{"product_id":"la-haine-憎しみ-4k-original-japanese-4k-re-release-chirashi-mini-poster-2026-double-sided-b5-size-c-18-2-25-7-cm","title":"“La Haine” (憎しみ 4K), Original Japanese 4K Re-Release Chirashi Mini Poster 2026, Double-Sided B5 Size (c. 18.2 × 25.7 cm)","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThis is an \u003cstrong\u003eoriginal Japanese double-sided B5 chirashi mini poster produced for the 2026 Japanese theatrical re-release of\u003c\/strong\u003e \u003cem\u003e\u003cstrong\u003eLa Haine\u003c\/strong\u003e\u003c\/em\u003e \u003cstrong\u003ein its 4K-restored version\u003c\/strong\u003e. Released in Japan under the title \u003cstrong\u003e憎しみ 4K\u003c\/strong\u003e, this campaign advertises the theatrical opening on \u003cstrong\u003e9 October 2026\u003c\/strong\u003e, distributed by \u003cstrong\u003edisk union and alfazbet\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWritten and directed by \u003cstrong\u003eMathieu Kassovitz\u003c\/strong\u003e, the original \u003cstrong\u003e1995 film\u003c\/strong\u003e stars \u003cstrong\u003eVincent Cassel, Hubert Koundé and Saïd Taghmaoui\u003c\/strong\u003e. This is \u003cstrong\u003eofficial promotional material for the later restoration campaign\u003c\/strong\u003e, rather than a poster from the film’s original 1995 release. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilm background\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet in the aftermath of unrest in the outskirts of Paris, \u003cem\u003eLa Haine\u003c\/em\u003e follows three young friends through a day and night marked by boredom, confrontation and mounting tension. Their experiences become a concentrated examination of \u003cstrong\u003efriendship, social exclusion, racism and police violence\u003c\/strong\u003e, bringing the frustrations of marginalised suburban youth into sharp focus. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe film’s stark monochrome photography and restless energy give its social observations exceptional immediacy. Kassovitz received the \u003cstrong\u003eBest Director award at the 1995 Cannes Film Festival\u003c\/strong\u003e, an achievement also highlighted in the upper-right corner of this Japanese design. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front is dominated by a \u003cstrong\u003etightly cropped black-and-white group photograph\u003c\/strong\u003e, with three figures pressed closely together and a foreshortened handgun directed towards the viewer. The shallow focus and tightly compressed composition create an image that feels immediate, confrontational and deliberately uncomfortable.\u003c\/p\u003e\n\u003cp\u003eA narrow white border contains the photograph, while the generous pale lower section provides a strong contrast to the dense blacks above. The bold French title \u003cstrong\u003eLA HAINE\u003c\/strong\u003e appears beneath the image, followed by the director’s name, principal cast and a compact French credit block.\u003c\/p\u003e\n\u003cp\u003eThe Japanese localisation is handled through a restrained combination of \u003cstrong\u003eblack, white and red\u003c\/strong\u003e. A vertical line within the photograph reads:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e「これは、落下する世界の話」\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e“This is the story of a world in free fall.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe word \u003cstrong\u003e落下 — “falling”\u003c\/strong\u003e is picked out in red, connecting the design to the film’s central metaphor without overwhelming the photography.\u003c\/p\u003e\n\u003cp\u003eAt the bottom, oversized red \u003cstrong\u003e憎しみ 4K\u003c\/strong\u003e lettering introduces the Japanese restoration title, accompanied by the local credits and distributor marks. The contrast between the severe photographic image, bold French typography and selective red accents gives the sheet a particularly strong graphic identity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReverse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe reverse is \u003cstrong\u003efully printed\u003c\/strong\u003e, making this a complete promotional flyer rather than a single-sided miniature wall poster.\u003c\/p\u003e\n\u003cp\u003eAn extreme close-up of a pair of eyes fills the upper section, overlaid with Japanese text recounting the film’s famous falling-man story. The repeated red phrase:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e「まだ大丈夫」\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e“So far, so good.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eestablishes the uneasy tone of the material below.\u003c\/p\u003e\n\u003cp\u003eThe remaining layout combines \u003cstrong\u003eJapanese introductory text, a synopsis, a horizontal strip of four monochrome stills, critical quotations and a director’s statement\u003c\/strong\u003e. Further imagery occupies the lower section, together with the film’s credits and an official-site QR code.\u003c\/p\u003e\n\u003cp\u003eThe prominent \u003cstrong\u003e“10.9 FRI. ROADSHOW”\u003c\/strong\u003e announcement is accompanied by the names of \u003cstrong\u003eShinjuku Musashinokan, Human Trust Cinema Yurakucho and Yebisu Garden Cinema\u003c\/strong\u003e, matching the venues advertised for this Japanese re-release. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTogether, the two sides preserve both the campaign’s principal visual design and the accompanying Japanese presentation of the film.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe B5 chirashi format\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eJapanese B5 format measures approximately 18.2 × 25.7 cm\u003c\/strong\u003e, or approximately \u003cstrong\u003e7.2 × 10.1 inches\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a \u003cstrong\u003esmall-format cinema promotional flyer, commonly described as a chirashi or mini poster\u003c\/strong\u003e, rather than a full-sized B2 theatrical display sheet. Its compact proportions make it suitable for an intimate framed presentation, while the printed reverse adds interest for collectors who prefer to preserve and examine both sides.\u003c\/p\u003e\n\u003cp\u003eThe combination of \u003cstrong\u003emonochrome photography, French and Japanese typography, and restoration-specific promotional details\u003c\/strong\u003e makes it an appealing piece for collectors of \u003cem\u003eLa Haine\u003c\/em\u003e, French cinema and Japanese film advertising.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition - Unused, mint\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlease review the photographs carefully; they show the \u003cstrong\u003eexact item for sale, front and reverse\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis is an \u003cstrong\u003eoriginal Japanese B5 chirashi from the 2026 4K theatrical re-release campaign for \u003cem\u003eLa Haine\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003eIt is \u003cstrong\u003enot a 1995 first-release poster or an unofficial reproduction\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57263848259962,"sku":null,"price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/Scanfrom2026-09-1409_35_07AM.jpg?v=1789350094","url":"https:\/\/japanposter.co.uk\/products\/la-haine-%e6%86%8e%e3%81%97%e3%81%bf-4k-original-japanese-4k-re-release-chirashi-mini-poster-2026-double-sided-b5-size-c-18-2-25-7-cm","provider":"Japan Poster Shop","version":"1.0","type":"link"}