{"product_id":"bankaku-rock-ranking-boss-rock-番格ロック-original-release-japanese-two-sheet-billboard-poster-1973-excellent-unrestored-condition-b0-billboard-approx-103-146-cm-40-5-57-3-in","title":"“Bankaku Rock \/ Ranking Boss Rock” (番格ロック) Original release Japanese two-sheet billboard poster, 1973 — excellent unrestored condition (B0 Billboard approx. 103 × 146 cm \/ 40.5 × 57.3 in)","description":"\u003cp data-start=\"197\" data-end=\"743\"\u003eOffered here is an extraordinary large-format original Japanese theatrical billboard poster for \u003cstrong data-start=\"293\" data-end=\"309\"\u003eBankaku Rock\u003c\/strong\u003e (番格ロック), Toei’s 1973 sukeban \/ delinquent-girl action film directed by \u003cstrong data-start=\"381\" data-end=\"397\"\u003eMakoto Naitō\u003c\/strong\u003e and starring \u003cstrong data-start=\"411\" data-end=\"429\"\u003eEmiko Yamauchi\u003c\/strong\u003e as Otonashi Yukiko. Released during the peak years of Toei’s hard-edged female-led exploitation cinema, the film follows the violent rivalry between the \u003cstrong data-start=\"583\" data-end=\"603\"\u003eAkabane 100 Club\u003c\/strong\u003e and the \u003cstrong data-start=\"612\" data-end=\"633\"\u003eIkebukuro Cavalry\u003c\/strong\u003e, with Yukiko newly released from reform school and drawn back into a one-woman reckoning with the rival gang.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1dr5t50\" data-start=\"745\" data-end=\"756\"\u003eDetails\u003c\/h3\u003e\n\u003cp data-start=\"758\" data-end=\"1418\"\u003eFilm: \u003cstrong data-start=\"764\" data-end=\"773\"\u003e番格ロック\u003c\/strong\u003e\u003cbr data-start=\"773\" data-end=\"776\"\u003eCommon English titles: \u003cstrong data-start=\"799\" data-end=\"835\"\u003eBankaku Rock \/ Ranking Boss Rock\u003c\/strong\u003e; also encountered as \u003cstrong data-start=\"857\" data-end=\"884\"\u003eFarewell to Rock’n Roll\u003c\/strong\u003e\u003cbr data-start=\"884\" data-end=\"887\"\u003eRelease: \u003cstrong data-start=\"896\" data-end=\"911\"\u003eJapan, 1973\u003c\/strong\u003e\u003cbr data-start=\"911\" data-end=\"914\"\u003eStudio \/ Distributor: \u003cstrong data-start=\"936\" data-end=\"944\"\u003eToei\u003c\/strong\u003e\u003cbr data-start=\"944\" data-end=\"947\"\u003eDirector: \u003cstrong data-start=\"957\" data-end=\"973\"\u003eMakoto Naitō\u003c\/strong\u003e\u003cbr data-start=\"973\" data-end=\"976\"\u003eScreenplay: \u003cstrong data-start=\"988\" data-end=\"1008\"\u003eHideaki Yamamoto\u003c\/strong\u003e and \u003cstrong data-start=\"1013\" data-end=\"1033\"\u003eAtsushi Yamatoya\u003c\/strong\u003e\u003cbr data-start=\"1033\" data-end=\"1036\"\u003eStarring: \u003cstrong data-start=\"1046\" data-end=\"1064\"\u003eEmiko Yamauchi\u003c\/strong\u003e as Otonashi Yukiko\u003cbr data-start=\"1083\" data-end=\"1086\"\u003eMusic \/ featured performers: \u003cstrong data-start=\"1115\" data-end=\"1124\"\u003eCarol\u003c\/strong\u003e\u003cbr data-start=\"1124\" data-end=\"1127\"\u003eFormat: \u003cstrong data-start=\"1135\" data-end=\"1177\"\u003eJapanese B0 two-sheet billboard poster\u003c\/strong\u003e, composed of two B1-size sheets\u003cbr data-start=\"1209\" data-end=\"1212\"\u003eApprox. size: \u003cstrong data-start=\"1226\" data-end=\"1261\"\u003e103 × 145.6 cm \/ 40.5 × 57.3 in\u003c\/strong\u003e\u003cbr data-start=\"1261\" data-end=\"1264\"\u003eCondition: \u003cstrong data-start=\"1275\" data-end=\"1318\"\u003eExcellent unrestored original condition\u003c\/strong\u003e, with strong colour, visible original fold lines, and light handling consistent with theatrical use\u003c\/p\u003e\n\u003ch3 data-section-id=\"1o7ic3d\" data-start=\"1420\" data-end=\"1431\"\u003eContext\u003c\/h3\u003e\n\u003ch3 data-section-id=\"1muwlsk\" data-start=\"1433\" data-end=\"1512\"\u003eToei’s sukeban world: delinquent girls, street codes, and violent hierarchy\u003c\/h3\u003e\n\u003cp data-start=\"1514\" data-end=\"1855\"\u003eThe term \u003cstrong data-start=\"1523\" data-end=\"1536\"\u003e“bankaku”\u003c\/strong\u003e is central to the film’s identity. It refers to a boss-class enforcer or bodyguard within a delinquent group: not merely a follower, but the gang’s active fighter and hard-line protector. In this film, Yukiko occupies that dangerous position — a lone-wolf figure defined by nerve, violence, loyalty, and personal code.\u003c\/p\u003e\n\u003cp data-start=\"1857\" data-end=\"2303\"\u003eThat idea is made visual with remarkable force on this poster. Yamauchi’s Yukiko dominates the left sheet in a full-length white outfit, open jacket, and knife in hand, placed against a blazing orange urban backdrop. The poster’s own copy reinforces her rank and reputation: with one call, a hundred sukeban gather, but Yukiko is \u003cstrong data-start=\"2187\" data-end=\"2193\"\u003e番格\u003c\/strong\u003e — a boss-class figure whose courage and physical strength make her a feared presence in the street hierarchy.\u003c\/p\u003e\n\u003ch3 data-section-id=\"pgcx8g\" data-start=\"2305\" data-end=\"2323\"\u003eEmiko Yamauchi\u003c\/h3\u003e\n\u003ch3 data-section-id=\"xymspn\" data-start=\"2325\" data-end=\"2380\"\u003eA brief but highly collectible Toei screen presence\u003c\/h3\u003e\n\u003cp data-start=\"2382\" data-end=\"2792\"\u003e\u003cstrong data-start=\"2382\" data-end=\"2400\"\u003eEmiko Yamauchi\u003c\/strong\u003e occupies a distinct place in early-1970s Toei genre cinema. Her screen career from this period is compact but potent, including \u003cstrong data-start=\"2529\" data-end=\"2547\"\u003eNeon Jellyfish\u003c\/strong\u003e (1973), \u003cstrong data-start=\"2556\" data-end=\"2572\"\u003eBankaku Rock\u003c\/strong\u003e (1973), \u003cstrong data-start=\"2581\" data-end=\"2620\"\u003eNeon Jellyfish: Shinjuku Hanadensha\u003c\/strong\u003e (1973), and \u003cstrong data-start=\"2633\" data-end=\"2661\"\u003eSchool of the Holy Beast\u003c\/strong\u003e (1974). In Bankaku Rock, she plays \u003cstrong data-start=\"2697\" data-end=\"2716\"\u003eOtonashi Yukiko\u003c\/strong\u003e, the central figure around whom the poster’s entire visual impact is built.\u003c\/p\u003e\n\u003cp data-start=\"2794\" data-end=\"3145\"\u003eOn this billboard, Yamauchi is presented not as supporting decoration but as the whole selling proposition: cool, dangerous, controlled, and confrontational. Her white costume against the saturated orange cityscape gives the design its immediate power, while the knife and low-angle composition transform the image into a near-mythic sukeban portrait.\u003c\/p\u003e\n\u003ch3 data-section-id=\"6wihzp\" data-start=\"3147\" data-end=\"3156\"\u003eCarol\u003c\/h3\u003e\n\u003ch3 data-section-id=\"13l80az\" data-start=\"3158\" data-end=\"3219\"\u003eRock’n’roll as marketing, soundtrack, and cultural signal\u003c\/h3\u003e\n\u003cp data-start=\"3221\" data-end=\"3543\"\u003eA major element of the poster is the blue star-shaped inset featuring \u003cstrong data-start=\"3291\" data-end=\"3300\"\u003eCarol\u003c\/strong\u003e, the influential Japanese rock’n’roll band led by \u003cstrong data-start=\"3351\" data-end=\"3369\"\u003eEikichi Yazawa\u003c\/strong\u003e. Formed in 1972, Carol became closely associated with early-1970s Japanese youth culture through their leather-jacket image, pompadour styling, and direct rock’n’roll sound.\u003c\/p\u003e\n\u003cp data-start=\"3545\" data-end=\"3936\"\u003eTheir presence here is not incidental. The film heavily promoted Carol’s involvement, with the band appearing in the film and contributing music that gave the action an added rock rhythm and countercultural charge. The inset functions almost like a concert-poster element embedded inside a theatrical advertisement, making this piece especially desirable beyond film-poster collecting alone.\u003c\/p\u003e\n\u003cp data-start=\"3938\" data-end=\"4106\"\u003eAs a result, the poster sits at the intersection of \u003cstrong data-start=\"3990\" data-end=\"4018\"\u003eToei exploitation cinema\u003c\/strong\u003e, \u003cstrong data-start=\"4020\" data-end=\"4043\"\u003esukeban iconography\u003c\/strong\u003e, \u003cstrong data-start=\"4045\" data-end=\"4070\"\u003eJapanese rock history\u003c\/strong\u003e, \u003cstrong data-start=\"4072\" data-end=\"4081\"\u003eCarol\u003c\/strong\u003e, and \u003cstrong data-start=\"4087\" data-end=\"4105\"\u003eEikichi Yazawa\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3 data-section-id=\"ygnb4n\" data-start=\"4108\" data-end=\"4143\"\u003eThe film this poster represents\u003c\/h3\u003e\n\u003ch3 data-section-id=\"1w37kpr\" data-start=\"4145\" data-end=\"4212\"\u003eAkabane vs. Ikebukuro: girl-gang warfare at full Toei intensity\u003c\/h3\u003e\n\u003cp data-start=\"4214\" data-end=\"4539\"\u003eThe story centres on the war between the \u003cstrong data-start=\"4255\" data-end=\"4275\"\u003eAkabane 100 Club\u003c\/strong\u003e and the \u003cstrong data-start=\"4284\" data-end=\"4305\"\u003eIkebukuro Cavalry\u003c\/strong\u003e. Yukiko, the bankaku of Akabane, returns from reform school with unfinished business: a violent grudge match against the rival gang and a wider street conflict that escalates through betrayal, male criminal interference, and revenge.\u003c\/p\u003e\n\u003cp data-start=\"4541\" data-end=\"4961\"\u003eThe film belongs to the same broad Toei world as the studio’s early-1970s female-led action and delinquent-girl cycles, but it remains less widely circulated internationally than the better-known \u003cstrong data-start=\"4737\" data-end=\"4765\"\u003eFemale Prisoner Scorpion\u003c\/strong\u003e, \u003cstrong data-start=\"4767\" data-end=\"4780\"\u003eGirl Boss\u003c\/strong\u003e, and \u003cstrong data-start=\"4786\" data-end=\"4819\"\u003eTerrifying Girls’ High School\u003c\/strong\u003e titles. That relative obscurity gives surviving original advertising material — especially in billboard format — particular collector weight.\u003c\/p\u003e\n\u003ch3 data-section-id=\"8lfxe8\" data-start=\"4963\" data-end=\"4977\"\u003eThe poster\u003c\/h3\u003e\n\u003ch3 data-section-id=\"1g4ioj7\" data-start=\"4979\" data-end=\"5056\"\u003eOne of the great graphic statements of Toei’s 1970s delinquent-girl cycle\u003c\/h3\u003e\n\u003cp data-start=\"5058\" data-end=\"5169\"\u003eThis B0 two-sheet design is exceptionally strong, both as cinema advertising and as 1970s Japanese graphic art.\u003c\/p\u003e\n\u003cp data-start=\"5171\" data-end=\"5199\"\u003eKey visual elements include:\u003c\/p\u003e\n\u003cp data-start=\"5201\" data-end=\"5370\"\u003e\u003cstrong data-start=\"5201\" data-end=\"5235\"\u003eThe full-length Yamauchi image\u003c\/strong\u003e: a towering, low-angle presentation of Yukiko in white, knife forward, placed against an orange urban field of distorted architecture.\u003c\/p\u003e\n\u003cp data-start=\"5372\" data-end=\"5516\"\u003e\u003cstrong data-start=\"5372\" data-end=\"5395\"\u003eThe title treatment\u003c\/strong\u003e: hot-pink, jagged, angular lettering for 番格ロック, visually echoing rock typography and the fractured violence of the film.\u003c\/p\u003e\n\u003cp data-start=\"5518\" data-end=\"5707\"\u003e\u003cstrong data-start=\"5518\" data-end=\"5542\"\u003eThe Carol star inset\u003c\/strong\u003e: a deep blue star containing the band in performance, with “CAROL” rendered in yellow burst lettering — one of the poster’s most collectible music-related elements.\u003c\/p\u003e\n\u003cp data-start=\"5709\" data-end=\"5842\"\u003e\u003cstrong data-start=\"5709\" data-end=\"5736\"\u003eThe girl-gang vignettes\u003c\/strong\u003e: smaller street-level images showing the gang formations and urban delinquent milieu that drive the plot.\u003c\/p\u003e\n\u003cp data-start=\"5844\" data-end=\"5954\"\u003e\u003cstrong data-start=\"5844\" data-end=\"5865\"\u003eThe colour scheme\u003c\/strong\u003e: orange, black, pink, blue, and white — high contrast, loud, and unmistakably 1973 Toei.\u003c\/p\u003e\n\u003cp data-start=\"5956\" data-end=\"6217\"\u003eAt B0 scale, the composition becomes far more than a standard film poster. Yamauchi’s figure becomes almost life-size in effect, the title typography dominates the right sheet, and the Carol inset reads as a second cultural advertisement within the same object.\u003c\/p\u003e\n\u003ch3 data-section-id=\"q3ra9k\" data-start=\"6219\" data-end=\"6242\"\u003eRarity and survival\u003c\/h3\u003e\n\u003ch3 data-section-id=\"ekwnj4\" data-start=\"6244\" data-end=\"6293\"\u003eA scarce billboard-format Toei sukeban poster\u003c\/h3\u003e\n\u003cp data-start=\"6295\" data-end=\"6669\"\u003eJapanese B0 two-sheet posters were made for large-scale theatrical display rather than ordinary domestic collecting. They were more difficult to store, more vulnerable to handling, and far less likely to survive intact than standard-size posters. For a cult Toei title such as \u003cstrong data-start=\"6572\" data-end=\"6588\"\u003eBankaku Rock\u003c\/strong\u003e, a complete two-sheet B0 example with both panels present is a significant find.\u003c\/p\u003e\n\u003cp data-start=\"6671\" data-end=\"6881\"\u003eIts appeal crosses several collecting categories: \u003cstrong data-start=\"6721\" data-end=\"6746\"\u003eJapanese film posters\u003c\/strong\u003e, \u003cstrong data-start=\"6748\" data-end=\"6790\"\u003eToei pinky-violence and sukeban cinema\u003c\/strong\u003e, \u003cstrong data-start=\"6792\" data-end=\"6810\"\u003eEmiko Yamauchi\u003c\/strong\u003e, \u003cstrong data-start=\"6812\" data-end=\"6821\"\u003eCarol\u003c\/strong\u003e, \u003cstrong data-start=\"6823\" data-end=\"6841\"\u003eEikichi Yazawa\u003c\/strong\u003e, and early-1970s Japanese rock culture.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1uef3h1\" data-start=\"6883\" data-end=\"6896\"\u003eCondition\u003c\/h3\u003e\n\u003ch3 data-section-id=\"wdmn16\" data-start=\"6898\" data-end=\"6944\"\u003eExcellent unrestored original presentation\u003c\/h3\u003e\n\u003cp data-start=\"6946\" data-end=\"7446\"\u003eThis example presents in \u003cstrong data-start=\"6971\" data-end=\"7005\"\u003eexcellent unrestored condition\u003c\/strong\u003e, with vivid colour, strong printed detail, and the expected original fold structure from theatrical distribution. The photographs show light handling, fold lines, and minor creasing consistent with age and use, but the overall visual impression remains extremely strong. The reverse views show clean paper tone and the original sheet structure, further supporting the poster’s excellent presentation as a surviving theatrical display piece.\u003c\/p\u003e\n\u003cp data-start=\"7448\" data-end=\"7548\"\u003eCondition\u003cbr data-start=\"7457\" data-end=\"7460\"\u003e\u003cstrong data-start=\"7460\" data-end=\"7548\"\u003eVery Good \/ Excellent. Please review the photos—they show the exact poster for sale.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"4edhfj\" data-start=\"7550\" data-end=\"7570\"\u003eCollector’s note\u003c\/h3\u003e\n\u003cp data-start=\"7572\" data-end=\"8000\"\u003eThis is the kind of poster that defines a collection: a visually explosive \u003cstrong data-start=\"7647\" data-end=\"7663\"\u003eB0 two-sheet\u003c\/strong\u003e for a rarely seen Toei sukeban title, anchored by \u003cstrong data-start=\"7714\" data-end=\"7759\"\u003eEmiko Yamauchi’s commanding central image\u003c\/strong\u003e and elevated by the prominent presence of \u003cstrong data-start=\"7802\" data-end=\"7811\"\u003eCarol\u003c\/strong\u003e at a key moment in Japanese rock history. For collectors of 1970s Japanese exploitation cinema, delinquent-girl films, and rock-linked movie advertising, \u003cstrong data-start=\"7966\" data-end=\"7982\"\u003eBankaku Rock\u003c\/strong\u003e is a major piece.\u003c\/p\u003e\n\u003cp data-start=\"8002\" data-end=\"8040\"\u003eIt is not a reproduction or a reprint.\u003c\/p\u003e\n\u003cp data-start=\"8042\" data-end=\"8079\"\u003eCertificate of Authenticity included.\u003c\/p\u003e\n\u003cp data-start=\"8081\" data-end=\"8109\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is over \u003cstrong data-start=\"8092\" data-end=\"8108\"\u003e53 years old\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56839472611706,"sku":null,"price":1350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/modern-living-room-with-a-comfy-sofa.jpg?v=1777271991","url":"https:\/\/japanposter.co.uk\/products\/bankaku-rock-ranking-boss-rock-%e7%95%aa%e6%a0%bc%e3%83%ad%e3%83%83%e3%82%af-original-release-japanese-two-sheet-billboard-poster-1973-excellent-unrestored-condition-b0-billboard-approx-103-146-cm-40-5-57-3-in","provider":"Japan Poster Shop","version":"1.0","type":"link"}