{"product_id":"nagano-1998-dreams-of-children-ski-jumping-子どもの夢-rare-original-japanese-official-olympic-poster-1995-b1-size-c-72-8-103-cm-hak-a","title":"“Nagano 1998 – Dreams of Children \/ Ski Jumping” (子どもの夢), Rare Original Japanese Official Olympic Poster 1995, B1 Size (c. 72.8 × 103 cm) HAK-A","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese B1 official poster produced for the Nagano 1998 Winter Olympic Games\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, featuring the celebrated minimalist \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eski jumper in flight\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e composition designed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKatsumi Asaba (浅葉克己)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e with photography by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKazumi Kurigami (操上和美)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIssued in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMay 1995\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, almost three years before the XVIII Olympic Winter Games opened in Nagano, this is one of the principal official posters commissioned by the Nagano Olympic Organizing Committee (NAOC). The design is documented by the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eOlympic Museum\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which preserves an example in its permanent collection under the title \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Dreams of Children.”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eJapanese sources identify this as the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esecond official Nagano Olympic poster (第2号)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, printed by offset lithography in the large B1 format. At approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e72.8 × 103 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this example has the monumental scale originally intended for official public and institutional display.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eDesign\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is one of the most radical exercises in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enegative space in modern Olympic poster design\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAlmost the entire composition consists of an immense, softly textured field of pale grey and white. Within it, positioned high toward the upper-left corner, is a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esingle ski jumper suspended in flight\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe athlete is tiny.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat extraordinary disparity of scale is the entire conceptual force of the poster. Rather than enlarging the athlete into the heroic figure normally expected of sports advertising, Asaba reduces the jumper almost to a mark upon the paper. The surrounding emptiness becomes a representation of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esky, snow, altitude and silence\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Olympic Museum describes the design as showing the small figure of a ski jumper flying amid gently swirling snow, an image intended to symbolise both the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egrandeur of winter and the aspirations of children toward the world of tomorrow\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSeen closely, the jumper is captured in the aerodynamic \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eV-style\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the skis opening away from one another as the athlete leans aggressively forward into the air. Developed into the dominant technique of elite ski jumping around the turn of the 1990s, the V-style was still a relatively new visual symbol of the sport when this poster was created.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe athlete therefore feels simultaneously monumental and extraordinarily vulnerable: a human being reduced to a tiny black form suspended against an apparently limitless winter sky.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eKatsumi Asaba \u0026amp; Kazumi Kurigami\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe poster brought together two major figures in Japanese visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eKatsumi Asaba (浅葉克己)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of Japan's most important post-war graphic designers and art directors, known for his sophisticated typography, conceptual advertising and fascination with written language and visual communication.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRather than approaching the Olympic commission through conventional sporting spectacle, Asaba created a composition based upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eproportion, emptiness and visual tension\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The viewer's eye must search the enormous field before discovering the athlete—a reversal of almost every conventional rule of sports-poster advertising.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe photograph was created by renowned Japanese photographer \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKazumi Kurigami (操上和美)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Kurigami's contribution is equally essential: the granular atmospheric field is not simply empty paper but a photographic environment of snow and air, giving the poster a subtle depth that becomes increasingly apparent when viewed at full B1 scale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Olympic Museum specifically credits \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKatsumi Asaba as designer and Kazumi Kurigami as photographer\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while Japanese archival sources likewise identify the pair as responsible for this second official Nagano poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Monochrome Concept\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe almost total absence of colour was deliberate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAccording to the Olympic Museum's documentation, the Nagano Organizing Committee specifically wished to produce a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emonochrome official poster\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving this design a dramatically different character from the colourful Olympic advertising that preceded it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe restrained black, grey and white palette evokes the actual visual conditions of a snow-filled winter landscape: horizon, cloud, snow and sky begin to merge until conventional spatial references almost disappear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOnly at the bottom does the composition become graphically anchored.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIn enormous black typography appears:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eNAGANO 1998\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTHE XVIII OLYMPIC WINTER GAMES\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBeneath sit the five Olympic rings, while the lower-right corner carries the brilliant multicoloured \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNagano 1998 Snowflower emblem\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and a second Olympic identity block.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe sudden appearance of green, yellow, red, orange, blue and purple within the Snowflower provides the only significant burst of colour on the entire sheet, making the emblem unusually vivid against the monochrome field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eThe Snowflower Emblem\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Snowflower had been unveiled in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJanuary 1993\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and was already becoming the central visual identity of Nagano 1998 when this poster appeared in 1995.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts six coloured forms represent \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estylised winter athletes arranged like the petals of a flower\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while the overall geometry also evokes a six-sided snow crystal and an alpine plant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis union of sport and nature closely complements Asaba's ski-jumping image. The tiny athlete exists almost completely within the natural environment, while the emblem below formally combines athletic movement with snow and flora.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eImmediately beneath the emblem appears the original:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e© 1993 NAOC TM NAOC 5-001\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ewhile the right-hand margin carries the crucial production inscription:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e“Printed in Japan 1995”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTogether these markings establish the poster's original NAOC provenance and its \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1995 Japanese printing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eHistorical Significance\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe subject would ultimately prove extraordinarily appropriate for Nagano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhen the Games finally opened in February 1998, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eski jumping became one of the defining sporting stories of the entire Japanese Olympics\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCompetition took place at the Hakuba Ski Jumping Stadium, and Japan's ski jumpers produced some of the host nation's most memorable performances. \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKazuyoshi Funaki\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e won individual large-hill gold and normal-hill silver, while the Japanese team of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTakanobu Okabe, Hiroya Saito, Masahiko Harada and Funaki\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e captured the large-hill team gold medal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThose triumphs occurred nearly three years after this poster was issued. The anonymous airborne figure therefore belongs to a very different moment: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ethe anticipation of Nagano rather than the celebration of its eventual champions\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat makes the title \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDreams of Children\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e particularly resonant. The athlete is not presented as a recognisable celebrity. He represents aspiration itself—the dream of flight, competition and participation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eRarity\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is not merely Nagano 1998 memorabilia but one of the Games' \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edocumented official art posters\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Olympic Museum preserves this design in its collection and identifies it as an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eofficial Nagano 1998 poster\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while Japanese archival sources catalogue the B1 edition specifically as:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e長野オリンピック公式ポスター 第2号 スキージャンプ〈子どもの夢〉\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNagano Olympic Official Poster No. 2, Ski Jumping (“Dreams of Children”)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eJapanese sources record the B1 edition at approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e103 × 72.8 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and identify the printing technique as offset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts preservation presents an unusual challenge. Whereas a busy photographic or illustrated poster can visually disguise minor marks, this design consists almost entirely of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eexposed pale-grey space\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Foxing, staining, fingerprints, creases, moisture damage and surface abrasions have virtually nowhere to hide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe combination of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eofficial NAOC provenance, documented Olympic Museum status, Katsumi Asaba design, Kazumi Kurigami photography, 1995 printing and monumental B1 format\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e makes this an important piece of Japanese Olympic and graphic-design history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is also one of those rare Olympic posters that functions entirely independently as a work of graphic art. Its radical use of scale and negative space remains remarkably contemporary more than thirty years after it was created.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eExcellent+ condition overall\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, particularly impressive for a poster whose enormous pale field makes even minor imperfections immediately apparent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe delicate grey photographic texture remains remarkably clean and consistent, while the tiny ski jumper retains excellent definition. The black \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNAGANO 1998\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e typography and Olympic rings remain deep and sharply printed, and the multicoloured Snowflower emblem retains superb saturation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe poster remains \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eunbacked and without prominent structural fold lines\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. There are only light handling impressions, shallow surface creases and gentle natural paper undulation visible under close inspection, principally around the margins and lower portion of the sheet. Minor edge and corner wear is present, including a few small edge impressions consistent with the substantial B1 format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eImportantly, there is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eno significant foxing, widespread staining or major discolouration \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e—a particularly important consideration for this exceptionally restrained monochrome design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe reverse is remarkably \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eclean and bright\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, displaying only minor handling impressions and natural age-related paper movement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOnce professionally mounted and framed, this poster will \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edisplay superbly\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The extraordinary relationship between the tiny airborne athlete and immense surrounding field becomes particularly powerful at full B1 scale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePlease review all photographs carefully; they show the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eexact poster for sale, front and back\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, including detailed imagery of the original \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e©1993 NAOC TM NAOC 5-001\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Printed in Japan 1995”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e markings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese B1 Nagano 1998 official Olympic poster, designed by Katsumi Asaba with photography by Kazumi Kurigami and printed in Japan in 1995\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enot a reproduction or a later reprint\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eover 30 years old\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCertificate of Authenticity included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57185339933050,"sku":null,"price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-looking-at-an-art-gallery-wall-2026-08-20T065311.490.jpg?v=1787176423","url":"https:\/\/japanposter.co.uk\/products\/nagano-1998-dreams-of-children-ski-jumping-%e5%ad%90%e3%81%a9%e3%82%82%e3%81%ae%e5%a4%a2-rare-original-japanese-official-olympic-poster-1995-b1-size-c-72-8-103-cm-hak-a","provider":"Japan Poster Shop","version":"1.0","type":"link"}