{"product_id":"from-up-on-poppy-hill-コクリコ坂から-original-release-japanese-movie-poster-2011-b2-size-51-73-cm-o39-copy","title":"“FROM UP ON POPPY HILL \/ コクリコ坂から”, ORIGINAL JAPANESE B1 THEATRICAL “SECOND \/ NOW SHOWING” POSTER 2011, Ultra Rare, B1 Size (c. 72.8 x 103cm)","description":"\u003cp data-start=\"146\" data-end=\"616\" class=\"PDq2pG_selectionAnchorContainer\"\u003eAn exceptional \u003cstrong data-start=\"161\" data-end=\"203\"\u003eoriginal Japanese B1 theatrical poster\u003c\/strong\u003e for Studio Ghibli’s \u003cstrong data-start=\"224\" data-end=\"259\"\u003eFrom Up on Poppy Hill \/ コクリコ坂から\u003c\/strong\u003e, released in Japan in \u003cstrong data-start=\"282\" data-end=\"290\"\u003e2011\u003c\/strong\u003e. Directed by \u003cstrong data-start=\"304\" data-end=\"328\"\u003eGorō Miyazaki \/ 宮崎吾朗\u003c\/strong\u003e, with \u003cstrong data-start=\"335\" data-end=\"386\"\u003eplanning and screenplay by Hayao Miyazaki \/ 宮崎駿\u003c\/strong\u003e and screenplay by \u003cstrong data-start=\"405\" data-end=\"426\"\u003eKeiko Niwa \/ 丹羽圭子\u003c\/strong\u003e, the film was based on the manga by \u003cstrong data-start=\"463\" data-end=\"491\"\u003eChizuru Takahashi \/ 高橋千鶴\u003c\/strong\u003e and \u003cstrong data-start=\"496\" data-end=\"521\"\u003eTetsurō Sayama \/ 佐山哲郎\u003c\/strong\u003e, and distributed theatrically in Japan by \u003cstrong data-start=\"564\" data-end=\"577\"\u003eToho \/ 東宝\u003c\/strong\u003e. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"618\" data-end=\"1097\"\u003eThis is the highly desirable \u003cstrong data-start=\"647\" data-end=\"698\"\u003esecond theatrical poster \/ “now showing” design\u003c\/strong\u003e, produced after the film’s initial release to support its continued theatrical run. Studio Ghibli’s own announcement records that this second poster was created at \u003cstrong data-start=\"863\" data-end=\"894\"\u003eHayao Miyazaki’s suggestion\u003c\/strong\u003e, in response to theatres continuing the film into autumn, and that the chosen image depicts the deeply emotional scene in which \u003cstrong data-start=\"1023\" data-end=\"1058\"\u003eUmi meets her father in a dream\u003c\/strong\u003e. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1099\" data-end=\"1673\"\u003eThe artwork presents a tender father-daughter embrace against the harbour backdrop of Yokohama: Umi in her sailor-style school uniform, held by her father, with a vast ship hull and red-and-white tugboat behind them. The muted palette of cream, navy, grey, and maritime red beautifully evokes the film’s \u003cstrong data-start=\"1403\" data-end=\"1419\"\u003e1963 setting\u003c\/strong\u003e, a post-war Japan poised between memory and renewal. The composition is quieter and more emotionally direct than the better-known scenic campaign images, making this \u003cstrong data-start=\"1586\" data-end=\"1613\"\u003eB1 second-poster design\u003c\/strong\u003e especially compelling for serious Studio Ghibli collectors.\u003c\/p\u003e\n\u003cp data-start=\"1675\" data-end=\"1888\"\u003eA superb home-market Ghibli theatrical sheet: \u003cstrong data-start=\"1721\" data-end=\"1887\"\u003eoriginal 2011 Japanese release, ultra rare B1 format, second \/ now-showing design, single-sided with blank reverse, and in excellent condition, close to near mint\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-start=\"1890\" data-end=\"1893\"\u003e\n\u003ch3 data-section-id=\"xqihte\" data-start=\"1895\" data-end=\"1912\"\u003e\u003cspan role=\"text\"\u003eKey Facts\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1914\" data-end=\"2849\"\u003e\u003cstrong data-start=\"1914\" data-end=\"1923\"\u003eFilm:\u003c\/strong\u003e From Up on Poppy Hill \/ コクリコ坂から\u003cbr data-start=\"1955\" data-end=\"1958\"\u003e\u003cstrong data-start=\"1958\" data-end=\"1977\"\u003eJapanese title:\u003c\/strong\u003e コクリコ坂から \/ Kokuriko-zaka Kara\u003cbr data-start=\"2006\" data-end=\"2009\"\u003e\u003cstrong data-start=\"2009\" data-end=\"2022\"\u003eDirector:\u003c\/strong\u003e \u003cstrong data-start=\"2023\" data-end=\"2047\"\u003eGorō Miyazaki \/ 宮崎吾朗\u003c\/strong\u003e\u003cbr data-start=\"2047\" data-end=\"2050\"\u003e\u003cstrong data-start=\"2050\" data-end=\"2076\"\u003ePlanning \/ screenplay:\u003c\/strong\u003e \u003cstrong data-start=\"2077\" data-end=\"2101\"\u003eHayao Miyazaki \/ 宮崎駿\u003c\/strong\u003e\u003cbr data-start=\"2101\" data-end=\"2104\"\u003e\u003cstrong data-start=\"2104\" data-end=\"2119\"\u003eScreenplay:\u003c\/strong\u003e \u003cstrong data-start=\"2120\" data-end=\"2141\"\u003eKeiko Niwa \/ 丹羽圭子\u003c\/strong\u003e\u003cbr data-start=\"2141\" data-end=\"2144\"\u003e\u003cstrong data-start=\"2144\" data-end=\"2163\"\u003eOriginal manga:\u003c\/strong\u003e \u003cstrong data-start=\"2164\" data-end=\"2192\"\u003eChizuru Takahashi \/ 高橋千鶴\u003c\/strong\u003e and \u003cstrong data-start=\"2197\" data-end=\"2222\"\u003eTetsurō Sayama \/ 佐山哲郎\u003c\/strong\u003e\u003cbr data-start=\"2222\" data-end=\"2225\"\u003e\u003cstrong data-start=\"2225\" data-end=\"2238\"\u003eProducer:\u003c\/strong\u003e \u003cstrong data-start=\"2239\" data-end=\"2263\"\u003eToshio Suzuki \/ 鈴木敏夫\u003c\/strong\u003e\u003cbr data-start=\"2263\" data-end=\"2266\"\u003e\u003cstrong data-start=\"2266\" data-end=\"2276\"\u003eMusic:\u003c\/strong\u003e \u003cstrong data-start=\"2277\" data-end=\"2302\"\u003eSatoshi Takebe \/ 武部聡志\u003c\/strong\u003e\u003cbr data-start=\"2302\" data-end=\"2305\"\u003e\u003cstrong data-start=\"2305\" data-end=\"2320\"\u003eTheme song:\u003c\/strong\u003e \u003cstrong data-start=\"2321\" data-end=\"2342\"\u003eAoi Teshima \/ 手嶌葵\u003c\/strong\u003e\u003cbr data-start=\"2342\" data-end=\"2345\"\u003e\u003cstrong data-start=\"2345\" data-end=\"2361\"\u003eInsert song:\u003c\/strong\u003e \u003cstrong data-start=\"2362\" data-end=\"2397\"\u003eKyu Sakamoto \/ 坂本九 — “上を向いて歩こう”\u003c\/strong\u003e\u003cbr data-start=\"2397\" data-end=\"2400\"\u003e\u003cstrong data-start=\"2400\" data-end=\"2411\"\u003eStudio:\u003c\/strong\u003e \u003cstrong data-start=\"2412\" data-end=\"2439\"\u003eStudio Ghibli \/ スタジオジブリ\u003c\/strong\u003e\u003cbr data-start=\"2439\" data-end=\"2442\"\u003e\u003cstrong data-start=\"2442\" data-end=\"2458\"\u003eDistributor:\u003c\/strong\u003e \u003cstrong data-start=\"2459\" data-end=\"2472\"\u003eToho \/ 東宝\u003c\/strong\u003e\u003cbr data-start=\"2472\" data-end=\"2475\"\u003e\u003cstrong data-start=\"2475\" data-end=\"2501\"\u003eJapanese release date:\u003c\/strong\u003e \u003cstrong data-start=\"2502\" data-end=\"2518\"\u003e16 July 2011\u003c\/strong\u003e\u003cbr data-start=\"2518\" data-end=\"2521\"\u003e\u003cstrong data-start=\"2521\" data-end=\"2532\"\u003eFormat:\u003c\/strong\u003e \u003cstrong data-start=\"2533\" data-end=\"2595\"\u003eOriginal Japanese theatrical “second \/ now showing” poster\u003c\/strong\u003e\u003cbr data-start=\"2595\" data-end=\"2598\"\u003e\u003cstrong data-start=\"2598\" data-end=\"2607\"\u003eSize:\u003c\/strong\u003e \u003cstrong data-start=\"2608\" data-end=\"2650\"\u003eB1 — c. 72.8 × 103 cm \/ 28.7 × 40.6 in\u003c\/strong\u003e\u003cbr data-start=\"2650\" data-end=\"2653\"\u003e\u003cstrong data-start=\"2653\" data-end=\"2666\"\u003ePrinting:\u003c\/strong\u003e \u003cstrong data-start=\"2667\" data-end=\"2718\"\u003eSingle-sided theatrical printing, blank reverse\u003c\/strong\u003e\u003cbr data-start=\"2718\" data-end=\"2721\"\u003e\u003cstrong data-start=\"2721\" data-end=\"2735\"\u003eCondition:\u003c\/strong\u003e \u003cstrong data-start=\"2736\" data-end=\"2769\"\u003eExcellent, close to Near Mint\u003c\/strong\u003e\u003cbr data-start=\"2769\" data-end=\"2772\"\u003e\u003cstrong data-start=\"2772\" data-end=\"2783\"\u003eRarity:\u003c\/strong\u003e \u003cstrong data-start=\"2784\" data-end=\"2849\"\u003eUltra Rare — scarce large-format B1 theatrical display poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr data-start=\"2851\" data-end=\"2854\"\u003e\n\u003ch3 data-section-id=\"1h41dhz\" data-start=\"2856\" data-end=\"2876\"\u003e\u003cspan role=\"text\"\u003eDesign Notes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2878\" data-end=\"3193\"\u003eThis rare \u003cstrong data-start=\"2888\" data-end=\"2907\"\u003e“second poster”\u003c\/strong\u003e design is among the most emotionally resonant theatrical images created for \u003cstrong data-start=\"2984\" data-end=\"3009\"\u003eFrom Up on Poppy Hill\u003c\/strong\u003e. Rather than focusing on the school, signal flags, or ensemble cast, it isolates a central moment of memory and longing: \u003cstrong data-start=\"3131\" data-end=\"3192\"\u003eUmi embraced by her father in a dreamlike harbour setting\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3195\" data-end=\"3631\"\u003eThe maritime background is essential to the film’s emotional world. The looming ship hull, tugboat, smokestack, dark water, and pale haze all point to Yokohama’s port identity and to the film’s themes of family history, loss, memory, and post-war reconstruction. Set in \u003cstrong data-start=\"3465\" data-end=\"3485\"\u003eYokohama in 1963\u003c\/strong\u003e, the film follows a young generation looking forward while still carrying the emotional weight of the past. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"3633\" data-end=\"3949\"\u003eAt full \u003cstrong data-start=\"3641\" data-end=\"3653\"\u003eB1 scale\u003c\/strong\u003e, the poster has a quiet but powerful presence. The large red vertical title \u003cstrong data-start=\"3730\" data-end=\"3741\"\u003eコクリコ坂から\u003c\/strong\u003e anchors the left side, while the central embrace is framed by ships, mist, and open sky. The result is restrained, cinematic, and deeply nostalgic — very much in keeping with the film’s Showa-era atmosphere.\u003c\/p\u003e\n\u003chr data-start=\"3951\" data-end=\"3954\"\u003e\n\u003ch3 data-section-id=\"u2gty0\" data-start=\"3956\" data-end=\"3990\"\u003e\u003cspan role=\"text\"\u003eText and Translation Notes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3992\" data-end=\"4052\"\u003eThe poster carries several important Japanese text elements:\u003c\/p\u003e\n\u003cp data-start=\"4054\" data-end=\"4223\"\u003e\u003cstrong data-start=\"4054\" data-end=\"4069\"\u003eMain title:\u003c\/strong\u003e\u003cbr data-start=\"4069\" data-end=\"4072\"\u003e\u003cstrong data-start=\"4072\" data-end=\"4083\"\u003eコクリコ坂から\u003c\/strong\u003e\u003cbr data-start=\"4083\" data-end=\"4086\"\u003e\u003cstrong data-start=\"4086\" data-end=\"4111\"\u003eFrom Up on Poppy Hill\u003c\/strong\u003e\u003cbr data-start=\"4111\" data-end=\"4114\"\u003eLiterally, this can also be read as \u003cstrong data-start=\"4150\" data-end=\"4176\"\u003e“From Coquelicot Hill”\u003c\/strong\u003e, with “coquelicot” referring to the red poppy.\u003c\/p\u003e\n\u003cp data-start=\"4225\" data-end=\"4300\"\u003e\u003cstrong data-start=\"4225\" data-end=\"4247\"\u003eTop-right tagline:\u003c\/strong\u003e\u003cbr data-start=\"4247\" data-end=\"4250\"\u003e\u003cstrong data-start=\"4250\" data-end=\"4265\"\u003e海、大きくなったなあ。\u003c\/strong\u003e\u003cbr data-start=\"4265\" data-end=\"4268\"\u003e\u003cstrong data-start=\"4268\" data-end=\"4300\"\u003e“Umi, you’ve grown so much.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"4302\" data-end=\"4558\"\u003eThis line has a poignant double meaning. \u003cstrong data-start=\"4343\" data-end=\"4354\"\u003e海 \/ Umi\u003c\/strong\u003e is the heroine’s name, but the character also means \u003cstrong data-start=\"4407\" data-end=\"4416\"\u003e“sea”\u003c\/strong\u003e in Japanese. The phrase therefore carries both the intimacy of a father speaking to his daughter and the larger maritime imagery of the film.\u003c\/p\u003e\n\u003cp data-start=\"4560\" data-end=\"4640\"\u003e\u003cstrong data-start=\"4560\" data-end=\"4593\"\u003eLower-right handwritten text:\u003c\/strong\u003e\u003cbr data-start=\"4593\" data-end=\"4596\"\u003e\u003cstrong data-start=\"4596\" data-end=\"4609\"\u003e上を向いて歩こう。\u003c\/strong\u003e\u003cbr data-start=\"4609\" data-end=\"4612\"\u003e\u003cstrong data-start=\"4612\" data-end=\"4640\"\u003e“Let’s walk looking up.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"4642\" data-end=\"4858\"\u003eThis also refers to \u003cstrong data-start=\"4662\" data-end=\"4680\"\u003eKyu Sakamoto’s\u003c\/strong\u003e famous song \u003cstrong data-start=\"4693\" data-end=\"4715\"\u003e“Ue o Muite Arukō”\u003c\/strong\u003e, credited on the film and poster as an insert song. The phrase reinforces the poster’s quiet message of endurance, memory, and moving forward.\u003c\/p\u003e\n\u003cp data-start=\"4860\" data-end=\"4976\"\u003e\u003cstrong data-start=\"4860\" data-end=\"4893\"\u003eBottom-right theatrical line:\u003c\/strong\u003e\u003cbr data-start=\"4893\" data-end=\"4896\"\u003e\u003cstrong data-start=\"4896\" data-end=\"4911\"\u003e全国東宝系にて上映中！\u003c\/strong\u003e\u003cbr data-start=\"4911\" data-end=\"4914\"\u003e\u003cstrong data-start=\"4914\" data-end=\"4976\"\u003e“Now showing nationwide through the Toho theatre circuit!”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"4978\" data-end=\"5099\"\u003eThis confirms the poster’s status as a \u003cstrong data-start=\"5017\" data-end=\"5060\"\u003etheatrical release \/ now-showing poster\u003c\/strong\u003e, rather than a later decorative print.\u003c\/p\u003e\n\u003chr data-start=\"5101\" data-end=\"5104\"\u003e\n\u003ch3 data-section-id=\"360lly\" data-start=\"5106\" data-end=\"5147\"\u003e\u003cspan role=\"text\"\u003eThe Japanese B1 Format and Rarity\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"5149\" data-end=\"5435\"\u003eJapanese film posters are most commonly encountered in the \u003cstrong data-start=\"5208\" data-end=\"5221\"\u003eB2 format\u003c\/strong\u003e. The larger \u003cstrong data-start=\"5234\" data-end=\"5247\"\u003eB1 format\u003c\/strong\u003e, measuring approximately \u003cstrong data-start=\"5273\" data-end=\"5290\"\u003e72.8 × 103 cm\u003c\/strong\u003e, was produced in much smaller numbers for prominent cinema display, including theatre lobbies, large poster cases, and major roadshow promotion.\u003c\/p\u003e\n\u003cp data-start=\"5437\" data-end=\"5740\"\u003eThis example is especially desirable because it is not only \u003cstrong data-start=\"5497\" data-end=\"5508\"\u003eB1 size\u003c\/strong\u003e, but also the less commonly seen \u003cstrong data-start=\"5542\" data-end=\"5577\"\u003esecond theatrical poster design\u003c\/strong\u003e. Its subject — Umi’s dream encounter with her father — was specifically selected for the later campaign and carries direct emotional significance within the film.\u003c\/p\u003e\n\u003cp data-start=\"5742\" data-end=\"6081\"\u003eFor Studio Ghibli collectors, original Japanese theatrical paper is the most desirable category, representing the film as it was promoted in its home market. A genuine \u003cstrong data-start=\"5910\" data-end=\"5934\"\u003eB1 theatrical poster\u003c\/strong\u003e for a 2010s Ghibli release is substantially harder to find than the standard B2, and surviving examples in this condition are increasingly scarce.\u003c\/p\u003e\n\u003chr data-start=\"6083\" data-end=\"6086\"\u003e\n\u003ch3 data-section-id=\"185mkaf\" data-start=\"6088\" data-end=\"6108\"\u003e\u003cspan role=\"text\"\u003eFilm Context\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"6110\" data-end=\"6474\"\u003e\u003cstrong data-start=\"6110\" data-end=\"6135\"\u003eFrom Up on Poppy Hill\u003c\/strong\u003e is one of Studio Ghibli’s most refined period dramas. Set in \u003cstrong data-start=\"6197\" data-end=\"6214\"\u003e1963 Yokohama\u003c\/strong\u003e, shortly before the 1964 Tokyo Olympics, it captures a Japan rebuilding itself while deciding what to preserve from the past. The story’s emotional centre lies in youth, memory, family identity, and the tension between modernisation and historical continuity.\u003c\/p\u003e\n\u003cp data-start=\"6476\" data-end=\"6762\"\u003eThe film was a major domestic success. The Motion Picture Producers Association of Japan lists \u003cstrong data-start=\"6571\" data-end=\"6596\"\u003eFrom Up on Poppy Hill\u003c\/strong\u003e as the \u003cstrong data-start=\"6604\" data-end=\"6642\"\u003etop-grossing Japanese film of 2011\u003c\/strong\u003e, with estimated box-office receipts of \u003cstrong data-start=\"6682\" data-end=\"6699\"\u003e¥4.46 billion\u003c\/strong\u003e and Toho as distributor. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr data-start=\"6764\" data-end=\"6767\"\u003e\n\u003ch3 data-section-id=\"cz3r97\" data-start=\"6769\" data-end=\"6793\"\u003e\u003cspan role=\"text\"\u003eCondition Report\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"6795\" data-end=\"6839\"\u003e\u003cstrong data-start=\"6795\" data-end=\"6839\"\u003eExcellent condition, close to Near Mint.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"6841\" data-end=\"7116\"\u003eThe poster presents beautifully, with \u003cstrong data-start=\"6879\" data-end=\"6973\"\u003estrong colour, crisp printing, clean image quality, and excellent overall display presence\u003c\/strong\u003e. It appears \u003cstrong data-start=\"6986\" data-end=\"6998\"\u003eunfolded\u003c\/strong\u003e, with no visible fold lines. The reverse is \u003cstrong data-start=\"7043\" data-end=\"7062\"\u003eblank and clean\u003c\/strong\u003e, consistent with this single-sided theatrical format.\u003c\/p\u003e\n\u003cp data-start=\"7118\" data-end=\"7471\"\u003eThere are \u003cstrong data-start=\"7159\" data-end=\"7228\"\u003eno major tears, losses, staining, or significant defects apparent\u003c\/strong\u003e. Any imperfections appear limited to \u003cstrong data-start=\"7266\" data-end=\"7309\"\u003every light handling or storage evidence\u003c\/strong\u003e, consistent with an oversize B1 theatrical sheet. The colours remain fresh, the red title is bold, and the pale atmospheric background retains excellent clarity.\u003c\/p\u003e\n\u003cp data-start=\"7473\" data-end=\"7523\"\u003eThis is the exact poster shown in the photographs.\u003c\/p\u003e\n\u003chr data-start=\"7525\" data-end=\"7528\"\u003e\n\u003ch3 data-section-id=\"1btiu6y\" data-start=\"7530\" data-end=\"7560\"\u003e\u003cspan role=\"text\"\u003eAuthenticity Statement\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"7562\" data-end=\"7661\"\u003eThis is an \u003cstrong data-start=\"7573\" data-end=\"7620\"\u003eoriginal 2011 Japanese theatrical B1 poster\u003c\/strong\u003e for \u003cstrong data-start=\"7625\" data-end=\"7660\"\u003eFrom Up on Poppy Hill \/ コクリコ坂から\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"7663\" data-end=\"7977\"\u003eIt is \u003cstrong data-start=\"7669\" data-end=\"7676\"\u003enot\u003c\/strong\u003e a modern reproduction, not a later decorative print, and not the standard smaller B2 poster. It is the genuine large-format Japanese theatrical article: \u003cstrong data-start=\"7830\" data-end=\"7976\"\u003eB1 size, original release period, second \/ now-showing design, single-sided with blank reverse, and in excellent condition, close to near mint\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"7979\" data-end=\"8143\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"7979\" data-end=\"8143\" data-is-last-node=\"\"\u003eA major Studio Ghibli rarity: original Japanese B1, second theatrical poster design, emotionally significant father-daughter key visual, and superbly preserved.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57044930494842,"sku":null,"price":2495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-looking-at-an-art-gallery-wall_85.jpg?v=1783299553","url":"https:\/\/japanposter.co.uk\/products\/from-up-on-poppy-hill-%e3%82%b3%e3%82%af%e3%83%aa%e3%82%b3%e5%9d%82%e3%81%8b%e3%82%89-original-release-japanese-movie-poster-2011-b2-size-51-73-cm-o39-copy","provider":"Japan Poster Shop","version":"1.0","type":"link"}