster for sale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese theatrical poster from the film’s 1971 re-release campaign\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enot a reproduction or a reprint\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eIt is now over 50 years old.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCertificate of Authenticity included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57337820578170,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-standing-in-front-of-gallery-wall_37_f65c2b1c-d786-4bfc-a64c-eebe9a35e7cf.jpg?v=1790931159","url":"https:\/\/japanposter.co.uk\/products\/bandolero-%e3%83%90%e3%83%b3%e3%83%89%e3%83%ac%e3%83%ad-original-japanese-movie-poster-1968-stb-tatekan-size-approximately-51-145-cm-t112-copy","provider":"Japan Poster Shop","version":"1.0","type":"link"}