"Salo, or the 120 Days of Sodom", Original Release Japanese Movie Poster 1976, B2 Size
"Salo, or the 120 Days of Sodom", Original Release Japanese Movie Poster 1976, B2 Size
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"Salo, or the 120 Days of Sodom", Original Release Japanese Movie Poster 1976, B2 Size

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This is an original Japanese poster printed in 1976 for the first release of 120 Days of Sodom. This rare style B poster has a great design for the Pier Paolo Pasolini WW2 sex movie.

Salò, or the 120 Days of Sodom (Italian: Salò o le 120 giornate di Sodoma), titled Pasolini's 120 Days of Sodom on English-language prints and commonly referred to as simply Salò (Italian: [saˈlɔ]), is a 1975 art film[a] directed by Pier Paolo Pasolini. The film is a loose adaptation of the 1785 book (first published in 1904) The 120 Days of Sodom by the Marquis de Sade, set during World War II, and was Pasolini's final film, being released three weeks after his murder.

The film focuses on four wealthy, corrupt Italian libertines in the time of the fascist Republic of Salò (1943–1945). The libertines kidnap 18 teenagers and subject them to four months of extreme violence, sadism, and sexual and psychological torture. The film explores themes of political corruption, consumerism, authoritarianism, nihilism, morality, capitalism, totalitarianism, sadism, sexuality, and fascism. The story is in four segments, inspired by Dante's Divine Comedy: the Anteinferno, the Circle of Manias, the Circle of Excrement, and the Circle of Blood. The film also contains frequent references to and several discussions of Friedrich Nietzsche's 1887 book On the Genealogy of Morality, Ezra Pound's poem The Cantos, and Marcel Proust's novel sequence In Search of Lost Time.

Premiering at the Paris Film Festival on 23 November 1975, the film had a brief theatrical run in Italy before being banned in January 1976, and was released in the United States the following year on 3 October 1977. Because it depicts youths subjected to graphic violence, torture, sexual abuse, and murder, the film was controversial upon its release and has remained banned in several countries into the 21st century.

The confluence of thematic content in the film—ranging from the political and socio-historical, to psychological and sexual—has led to much critical discussion. It has been both praised and decried by various film historians and critics and was named the 65th-scariest film ever made by the Chicago Film Critics Association in 2006. It is also the subject of an entry in The Penguin Encyclopedia of Horror and the Supernatural (1986). (Source: Wikipedia)

This poster is in a fantastic condition. Please refer to the imagery as this is the exact poster that is for sale.

It is 44 years old!

It is not a reproduction or a reprint.

Certificate of Authenticity included.

Size B2 19.7 x 27.8 inches