{"product_id":"porco-rosso-紅の豚-1992-original-japanese-b1-theatrical-poster-hayao-miyazaki-studio-ghibli-holy-grail-rarity-b1-oversize-original-japanese-release-campaign-1992-c-72-8-103-cm-28-7-40-6-in-excellent","title":"“PORCO ROSSO \/ 紅の豚” (1992) – ORIGINAL JAPANESE B1 THEATRICAL POSTER – HAYAO MIYAZAKI \/ STUDIO GHIBLI Holy Grail Rarity | B1 Oversize | Original Japanese Release Campaign (1992) | c. 72.8 × 103 cm (28.7 × 40.6 in) | Excellent","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e“PORCO ROSSO \/ 紅の豚” (1992) – ORIGINAL JAPANESE \u003cstrong\u003eB1\u003c\/strong\u003e THEATRICAL POSTER – \u003cstrong\u003eHAYAO MIYAZAKI \/ STUDIO GHIBLI\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHoly Grail Rarity\u003c\/strong\u003e | \u003cstrong\u003eUltra-Rare B1 Oversize\u003c\/strong\u003e | \u003cstrong\u003eSepia “Photograph” Design\u003c\/strong\u003e | Original Japanese Release Campaign (1992) | c. \u003cstrong\u003e72.8 × 103 cm\u003c\/strong\u003e (28.7 × 40.6 in) | \u003cstrong\u003eExcellent\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAn exceptional, original first-release Japanese \u003cstrong\u003eB1 theatrical poster\u003c\/strong\u003e for \u003cem\u003ePorco Rosso\u003c\/em\u003e (\u003cem\u003e紅の豚\u003c\/em\u003e)—Hayao Miyazaki’s richly atmospheric Studio Ghibli adventure, bringing together the romance of aviation, an unconventional hero and the lingering memories of a vanished world. Written and directed by \u003cstrong\u003eMiyazaki\u003c\/strong\u003e, with music by \u003cstrong\u003eJoe Hisaishi\u003c\/strong\u003e, the film occupies a distinctive place in Ghibli’s celebrated early catalogue. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis extraordinary design contrasts \u003cstrong\u003ePorco’s full-colour portrait\u003c\/strong\u003e with a beautifully illustrated \u003cstrong\u003esepia-toned aviation photograph\u003c\/strong\u003e. Round sunglasses, a curled moustache, a casually held cigarette and a white scarf establish his unmistakable presence, while the intricate group portrait behind him introduces a quieter story of youth, friendship and remembrance. The enormous \u003cstrong\u003ecrimson Japanese title\u003c\/strong\u003e cuts through the composition—a striking counterpoint to the warm browns, cream highlights and deep black passages.\u003c\/p\u003e\n\u003cp\u003eSourced by \u003cstrong\u003eJapan Poster Shop in Hokkaido, Japan\u003c\/strong\u003e, this example is offered in \u003cstrong\u003eexcellent condition\u003c\/strong\u003e, with particularly strong colour and outstanding visual presence. In the \u003cstrong\u003eultra-rare B1 format\u003c\/strong\u003e, the contrast between the intimate background drawing and Porco’s commanding foreground portrait becomes especially impressive: \u003cstrong\u003ea true grail piece for the dedicated Miyazaki collector\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDate \u0026amp; Japanese Theatrical Release\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003ePorco Rosso\u003c\/em\u003e opened in Japanese cinemas on \u003cstrong\u003e18 July 1992\u003c\/strong\u003e, distributed by \u003cstrong\u003eToho\u003c\/strong\u003e. This poster belongs to the film’s \u003cstrong\u003eoriginal Japanese theatrical release campaign\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe vertical release announcement reads:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e「今夏、全国東宝洋画系ロードショー」\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e“This summer, nationwide roadshow release through Toho’s foreign-film cinema circuit.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe detailed photographs also show the \u003cstrong\u003e1992 copyright line\u003c\/strong\u003e, \u003cstrong\u003eToho distribution logo\u003c\/strong\u003e, \u003cstrong\u003eToho 60th-anniversary emblem\u003c\/strong\u003e, \u003cstrong\u003eEirin mark numbered 91522\u003c\/strong\u003e, and printed reference \u003cstrong\u003e200233-228\u003c\/strong\u003e. These are distinctive details of the period campaign, retained within the design’s narrow left-hand credits column.\u003c\/p\u003e\n\u003cp\u003eThe handwritten \u003cstrong\u003e“1912”\u003c\/strong\u003e near the top belongs to the illustrated photograph within the composition—\u003cstrong\u003enot the poster’s publication date\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eThe Film \u0026amp; Its Place in Cinema History\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe romance of flight, tempered by the weight of the past.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally developed as a shorter film for \u003cstrong\u003eJapan Airlines’ in-flight entertainment\u003c\/strong\u003e, and based on Miyazaki’s own manga \u003cem\u003eThe Age of the Flying Boat\u003c\/em\u003e (\u003cem\u003e飛行艇時代\u003c\/em\u003e), \u003cem\u003ePorco Rosso\u003c\/em\u003e expanded into a full-length theatrical feature. Its unusual origins are particularly fitting for a film so thoroughly absorbed in aircraft, flying and the freedom of the open sky. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe story follows a flying ace turned bounty hunter whose appearance has been mysteriously transformed into that of a pig. Against the coastal landscapes of the \u003cstrong\u003eAdriatic\u003c\/strong\u003e, encounters with airborne pirates and an ambitious American rival unfold alongside the support of \u003cstrong\u003eFio\u003c\/strong\u003e, a young aircraft designer, and \u003cstrong\u003eGina\u003c\/strong\u003e, the singer whose connection to Porco reaches into his past. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBeneath the adventure lies something more reflective: a film about independence, loyalty, lost friends and the difficulty of returning to the person one used to be. Its humour never entirely dispels its melancholy, and its spectacular flying sequences coexist with moments of remarkable tenderness.\u003c\/p\u003e\n\u003cp\u003eFor collectors, this particular poster captures that balance beautifully. \u003cstrong\u003eThe charismatic hero fills the foreground; the life behind him remains suspended in sepia.\u003c\/strong\u003e It is an unusually thoughtful piece of theatrical advertising—one that conveys the film’s emotional character rather than simply illustrating its action.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDesign Notes\u003c\/h3\u003e\n\u003cp\u003eThis is a remarkably effective \u003cstrong\u003eportrait-and-memory composition\u003c\/strong\u003e, with an impact that becomes particularly powerful at B1 scale:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePorco in full colour:\u003c\/strong\u003e The large foreground portrait is direct, relaxed and instantly recognisable. His round dark glasses, white scarf and cigarette convey the character’s self-possession without the need for a cockpit or an aerial battle.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe sepia photograph:\u003c\/strong\u003e Behind him, finely drawn figures gather around an early aircraft. The image references the photograph seen in the film connecting Porco to his former human identity, \u003cstrong\u003eMarco\u003c\/strong\u003e. The crossed-out face at the top is \u003cstrong\u003epart of the printed illustration—not damage to the poster\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExceptional graphic contrast:\u003c\/strong\u003e The warm, nostalgic background is set against Porco’s cleaner colour shapes and the bold red \u003cstrong\u003e紅の豚\u003c\/strong\u003e title. Dense black shading gives the image depth, while the white scarf and lettering keep the lower composition luminous.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePeriod details within the artwork:\u003c\/strong\u003e The handwritten \u003cstrong\u003e“1912”\u003c\/strong\u003e, flowing \u003cstrong\u003e“Adriano”\u003c\/strong\u003e lettering, flying goggles, aircraft struts and carefully rendered clothing give the background the appearance of a treasured photograph from another age.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe campaign’s slogan, written by \u003cstrong\u003eShigesato Itoi\u003c\/strong\u003e, appears in white beside Porco: \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e「カッコイイとは、こういうことさ。」\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e“This is what it means to be cool.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination is wonderfully assured: \u003cstrong\u003ea larger-than-life character, a glimpse of his hidden history, and a line of copy that captures his entire attitude\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eThe Japanese B1 Format and Why It’s So Hard to Find\u003c\/h3\u003e\n\u003cp\u003eAt approximately \u003cstrong\u003e72.8 × 103 cm\u003c\/strong\u003e, the Japanese \u003cstrong\u003eB1 format provides twice the surface area of the familiar B2\u003c\/strong\u003e. This original \u003cem\u003ePorco Rosso\u003c\/em\u003e design is documented in the scarce B1 size, giving collectors the opportunity to experience its intricate illustration and bold portrait at a substantially larger scale. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe practical difference is significant. Larger sheets require more space to display, handle and store, creating more opportunities for edge damage, creasing and surface wear. On this design in particular, the extensive black and sepia passages leave little room for distracting scuffs or handling marks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIts rarity is not simply a matter of dimensions: it is the combination of the scarce B1 issue, the original 1992 campaign and the quality of the surviving example.\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eFor a collector seeking a centrepiece rather than a standard-format example, this B1 offers both \u003cstrong\u003econsiderable visual impact and the appeal of elusive original Japanese theatrical material\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eAbout the Artist: Hayao Miyazaki \u0026amp; Studio Ghibli\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMiyazaki’s fascination with aviation runs through the identity of Studio Ghibli itself.\u003c\/strong\u003e The studio’s name was drawn from a name used for an Italian military aircraft—an association Miyazaki knew through his enthusiasm for flying machines. In \u003cem\u003ePorco Rosso\u003c\/em\u003e, that fascination becomes an entire cinematic world, expressed through aircraft construction, mechanical detail and the exhilaration of flight. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe poster’s printed credits also identify his manga \u003cstrong\u003e飛行艇時代—\u003cem\u003eThe Age of the Flying Boat\u003c\/em\u003e\u003c\/strong\u003e as the original source. Its visual contrast between a colourful, fantastical protagonist and a painstakingly drawn historical setting beautifully reflects the film’s mixture of imagination and nostalgia.\u003c\/p\u003e\n\u003cp\u003eThe film also belongs to an important moment in the studio’s development. While making \u003cem\u003ePorco Rosso\u003c\/em\u003e, Miyazaki was closely involved in designing Ghibli’s new studio building; the film and building were completed at approximately the same time, and the studio moved to \u003cstrong\u003eKoganei shortly after the film’s release\u003c\/strong\u003e. This original campaign therefore represents not only a distinctive Miyazaki film, but a period in which Ghibli was establishing a more permanent home for its ambitions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eCondition Report\u003c\/h3\u003e\n\u003cp\u003eOverall presentation: \u003cstrong\u003eExcellent \/ outstanding large-format display.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA beautifully presenting original example with \u003cstrong\u003erich colour, strong black passages and finely preserved illustrative detail\u003c\/strong\u003e. The red title remains particularly striking against the sepia background, and the main portrait retains excellent clarity and impact.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinor pinholes:\u003c\/strong\u003e Small pinholes are visible around the corners and outer margins, as shown in the detailed photographs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLight handling wear:\u003c\/strong\u003e Minor paper undulations, small handling creases and occasional edge imperfections are present. No heavy horizontal or vertical storage folds dominate the composition.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse:\u003c\/strong\u003e The back is generally clean, with light handling impressions and \u003cstrong\u003ea small pale archival tape patch at one side edge\u003c\/strong\u003e, visible in the reverse photograph.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal paper, unbacked:\u003c\/strong\u003e The poster is presented \u003cstrong\u003ewithout linen backing\u003c\/strong\u003e, with both the front and reverse photographed for inspection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe minor handling traces do little to detract from its overall appearance. \u003cstrong\u003eAn excellent example of a particularly desirable B1 design\u003c\/strong\u003e, with the scale and graphic strength to make an exceptional framed centrepiece.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e Original Japanese theatrical \u003cstrong\u003eB1 poster for the 1992 first release\u003c\/strong\u003e—\u003cstrong\u003enot a modern reproduction or later reprint\u003c\/strong\u003e.\u003cbr\u003e\u003cstrong\u003eDocumentation:\u003c\/strong\u003e \u003cstrong\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e(Please refer to the images provided—this is the \u003cstrong\u003eexact poster offered\u003c\/strong\u003e. Additional imagery available on request.)\u003c\/em\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57251748184442,"sku":null,"price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-looking-at-an-art-gallery-wall-2026-09-10T153957.873.jpg?v=1789022451","url":"https:\/\/japanposter.co.uk\/products\/porco-rosso-%e7%b4%85%e3%81%ae%e8%b1%9a-1992-original-japanese-b1-theatrical-poster-hayao-miyazaki-studio-ghibli-holy-grail-rarity-b1-oversize-original-japanese-release-campaign-1992-c-72-8-103-cm-28-7-40-6-in-excellent","provider":"Japan Poster Shop","version":"1.0","type":"link"}