{"product_id":"godzilla-vs-spacegodzilla-ゴジラvsスペースゴジラ-original-release-japanese-movie-poster-1994-artwork-by-noriyoshi-orai-b2-size-51-73-cm-k33","title":"\"Godzilla vs. SpaceGodzilla\" (ゴジラvsスペースゴジラ), Original Release Japanese Movie Poster 1994, Artwork by Noriyoshi Ōrai, B2 Size (51 × 73 cm) K33","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese B2 theatrical poster printed in 1994 for the first release of \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eGodzilla vs. SpaceGodzilla\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e (ゴジラvsスペースゴジラ), directed by Kensho Yamashita and produced and distributed by Toho.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe extraordinary painted artwork is by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNoriyoshi Ōrai (生賴範義)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, one of Japan’s most celebrated commercial illustrators and the artist responsible for many of the defining Japanese science-fiction and fantasy posters of the late 20th century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eFilm background\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eReleased theatrically in Japan on December 10, 1994, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGodzilla vs. SpaceGodzilla\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e was the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e21st film in the Godzilla franchise\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and the sixth feature in its Heisei-era continuity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe story introduces SpaceGodzilla, a hostile cosmic organism created when cells containing Godzilla’s DNA travel into space, pass through a black hole and merge with crystalline life. The resulting creature possesses Godzilla’s physical characteristics together with enormous crystalline shoulder formations, telekinetic powers and the ability to transform its surroundings into an energy field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAfter arriving on Earth, SpaceGodzilla attacks Birth Island and imprisons Little Godzilla within a crystalline structure. Godzilla is eventually drawn into a climactic battle at Fukuoka, where he is joined by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eM.O.G.U.E.R.A.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the advanced anti-Godzilla machine operated by G-Force. The mecha’s name and basic concept revive the robot Mogera from Toho’s 1957 science-fiction film \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Mysterians\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe film was directed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKensho Yamashita\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, written by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHiroshi Kashiwabara\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, produced by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShōgo Tomiyama\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and features special-effects direction by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKōichi Kawakita\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Its cast includes Megumi Odaka, Jun Hashizume, Zenkichi Yoneyama, Akira Emoto and Towako Yoshikawa, with Kenpachiro Satsuma once again performing as Godzilla.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt was followed in 1995 by \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGodzilla vs. Destoroyah\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the concluding film of the Heisei Godzilla series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ePoster design\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eŌrai’s composition is conceived on an operatic scale. \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSpaceGodzilla dominates the upper half\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, emerging from a densely painted cosmic background with its jaws open and immense blue-green crystal formations extending across the image. The alien creature appears less like a conventional opponent than an apocalyptic deity descending from space.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAcross the top, the monumental Japanese proclamation reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e破壊神降臨\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003e“The God of Destruction Descends.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe yellow text running vertically along the right announces:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eG細胞×ブラックホール　究極の戦闘生物が誕生した\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003e“G-cells × Black Hole — the ultimate combat organism is born.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGodzilla occupies the centre of the composition, surrounded by fire, explosions and crystalline energy. Little Godzilla appears immediately below him, while \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eM.O.G.U.E.R.A. and the G-Force machines\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e advance through the destruction. Fairy Mothra crosses the centre of SpaceGodzilla’s body, and Fukuoka Tower rises on the right beneath a brilliant electrical discharge—referencing the spectacular setting of the film’s final battle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eŌrai directs every weapon, beam and line of movement toward the central confrontation. The diagonals of the missiles and aircraft contrast with SpaceGodzilla’s enormous crystalline silhouette, while the saturated blues, greens and purples of the cosmic background erupt into orange fire around Godzilla. The result is one of the most elaborate and visually imposing posters of the Heisei series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eNoriyoshi Ōrai\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eNoriyoshi Ōrai (1935–2015)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e occupies a singular position in Japanese illustration. His international reputation was established through his celebrated artwork for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eStar Wars: The Empire Strikes Back\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, commissioned after George Lucas encountered Ōrai’s earlier \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eStar Wars\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e imagery. He subsequently produced further Japanese \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eStar Wars\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e campaign artwork, together with memorable illustrations connected to films including \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Goonies\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and numerous works of science fiction and fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eŌrai began his major association with Godzilla through \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Return of Godzilla\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e in 1984. He went on to create celebrated poster paintings for:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eGodzilla vs. Biollante\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1989)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eGodzilla vs. King Ghidorah\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1991)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eGodzilla vs. Mothra\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1992)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eGodzilla vs. Mechagodzilla II\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1993)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eGodzilla vs. SpaceGodzilla\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1994)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eGodzilla vs. Destoroyah\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1995)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eGodzilla vs. Megaguirus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (2000)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eGodzilla: Final Wars\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (2004)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis Godzilla paintings are distinguished by their enormous sense of scale, intricately layered compositions and ability to unite monsters, machines, architecture and explosions within a single coherent image. Rather than merely reproducing scenes from the films, Ōrai created self-contained painted spectacles that expanded the mythology beyond the screen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis original Godzilla poster paintings have subsequently been displayed in dedicated retrospectives and official exhibitions, confirming their status not simply as commercial advertising but as an important body of modern Japanese illustration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis poster is in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eexcellent+ condition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, retaining exceptionally strong colour, sharp printed detail and an impressive overall appearance. Any minor evidence of age or handling is minimal and does not detract from the artwork. Please refer to the imagery of the exact poster offered for sale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eover 30 years old\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enot a reproduction or a reprint\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCertificate of Authenticity included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57169469473146,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2025-01-05T180056.414_28a3f2e7-be08-4c72-9d4e-568508cb3dce.jpg?v=1736067784","url":"https:\/\/japanposter.co.uk\/products\/godzilla-vs-spacegodzilla-%e3%82%b4%e3%82%b8%e3%83%a9vs%e3%82%b9%e3%83%9a%e3%83%bc%e3%82%b9%e3%82%b4%e3%82%b8%e3%83%a9-original-release-japanese-movie-poster-1994-artwork-by-noriyoshi-orai-b2-size-51-73-cm-k33","provider":"Japan Poster Shop","version":"1.0","type":"link"}