{"product_id":"kill-bill-vol-1-キル-ビル-vol-1-original-release-japanese-b1-elle-driver-character-poster-2003-rare-b1-poster-size-c-72-cm-103-cm-gallery","title":"“Kill Bill: Vol. 1” (キル・ビル Vol.1), Original Release Japanese B1 Elle Driver Character Poster 2003, Rare, B1 Poster Size (c. 72 cm × 103 cm) - Gallery","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThis is an \u003cstrong\u003eoriginal, rare Japanese B1 theatrical character poster\u003c\/strong\u003e, printed in 2003 to promote the first Japanese cinema release of \u003cem\u003eKill Bill: Vol. 1\u003c\/em\u003e (キル・ビル Vol.1), Quentin Tarantino’s fourth feature—released in Japanese cinemas on \u003cstrong\u003e25 October 2003\u003c\/strong\u003e, as prominently announced by the vivid red \u003cstrong\u003e10.25\u003c\/strong\u003e date at the centre of the design.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003eFilm background\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eKill Bill: Vol. 1\u003c\/em\u003e is the first chapter of Tarantino’s two-part revenge epic—an operatic collision of spaghetti-western attitude, Hong Kong martial-arts cinema, yakuza mythology, chanbara swordplay, anime and highly stylised pop culture. While the story moves between the United States, Okinawa and Tokyo, its Japanese sequences are among its most celebrated: the Bride commissions a sword from the legendary Hattori Hanzō before confronting O-Ren Ishii and the Crazy 88 at the House of Blue Leaves.\u003c\/p\u003e\n\u003cp\u003eThe film’s close engagement with Japanese cinema, combined with the considerable Japanese creative contribution—including the animated O-Ren Ishii sequence produced by \u003cstrong\u003eProduction I.G\u003c\/strong\u003e—makes original Japanese theatrical material particularly significant and desirable to collectors.\u003c\/p\u003e\n\u003cp\u003eThis particular poster spotlights \u003cstrong\u003eElle Driver (エル・ドライバー)\u003c\/strong\u003e, portrayed by \u003cstrong\u003eDaryl Hannah\u003c\/strong\u003e. A member of the Deadly Viper Assassination Squad operating under the codename \u003cstrong\u003eCalifornia Mountain Snake\u003c\/strong\u003e, Elle is one of the Bride’s most dangerous and memorable rivals.\u003c\/p\u003e\n\u003cp\u003eElle’s introduction is among the film’s most distinctive character entrances. Disguised in white as she arrives at the hospital to assassinate the comatose Bride, she carries a concealed syringe while calmly whistling. Her white clothing, eyepatch and red umbrella create an instantly recognisable visual identity—elegant, theatrical and deeply menacing.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003ePoster design\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003ePrinted in the imposing \u003cstrong\u003eJapanese B1 cinema-poster format\u003c\/strong\u003e, this exceptionally bold character design features:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA brilliant yellow field dominated by gigantic black “KILL BILL” typography\u003c\/strong\u003e—the letters enlarged to such an extent that the title becomes the architectural framework of the composition. The minimal yellow-and-black palette is among the most recognisable pieces of graphic branding associated with Tarantino’s cinema.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCentre-stage: Daryl Hannah as Elle Driver\u003c\/strong\u003e, dressed almost entirely in white and presented at full length. Her pale trench-style costume, gloves, shoulder bag and famous eyepatch are dramatically contrasted against the saturated yellow and black background.\u003c\/p\u003e\n\u003cp\u003eIn her right hand, Elle carries a \u003cstrong\u003eclosed red umbrella\u003c\/strong\u003e, introducing the design’s most striking accent of colour. The red umbrella, lipstick and release date punctuate the otherwise restricted yellow, black and white palette, giving the poster a particularly sophisticated graphic balance.\u003c\/p\u003e\n\u003cp\u003eAcross the figure appears the Japanese campaign phrase \u003cstrong\u003e人類絶頂\u003c\/strong\u003e—\u003cem\u003ejinrui zecchō\u003c\/em\u003e—which may be interpreted as \u003cstrong\u003e“Humanity at its zenith,” “The pinnacle of humankind,”\u003c\/strong\u003e or, more provocatively, \u003cstrong\u003e“Humanity at its climax.”\u003c\/strong\u003e Beneath it, the Japanese release date \u003cstrong\u003e10.25\u003c\/strong\u003e is printed in commanding red numerals.\u003c\/p\u003e\n\u003cp\u003eThe top banner reads \u003cstrong\u003e“THE 4th FILM BY QUENTIN TARANTINO”\u003c\/strong\u003e, placing Tarantino’s authorship at the heart of the campaign and presenting the film as the next major work in an already highly distinctive directorial career.\u003c\/p\u003e\n\u003cp\u003eAt the lower right, the Japanese title \u003cstrong\u003eキル・ビル Vol.1\u003c\/strong\u003e appears in yellow and red, accompanied by the small \u003cstrong\u003eHattori Hanzō emblem\u003c\/strong\u003e—a carefully placed reference to the legendary swordsmith whose name and mythology are central to the film’s Japanese narrative.\u003c\/p\u003e\n\u003cp\u003eAcross the bottom, \u003cstrong\u003e“UMA THURMAN”\u003c\/strong\u003e is presented in enormous black lettering as part of the shared campaign layout, followed by a cast line naming Lucy Liu, Vivica A. Fox, Michael Madsen, Daryl Hannah and David Carradine. The Japanese credit typography also includes Sonny Chiba, Chiaki Kuriyama, production designer Yōhei Taneda and \u003cstrong\u003eProduction I.G\u003c\/strong\u003e, together with the original \u003cstrong\u003e\u003ca rel=\"noopener\" class=\"decorated-link\" href=\"http:\/\/www.killbill.jp\"\u003ewww.killbill.jp\u003c\/a\u003e\u003c\/strong\u003e address—an authentic, period-specific detail of the original 2003 Japanese campaign.\u003c\/p\u003e\n\u003cp\u003eAlthough Uma Thurman retains the film’s principal star billing across the lower register, the central photographic image is unmistakably \u003cstrong\u003eDaryl Hannah as Elle Driver\u003c\/strong\u003e, making this a distinctive character-specific variant rather than the more commonly recognised Bride design.\u003c\/p\u003e\n\u003cp\u003eBecause this is a \u003cstrong\u003eJapanese B1 poster—a large-format theatrical display measuring approximately 72 × 103 cm—it has a commanding physical presence\u003c\/strong\u003e, substantially larger and more dramatic than the standard Japanese B2 format. Original B1 character posters were intended for prominent cinema display and are considerably less frequently encountered than standard-format release posters, particularly in strong surviving condition.\u003c\/p\u003e\n\u003cp\u003eThe combination of \u003cstrong\u003eElle Driver’s iconic white costume and eyepatch, the vivid red umbrella, monumental black typography and saturated yellow ground\u003c\/strong\u003e makes this one of the most visually arresting character posters produced for the original Japanese \u003cem\u003eKill Bill: Vol. 1\u003c\/em\u003e campaign.\u003c\/p\u003e\n\u003cp\u003eThis poster is in \u003cstrong\u003eexcellent condition\u003c\/strong\u003e. The yellow remains exceptionally vivid, the black typography retains strong density, and the central image presents beautifully. There are light handling marks, shallow creasing and minor age-related edge and corner wear visible upon close inspection, but no major loss or distracting damage. The unprinted reverse remains clean overall.\u003c\/p\u003e\n\u003cp\u003ePlease refer to the detailed photographs of both the front and back, as \u003cstrong\u003ethis is the exact poster that is for sale\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is the first time that we have had this poster in our gallery.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is \u003cstrong\u003eover 22 years old\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt is \u003cstrong\u003enot a reproduction or a reprint\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57221166989690,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-looking-at-an-art-gallery-wall-2026-09-02T070814.115.jpg?v=1788300512","url":"https:\/\/japanposter.co.uk\/products\/kill-bill-vol-1-%e3%82%ad%e3%83%ab-%e3%83%93%e3%83%ab-vol-1-original-release-japanese-b1-elle-driver-character-poster-2003-rare-b1-poster-size-c-72-cm-103-cm-gallery","provider":"Japan Poster Shop","version":"1.0","type":"link"}