{"product_id":"gerry-ジェリー-original-japanese-movie-poster-2004-b2-size-51-73-cm-i343","title":"“Gerry” \/ 「ジェリー」, Original Japanese Movie Poster 2004, B2 Size (51 × 73 cm) I343","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-6a5dc7fa-a6ec-83ee-adf5-4030b3f198a4-54\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a5dc7fa-a6ec-83ee-adf5-4030b3f198a4-54\" data-turn-id-container=\"request-6a5dc7fa-a6ec-83ee-adf5-4030b3f198a4-54\" data-testid=\"conversation-turn-88\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-15 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv data-conversation-screenshot-content=\"\" class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"998b118f-a591-4faf-ae8c-5dab392ea1b1\" data-turn-start-message=\"true\" dir=\"auto\" data-message-model-slug=\"gpt-5-6-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"86\" data-end=\"285\"\u003eThis is an \u003cstrong data-start=\"97\" data-end=\"139\"\u003eoriginal Japanese B2 theatrical poster\u003c\/strong\u003e printed for the 2004 Japanese release of \u003cstrong data-start=\"181\" data-end=\"199\"\u003eGerry \/ 「ジェリー」\u003c\/strong\u003e, Gus Van Sant’s austere experimental drama starring \u003cstrong data-start=\"252\" data-end=\"284\"\u003eMatt Damon and Casey Affleck\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"287\" data-end=\"512\"\u003eProduced in 2002 and released theatrically in Japan on \u003cstrong data-start=\"342\" data-end=\"363\"\u003e18 September 2004\u003c\/strong\u003e, the film marked the beginning of Van Sant’s informal “Death Trilogy,” followed by \u003cem data-start=\"447\" data-end=\"457\"\u003eElephant\u003c\/em\u003e and \u003cem data-start=\"462\" data-end=\"473\"\u003eLast Days\u003c\/em\u003e. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"514\" data-end=\"702\"\u003eThis scarce Japanese campaign design retains an almost entirely \u003cstrong data-start=\"578\" data-end=\"605\"\u003eEnglish-language layout\u003c\/strong\u003e, using pale negative space and a single desolate image to reflect the film’s radical minimalism.\u003c\/p\u003e\n\u003cp data-start=\"704\" data-end=\"723\"\u003e\u003cstrong data-start=\"704\" data-end=\"723\"\u003eFilm background\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"725\" data-end=\"837\"\u003eTwo young men, both called \u003cstrong data-start=\"752\" data-end=\"761\"\u003eGerry\u003c\/strong\u003e, drive into the wilderness and leave their car to follow an isolated trail.\u003c\/p\u003e\n\u003cp data-start=\"839\" data-end=\"1050\"\u003eWhat begins as a casual excursion becomes increasingly dangerous when they lose their bearings. Without food, water, or suitable equipment, the pair wander deeper into a vast and seemingly featureless landscape.\u003c\/p\u003e\n\u003cp data-start=\"1052\" data-end=\"1329\"\u003eAs exhaustion and dehydration take hold, their familiar conversation gives way to silence, physical collapse, and existential dread. The film strips the survival narrative to its most elemental form, observing two figures gradually overwhelmed by distance, heat, and isolation.\u003c\/p\u003e\n\u003cp data-start=\"1331\" data-end=\"1379\"\u003eThe screenplay was developed collaboratively by:\u003c\/p\u003e\n\u003cp data-start=\"1381\" data-end=\"1426\"\u003e\u003cstrong data-start=\"1381\" data-end=\"1426\"\u003eGus Van Sant\u003cbr data-start=\"1395\" data-end=\"1398\"\u003eMatt Damon\u003cbr data-start=\"1408\" data-end=\"1411\"\u003eCasey Affleck\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1428\" data-end=\"1537\"\u003eVan Sant directed the film, with \u003cstrong data-start=\"1461\" data-end=\"1479\"\u003eHarris Savides\u003c\/strong\u003e serving as cinematographer and \u003cstrong data-start=\"1511\" data-end=\"1524\"\u003eDany Wolf\u003c\/strong\u003e as producer.\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1586\"\u003eThe principal cast consists almost entirely of:\u003c\/p\u003e\n\u003cp data-start=\"1588\" data-end=\"1618\"\u003e\u003cstrong data-start=\"1588\" data-end=\"1618\"\u003eMatt Damon\u003cbr data-start=\"1600\" data-end=\"1603\"\u003eCasey Affleck\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1620\" data-end=\"1807\"\u003eLong tracking shots, extremely sparse dialogue, and vast landscape photography place the film closer to European modernist and slow cinema than a conventional Hollywood survival thriller.\u003c\/p\u003e\n\u003cp data-start=\"1809\" data-end=\"1981\"\u003eThe Japanese theatrical release ran approximately \u003cstrong data-start=\"1859\" data-end=\"1874\"\u003e103 minutes\u003c\/strong\u003e and was distributed by \u003cstrong data-start=\"1898\" data-end=\"1942\"\u003eGAGA Communications and Elephant Picture\u003c\/strong\u003e. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1983\" data-end=\"2000\"\u003e\u003cstrong data-start=\"1983\" data-end=\"2000\"\u003ePoster design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2002\" data-end=\"2127\"\u003eThis exceptionally restrained Japanese poster is divided into broad areas of \u003cstrong data-start=\"2079\" data-end=\"2126\"\u003ecream, misty blue, pale grey, and deep navy\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2129\" data-end=\"2323\"\u003eThe upper half is almost completely empty. Its expansive cream field creates a palpable sense of distance and silence, mirroring the enormous physical spaces through which the characters wander.\u003c\/p\u003e\n\u003cp data-start=\"2325\" data-end=\"2475\"\u003eThe central image shows \u003cstrong data-start=\"2349\" data-end=\"2381\"\u003eMatt Damon in the foreground\u003c\/strong\u003e, walking with his head lowered and a blue cloth draped over his head against the desert heat.\u003c\/p\u003e\n\u003cp data-start=\"2477\" data-end=\"2654\"\u003eFar behind him stands \u003cstrong data-start=\"2499\" data-end=\"2516\"\u003eCasey Affleck\u003c\/strong\u003e, reduced by distance to a small, isolated figure. The yellow star printed on his dark shirt provides the composition’s only vivid accent.\u003c\/p\u003e\n\u003cp data-start=\"2656\" data-end=\"2775\"\u003eTheir separation within the frame expresses the gradual physical and emotional disconnection at the centre of the film.\u003c\/p\u003e\n\u003cp data-start=\"2777\" data-end=\"2832\"\u003eAcross the middle appears the English promotional line:\u003c\/p\u003e\n\u003cp data-start=\"2834\" data-end=\"2877\"\u003e\u003cstrong data-start=\"2834\" data-end=\"2877\"\u003e“‘Elephant’, it all started from here.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2879\" data-end=\"3056\"\u003eThis positions \u003cem data-start=\"2894\" data-end=\"2901\"\u003eGerry\u003c\/em\u003e for Japanese audiences as the formal and thematic starting point for the cinematic approach Van Sant later developed in his Palme d’Or-winning \u003cem data-start=\"3045\" data-end=\"3055\"\u003eElephant\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-start=\"3058\" data-end=\"3099\"\u003eThe quotation along the upper edge reads:\u003c\/p\u003e\n\u003cp data-start=\"3101\" data-end=\"3184\"\u003e\u003cstrong data-start=\"3101\" data-end=\"3184\"\u003e“Beautiful! It’s Andy Warhol meets Ansel Adams meets Blair Witch meets Beckett”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3186\" data-end=\"3209\"\u003e—\u003cem data-start=\"3187\" data-end=\"3209\"\u003eEntertainment Weekly\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"3211\" data-end=\"3366\"\u003eThe comparison evokes the film’s combination of durational performance, monumental landscape imagery, wilderness disorientation, and existential absurdity.\u003c\/p\u003e\n\u003cp data-start=\"3368\" data-end=\"3387\"\u003eThe enormous title:\u003c\/p\u003e\n\u003cp data-start=\"3389\" data-end=\"3400\"\u003e\u003cstrong data-start=\"3389\" data-end=\"3400\"\u003e“GERRY”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3402\" data-end=\"3467\"\u003eappears at lower left in widely spaced navy sans-serif lettering.\u003c\/p\u003e\n\u003cp data-start=\"3469\" data-end=\"3521\"\u003eAbove it, the equally restrained billing identifies:\u003c\/p\u003e\n\u003cp data-start=\"3523\" data-end=\"3605\"\u003e\u003cstrong data-start=\"3523\" data-end=\"3605\"\u003eCasey Affleck\u003cbr data-start=\"3538\" data-end=\"3541\"\u003eMatt Damon\u003cbr data-start=\"3551\" data-end=\"3554\"\u003eHarris Savides, A.S.C.\u003cbr data-start=\"3576\" data-end=\"3579\"\u003eDany Wolf\u003cbr data-start=\"3588\" data-end=\"3591\"\u003eGus Van Sant\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3607\" data-end=\"3750\"\u003eTechnical and Japanese distribution information is placed discreetly at lower right, preserving the poster’s unusually generous negative space.\u003c\/p\u003e\n\u003cp data-start=\"3752\" data-end=\"3935\"\u003eThe result is an \u003cstrong data-start=\"3769\" data-end=\"3835\"\u003eexceptionally refined piece of Japanese arthouse poster design\u003c\/strong\u003e, closely aligned with the film’s themes of emptiness, repetition, physical distance, and mortality.\u003c\/p\u003e\n\u003cp data-start=\"3937\" data-end=\"3950\"\u003e\u003cstrong data-start=\"3937\" data-end=\"3950\"\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3952\" data-end=\"4133\"\u003e\u003cstrong data-start=\"3952\" data-end=\"3976\"\u003eExcellent condition.\u003c\/strong\u003e A highly attractive example retaining delicate cream and blue tones, clean photographic detail, crisp navy typography, and excellent overall display impact.\u003c\/p\u003e\n\u003cp data-start=\"4135\" data-end=\"4346\"\u003eThere are light fold and handling lines, together with minor creasing consistent with an original Japanese theatrical poster from this period, but these do not materially detract from the minimalist composition.\u003c\/p\u003e\n\u003cp data-start=\"4348\" data-end=\"4368\"\u003e\u003cstrong data-start=\"4348\" data-end=\"4368\"\u003eReference: I343.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"4370\" data-end=\"4448\"\u003ePlease review the photograph carefully, as it shows the exact poster for sale.\u003c\/p\u003e\n\u003cp data-start=\"4450\" data-end=\"4579\"\u003eThis is an \u003cstrong data-start=\"4461\" data-end=\"4547\"\u003eoriginal Japanese theatrical poster from the film’s 2004 Japanese release campaign\u003c\/strong\u003e, not a reproduction or reprint.\u003c\/p\u003e\n\u003cp data-start=\"4581\" data-end=\"4613\"\u003e\u003cstrong data-start=\"4581\" data-end=\"4613\"\u003eIt is now over 20 years old.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"4615\" data-end=\"4656\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"4615\" data-end=\"4656\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57098372645242,"sku":null,"price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-07-23T061658.287.jpg?v=1784755120","url":"https:\/\/japanposter.co.uk\/products\/gerry-%e3%82%b8%e3%82%a7%e3%83%aa%e3%83%bc-original-japanese-movie-poster-2004-b2-size-51-73-cm-i343","provider":"Japan Poster Shop","version":"1.0","type":"link"}