{"product_id":"in-harm-s-way-危険な道-original-japanese-re-release-movie-poster-1971-stb-tatekan-size-approximately-51-145-cm-t113-copy","title":"“Andrea” \/ 「激しい女」, Original Japanese Movie Poster 1969, STB Tatekan Size (approximately 51 × 145 cm) T115","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese STB tatekan theatrical poster\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e printed for the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1969 first Japanese release of \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eAndrea\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cspan\u003e \/ 「激しい女」\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the European adult drama starring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDagmar Lassander\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, written and directed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHans Schott-Schöbinger\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally produced in 1968 under the German title ** \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eAndrea – wie ein Blatt auf nackter Haut\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e **, the film opened in Japanese cinemas on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2 August 1969\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, distributed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eABC Films\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis striking Japanese design places Lassander at the centre of an unusually tall photographic composition, combining deep green backgrounds, orange promotional lettering and enormous red Japanese calligraphy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSTB tatekan format consists of two approximately B2-size sheets\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, displayed one above the other to create a composition measuring approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e51 × 145 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBoth sheets are included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFilm background\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe story follows \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAndrea\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a wealthy young woman living in a large country residence after inheriting her family’s fortune.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDespite her privileged circumstances, Andrea’s relationships become increasingly troubled. Her involvement with men around her, including her fiancé’s brother, brings emotional complications that undermine the apparent security of her life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFearing that her behaviour will lead to disaster, she decides to leave for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eParis\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, hoping to escape her circumstances and begin again.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere she meets \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFrederick\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, an escaped prisoner with whom she believes she has found genuine love. Their plans for a new life are threatened by his unresolved past, drawing the story towards a tragic conclusion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe film combines the provocative conventions of late-1960s European adult cinema with a melodramatic story of emotional instability and disappointed hopes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe film was \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewritten and directed by Hans Schott-Schöbinger\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cast includes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDagmar Lassander\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eJoachim Hansen\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eHans von Borsody\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eHerbert Fux\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eArthur Brauss\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eRalph Clemente\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAnne Famos\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe cinematography was by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHanns Matula\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with music by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHans Hammerschmid\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePoster design\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis distinctive Japanese poster uses the extended tatekan format to create a continuous, full-length image across both sheets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDagmar Lassander\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e stands behind a tall, weathered wooden column. Its pale surface and strongly defined grain form the central axis of the composition, separating and partially concealing her figure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHer face appears beside the column in the upper sheet, framed by carefully styled brown hair. Her hands rest against the wood, while her figure continues into the lower sheet, ending with white shoes near the base of the photograph.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe dark green background gives the image considerable depth. At the left, patterned white fabric introduces an intricate decorative element, contrasting with the straight lines and rough texture of the central column.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original title:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“ANDREA”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eappears at the upper left in stylised purple lettering, its rounded forms providing a softer counterpoint to the forceful Japanese typography below.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe orange vertical headline along the right reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e「昼も夜も男を求めて燃え上がる！」\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTranslated:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“Day and night, she burns with longing for men!”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis sensational promotional language reflects the film’s original Japanese marketing as an adult European import.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Japanese title:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e「激しい女」\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eruns down the right side in enormous red brush lettering. Its irregular edges and sweeping strokes give the design much of its visual force, particularly where the final character extends into the pale credit area.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe lower section contains a second photograph showing \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLassander reclining beside a man\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, introducing another image of the film’s central relationship drama.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBetween the photographs, a compact Japanese billing block identifies the cast, director, cinematographer and composer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe blue distributor credit at the bottom reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e「ABC映画配給」\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTranslated:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“Distributed by ABC Films.”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe combination of continuous photography, textured surfaces and bold vertical lettering makes this an arresting example of late-1960s Japanese film advertising, with particularly strong presence in the large tatekan format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA highly attractive complete two-sheet example with strong colour, clear photographic detail and excellent overall display impact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHorizontal fold lines, light handling creases and some age-toning are visible in the supplied front photographs. The large photographic composition and vivid red title remain particularly effective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOnce framed, this poster will display very well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReference: T115\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease review the photographs carefully, as they show the exact poster for sale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese theatrical poster from the film’s 1969 Japanese release campaign\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enot a reproduction or a reprint\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eIt is now over 57 years old.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCertificate of Authenticity included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57337836208506,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-standing-in-front-of-gallery-wall_38_9abcce99-8d1f-4cac-a50a-0bfe415f20f1.jpg?v=1790931422","url":"https:\/\/japanposter.co.uk\/products\/in-harm-s-way-%e5%8d%b1%e9%99%ba%e3%81%aa%e9%81%93-original-japanese-re-release-movie-poster-1971-stb-tatekan-size-approximately-51-145-cm-t113-copy","provider":"Japan Poster Shop","version":"1.0","type":"link"}