{"product_id":"godzilla-minus-one-ゴジラ-1-0-original-japanese-double-sided-b1-imax-theatrical-poster-2023-ultra-rare-b1-size-c-72-8-103-cm","title":"“GODZILLA MINUS ONE \/ ゴジラ-1.0”, ORIGINAL JAPANESE DOUBLE-SIDED B1 IMAX THEATRICAL POSTER 2023, Ultra Rare, B1 Size (c. 72.8 × 103 cm)","description":"\u003cp\u003e\u003cspan\u003eAn exceptional \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese double-sided B1 IMAX theatrical poster\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGodzilla Minus One \/ ゴジラ-1.0\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, written and directed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTakashi Yamazaki\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, who also supervised the film’s Academy Award-winning visual effects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced for the film’s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal 2023 Japanese IMAX theatrical campaign\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this spectacular design presents Godzilla breaking through a shattered concrete surface, surrounded by flying masonry, drifting embers and brilliant blue light. The creature’s immense body fills the composition, with its open jaws, outstretched claws and jagged dorsal plates rendered in extraordinary detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhere the film’s minimalist “G −1.0” advance design relies on open space and a monumental graphic symbol, this \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIMAX-specific artwork delivers an almost three-dimensional sense of force and destruction\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Godzilla appears to breach the surface of the poster itself—a particularly effective visual expression of the large-screen cinema experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJapanese release version\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, carrying the Japanese title \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eゴジラ-1.0 — \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGodzilla Minus One\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e and the original \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“11.3 Fri”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e opening announcement, referring to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e3 November 2023\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe example offered here combines the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elarge Japanese B1 format\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edouble-sided printing with a mirror-image reverse\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eExcellent+ condition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Its striking artwork and specialist IMAX identity make it a particularly compelling piece of the film’s original home-market publicity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA superb modern Godzilla theatrical sheet: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal 2023 Japanese release, IMAX campaign design, double-sided, large-format B1, ultra rare, and presented in Excellent+ condition.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eKey Facts\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFilm:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Godzilla Minus One \/ ゴジラ-1.0\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDirector, Screenwriter and Visual Effects Supervisor:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Takashi Yamazaki \/ 山崎 貴\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStudio \/ Distributor:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Toho \/ 東宝\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCountry of origin:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Japan\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eYear:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 2023\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOriginal Japanese theatrical release:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 3 November 2023\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFormat:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Original Japanese IMAX theatrical release poster\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSize:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e B1 — c. 72.8 × 103 cm \/ 28.7 × 40.6 in\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePrinting:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Double-sided, with a mirror-image reverse for cinema light-box display\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Godzilla breaking through shattered concrete, with blue-lit dorsal plates, flying debris and glowing embers\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Excellent+\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eRarity:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Ultra Rare — specialist Japanese B1 double-sided IMAX theatrical issue\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePrinted markings:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Toho logo, Eirin mark, “NOT FOR SALE”, and IMAX trademark notice\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesign Notes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe defining feature of this artwork is its \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eillusion of Godzilla forcing its way through a solid surface\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. A fractured concrete surround frames the creature, with broken slabs projecting into the composition and deep cracks extending towards the edges. This creates a powerful sense of depth: the background does not merely contain Godzilla, but appears to be giving way beneath its advance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGodzilla’s head occupies the upper-left portion of the central image, its jaws open and teeth sharply defined. The broad torso dominates the sheet, while an extended claw reaches towards the lower left. Across the creature’s body, densely rendered scales, ridges and folds give the image a remarkably tactile quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe most dramatic colour is concentrated along the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etowering dorsal plates\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which rise through the right side of the composition in luminous cyan and electric blue. These cool tones contrast with the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eorange-red embers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e scattered across the creature and surrounding rubble. Pale stone, charcoal shadows and smoky grey-green areas provide a restrained setting for these intense accents.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt the upper left, the black \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estylised “G” emblem and “MINUS ONE” lettering\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e establish the film’s identity. Below, the enormous \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIMAX\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e name spans almost the full width of the sheet, its blue-to-deep-navy gradient echoing the light along Godzilla’s back. The Japanese title sits beneath it, with the opening date at the lower right.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe artwork’s granular appearance, fractured masonry and distressed surfaces are \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eintentional elements of the printed design\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, not evidence of deterioration to the paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efull B1 scale—approximately one metre high—the composition has exceptional wall presence\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The close viewpoint, projecting claw and luminous dorsal plates make this a particularly forceful interpretation of the film’s imagery.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eGodzilla’s History in Brief\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eGodzilla first appeared in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eToho’s 1954 film, directed by Ishirō Honda\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with special effects by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEiji Tsuburaya\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Far more than a conventional monster spectacle, the original combined destruction with a deeply sombre response to nuclear warfare and weapons testing. Its central creature became an enduring international icon, capable of embodying both overwhelming terror and spectacular cinematic entertainment.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eGodzilla Minus One\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e reconnects with that darker tradition through its setting in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJapan’s immediate postwar years\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The title describes a country already reduced to almost nothing, then confronted by a catastrophe that drives it further below zero. Yamazaki’s approach places human vulnerability at the centre of the spectacle: Godzilla is not simply an adversary, but another seemingly impossible disaster facing people struggling to rebuild their lives. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe IMAX poster expresses the destructive side of that premise with particular clarity. Its collapsing concrete, engulfing scale and advancing creature reduce the image to a confrontation between \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ephysical devastation and an overwhelming presence\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAn Award-Winning Modern Godzilla Classic\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eGodzilla Minus One\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e stands among the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emost highly acclaimed modern Godzilla films\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, celebrated for combining spectacular destruction with an engaging human story. At the time of writing, Rotten Tomatoes records a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e99% critics’ approval score\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e98% verified audience score\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, checked on 4 October 2026. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts landmark international achievement was the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2024 Academy Award for Best Visual Effects\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. It became the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efirst Godzilla film to win an Oscar\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efirst Japanese film to win in that category\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e—a major distinction for both the franchise and Japanese filmmaking. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe film also received \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eeight awards at the 47th Japan Academy Film Prize\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBest Picture, Best Screenplay and Best Supporting Actress for Sakura Ando\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, alongside recognition for cinematography, lighting, art direction, sound and editing. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis poster represents the film \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eduring its original Japanese theatrical campaign\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, before those awards became part of its reputation. Its emphasis is entirely on the image, the IMAX presentation and the opening date, rather than later accolades or commemorative branding.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDouble-Sided Light-Box Format\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThis example is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eprinted on both sides\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with the reverse reproducing the front design in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emirror image\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The backwards lettering in the reverse photograph is intentional: the two printed images are designed to align when viewed from the front with illumination passing through the sheet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis printing method serves a practical cinema-display purpose. In an illuminated light-box, the reverse image helps preserve \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecolour saturation, contrast and visual depth\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, reducing the washed-out appearance that can result when a single-sided sheet is lit from behind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHere, the format is particularly appropriate to the artwork. The deep shadows across Godzilla’s body, vivid blue dorsal plates and small orange-red highlights provide a rich combination of dark and luminous elements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe important collector distinction is the complete specification: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJapanese theatrical issue, original IMAX campaign design, large B1 dimensions and double-sided light-box printing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. It is not simply an IMAX image reproduced as a decorative print.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse photograph documents this specialist construction, showing the mirrored \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIMAX lettering, Japanese title, release date and upper-corner emblem\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eRarity in the Digital Age\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe visibility of a film’s artwork is not the same as the availability of its original theatrical posters.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e An image may circulate widely online while a particular physical cinema issue remains difficult to obtain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis example belongs to a specialised part of the campaign: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJapanese IMAX promotion in the large, double-sided B1 format\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. It should therefore be distinguished from general-release poster variants, smaller promotional material and commercially produced merchandise carrying related imagery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe lower-left \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“NOT FOR SALE”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e marking identifies its original \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enon-retail promotional purpose\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Together with the IMAX branding and mirror-image reverse, it is an important detail in understanding the poster as a functional cinema-display object rather than a print originally made for public sale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe classify this issue as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eUltra Rare\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with particular emphasis on the combination of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJapanese B1 format, IMAX artwork, double-sided printing and Excellent+ preservation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. No precise print run or surviving quantity is claimed; the rarity designation concerns this specific theatrical issue, not the availability of the image in other forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors, its appeal is both visual and material: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ea spectacular campaign design preserved in the large-format cinema version for which it was produced\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition Report\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eExcellent+ condition.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe poster presents beautifully, with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estrong colour, crisp lettering and excellent image definition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The fine detail across Godzilla’s body remains clear, while the luminous blues, deep shadows and glowing embers retain their dramatic contrast.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe expansive central artwork remains visually impressive, and the mirror-image reverse is also documented.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis is the exact poster shown in the photographs.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The front, reverse and detailed views form part of the condition description.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAuthenticity Statement\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal 2023 Japanese double-sided B1 IMAX theatrical poster for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGodzilla Minus One \/ ゴジラ-1.0\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enot a later decorative reproduction, not a contemporary retail poster and not an award-season commemorative print\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. It is the original theatrical article: Japanese B1 size, double-sided, with a mirror-image reverse and the original \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“11.3 Fri”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese release announcement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eToho logo, Eirin mark, “NOT FOR SALE” designation and IMAX trademark notice\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e are visible in the lower-left printing. These details, together with the Japanese release text and specialist double-sided format, are consistent with its role as original cinema publicity material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Godzilla collectors, this is an especially striking expression of the film’s home-market campaign: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ea monumental creature image, an unmistakable IMAX identity and a highly desirable large-format theatrical presentation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eA major modern Godzilla poster rarity: original 2023 Japanese IMAX issue, double-sided B1, Excellent+ condition, and spectacular artwork that appears to break through the surface of the poster itself.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57343828328826,"sku":null,"price":1350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-looking-at-an-art-gallery-wall_28_d7277d6c-7e91-4527-baea-9599d0e3acc9.jpg?v=1791074339","url":"https:\/\/japanposter.co.uk\/products\/godzilla-minus-one-%e3%82%b4%e3%82%b8%e3%83%a9-1-0-original-japanese-double-sided-b1-imax-theatrical-poster-2023-ultra-rare-b1-size-c-72-8-103-cm","provider":"Japan Poster Shop","version":"1.0","type":"link"}