{"product_id":"kill-la-kill-キルラキル-original-japanese-not-for-sale-b2-promotional-poster-2014-episode-25-さよならをもう一度-goodbye-again-studio-trigger-hiroyuki-imaishi-kazuki-nakashima-sushio-b2-size-approx-51-73-cm","title":"“Kill la Kill” \/ 「キルラキル」, Original Japanese “Not For Sale” B2 Promotional Poster 2014, Episode 25 「さよならをもう一度」 \/ “Goodbye Again”, Studio Trigger \/ Hiroyuki Imaishi \/ Kazuki Nakashima \/ Sushio, B2 Size (approx. 51 × 73 cm) Q289","description":"\u003cp data-start=\"222\" data-end=\"361\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThis is a \u003cstrong data-start=\"232\" data-end=\"285\"\u003every rare original Japanese B2 promotional poster\u003c\/strong\u003e for \u003cstrong data-start=\"290\" data-end=\"306\"\u003eKill la Kill\u003c\/strong\u003e \/ 「キルラキル」, marked \u003cstrong data-start=\"325\" data-end=\"341\"\u003eNOT FOR SALE\u003c\/strong\u003e at the lower right.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"363\" data-end=\"720\"\u003eThis specific poster dates to \u003cstrong data-start=\"393\" data-end=\"401\"\u003e2014\u003c\/strong\u003e and was produced to promote the release of the final Japanese \u003cstrong data-start=\"464\" data-end=\"490\"\u003eBlu-ray \/ DVD Volume 9\u003c\/strong\u003e, which included the TV-unaired Episode 25 OVA, 「さよならをもう一度」 — \u003cstrong data-start=\"552\" data-end=\"571\"\u003e“Goodbye Again”\u003c\/strong\u003e. Volume 9 was released on \u003cstrong data-start=\"598\" data-end=\"618\"\u003e3 September 2014\u003c\/strong\u003e, placing this poster within the original promotional window for the series’ final home-video release.\u003c\/p\u003e\n\u003cp data-start=\"722\" data-end=\"1174\"\u003eAs a \u003cstrong data-start=\"727\" data-end=\"764\"\u003ehibaihin \/ not-for-sale B2 poster\u003c\/strong\u003e, it was not a standard retail item. It would have been used for Japanese store promotion, event display, or distributed in connection with pre-order \/ release-campaign activity during the weeks leading up to the September 2014 release. This same key visual was also used in the \u003cstrong data-start=\"1043\" data-end=\"1084\"\u003eAugust 2014 issue of Newtype Magazine\u003c\/strong\u003e, where it helped build anticipation for the finale and the release of the concluding OVA.\u003c\/p\u003e\n\u003cp data-start=\"1176\" data-end=\"1546\"\u003e\u003cstrong data-start=\"1176\" data-end=\"1197\"\u003eSeries background\u003c\/strong\u003e\u003cbr data-start=\"1197\" data-end=\"1200\"\u003eProduced by \u003cstrong data-start=\"1212\" data-end=\"1230\"\u003eStudio Trigger\u003c\/strong\u003e, Kill la Kill is one of the defining original anime series of the 2010s. Directed by \u003cstrong data-start=\"1316\" data-end=\"1336\"\u003eHiroyuki Imaishi\u003c\/strong\u003e, written by \u003cstrong data-start=\"1349\" data-end=\"1369\"\u003eKazuki Nakashima\u003c\/strong\u003e, and featuring character design by \u003cstrong data-start=\"1405\" data-end=\"1415\"\u003eSushio\u003c\/strong\u003e, the series brought together the creative force behind Gurren Lagann with the newly established visual identity of Studio Trigger.\u003c\/p\u003e\n\u003cp data-start=\"1548\" data-end=\"1908\"\u003eThe story follows \u003cstrong data-start=\"1566\" data-end=\"1581\"\u003eRyuko Matoi\u003c\/strong\u003e, a transfer student armed with a giant scissor blade, as she confronts the authoritarian world of Honnouji Academy and its fearsome student council president, \u003cstrong data-start=\"1741\" data-end=\"1760\"\u003eSatsuki Kiryuin\u003c\/strong\u003e. What begins as a hyper-stylised school battle anime becomes a larger satire of clothing, power, conformity, shame, rebellion, and self-definition.\u003c\/p\u003e\n\u003cp data-start=\"1910\" data-end=\"2148\"\u003eEpisode 25, 「さよならをもう一度」, functions as the post-finale farewell chapter. It is the epilogue to the main 24-episode television run, showing the characters after the central conflict has ended and giving the series a final moment of closure.\u003c\/p\u003e\n\u003cp data-start=\"2150\" data-end=\"2554\"\u003e\u003cstrong data-start=\"2150\" data-end=\"2167\"\u003ePoster design\u003c\/strong\u003e\u003cbr data-start=\"2167\" data-end=\"2170\"\u003eThis B2 poster features the distinctive epilogue visual associated with Kill la Kill’s final chapter. \u003cstrong data-start=\"2272\" data-end=\"2287\"\u003eRyuko Matoi\u003c\/strong\u003e stands at the front of the composition in civilian clothing and her sukajan-style jacket, no longer presented in her combat uniform. This is an important visual shift, suggesting the end of her fighting days and the beginning of life beyond the events of the series.\u003c\/p\u003e\n\u003cp data-start=\"2556\" data-end=\"2842\"\u003eBehind her stands \u003cstrong data-start=\"2574\" data-end=\"2593\"\u003eSatsuki Kiryuin\u003c\/strong\u003e, shown with short hair — a major visual change associated with the conclusion of the story and her symbolic break from the past. The supporting cast are arranged across the background, including the Elite Four and other key figures from the series.\u003c\/p\u003e\n\u003cp data-start=\"2844\" data-end=\"3167\"\u003eThe image is set against a dramatic collapsed architectural landscape, giving the poster a strong post-battle atmosphere. The composition feels calmer and more reflective than many earlier Kill la Kill visuals: still bold, graphic, and unmistakably Trigger, but now carrying the feeling of aftermath, closure, and farewell.\u003c\/p\u003e\n\u003cp data-start=\"3169\" data-end=\"3430\"\u003eAt the top, the title \u003cstrong data-start=\"3191\" data-end=\"3202\"\u003e「キルラキル」\u003c\/strong\u003e appears in enormous red lettering, with \u003cstrong data-start=\"3243\" data-end=\"3259\"\u003eKILL la KILL\u003c\/strong\u003e printed beneath. The typography is aggressive, oversized, and immediately recognizable, echoing the series’ famous use of monumental red text and emphatic graphic impact.\u003c\/p\u003e\n\u003cp data-start=\"3432\" data-end=\"3590\"\u003eAt the lower right, the poster is printed \u003cstrong data-start=\"3474\" data-end=\"3490\"\u003eNOT FOR SALE\u003c\/strong\u003e, confirming its status as a limited promotional object rather than standard commercial merchandise.\u003c\/p\u003e\n\u003cp data-start=\"3592\" data-end=\"3815\"\u003e\u003cstrong data-start=\"3592\" data-end=\"3621\"\u003eIdentification and rarity\u003c\/strong\u003e\u003cbr data-start=\"3621\" data-end=\"3624\"\u003eThis poster is best understood as a \u003cstrong data-start=\"3660\" data-end=\"3708\"\u003e2014 original Japanese promotional B2 poster\u003c\/strong\u003e connected to the final Blu-ray \/ DVD Volume 9 campaign and the release of Episode 25, \u003cstrong data-start=\"3795\" data-end=\"3815\"\u003e“Goodbye Again.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3817\" data-end=\"4148\"\u003eIts \u003cstrong data-start=\"3821\" data-end=\"3837\"\u003eNOT FOR SALE\u003c\/strong\u003e marking is significant. In Japan, B2 promotional posters of this kind were generally produced for shop display, release promotion, or campaign distribution, and were not sold directly to the public. As a result, surviving examples are considerably rarer than ordinary retail posters or later decorative prints.\u003c\/p\u003e\n\u003cp data-start=\"4150\" data-end=\"4428\"\u003eThe connection to the final volume also gives the poster special importance. Rather than advertising the start of the series, it captures Kill la Kill at its closing point — the epilogue image, the post-battle cast arrangement, and the farewell moment attached to the final OVA.\u003c\/p\u003e\n\u003cp data-start=\"4430\" data-end=\"4505\"\u003e\u003cstrong data-start=\"4430\" data-end=\"4456\"\u003eCollector significance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"4793\" data-end=\"5028\"\u003eIts appeal lies in the combination of \u003cstrong data-start=\"4831\" data-end=\"4882\"\u003erarity, format, timing, and visual significance\u003c\/strong\u003e. This is not a generic character poster, but a large-format promotional piece tied to the final stage of the original Kill la Kill release cycle.\u003c\/p\u003e\n\u003cp data-start=\"5030\" data-end=\"5369\"\u003eFor collectors, it preserves one of the series’ most meaningful images: \u003cstrong data-start=\"5102\" data-end=\"5139\"\u003eRyuko and Satsuki after the storm\u003c\/strong\u003e, with the cast gathered in an epilogue composition that marks the emotional conclusion of the work. As a B2 \u003cstrong data-start=\"5248\" data-end=\"5260\"\u003ehibaihin\u003c\/strong\u003e poster from 2014, it is now \u003cstrong data-start=\"5289\" data-end=\"5310\"\u003eover a decade old\u003c\/strong\u003e and increasingly difficult to find in excellent condition.\u003c\/p\u003e\n\u003cp data-start=\"5371\" data-end=\"5492\"\u003e\u003cstrong data-start=\"5371\" data-end=\"5384\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"5384\" data-end=\"5387\"\u003e\u003cstrong data-start=\"5387\" data-end=\"5411\"\u003eExcellent condition.\u003c\/strong\u003e Please review the photographs carefully, as they show the exact poster for sale.\u003c\/p\u003e\n\u003cp data-start=\"5494\" data-end=\"5808\"\u003eThe poster presents beautifully, with \u003cstrong data-start=\"5532\" data-end=\"5639\"\u003estrong colour, bold red title typography, clean character artwork, and excellent overall display impact\u003c\/strong\u003e. The reverse is clean overall. Only very light signs of age, storage, or handling are visible, consistent with careful preservation of a Japanese promotional B2 poster.\u003c\/p\u003e\n\u003cp data-start=\"5810\" data-end=\"5935\"\u003eThis is an \u003cstrong data-start=\"5821\" data-end=\"5884\"\u003eoriginal 2014 Japanese “Not For Sale” B2 promotional poster\u003c\/strong\u003e.\u003cbr data-start=\"5885\" data-end=\"5888\"\u003eIt is \u003cstrong data-start=\"5894\" data-end=\"5934\"\u003enot a reproduction or modern reprint\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"5937\" data-end=\"5965\"\u003eIt is \u003cstrong data-start=\"5943\" data-end=\"5964\"\u003eover a decade old\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"5967\" data-end=\"6008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"5967\" data-end=\"6008\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57035214291322,"sku":null,"price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-07-02T121906.916.jpg?v=1782962357","url":"https:\/\/japanposter.co.uk\/products\/kill-la-kill-%e3%82%ad%e3%83%ab%e3%83%a9%e3%82%ad%e3%83%ab-original-japanese-not-for-sale-b2-promotional-poster-2014-episode-25-%e3%81%95%e3%82%88%e3%81%aa%e3%82%89%e3%82%92%e3%82%82%e3%81%86%e4%b8%80%e5%ba%a6-goodbye-again-studio-trigger-hiroyuki-imaishi-kazuki-nakashima-sushio-b2-size-approx-51-73-cm","provider":"Japan Poster Shop","version":"1.0","type":"link"}