{"product_id":"the-cabinet-of-caligari-怪人カリガリ博士-1962-japanese-stb-tatekan-poster-first-release-stb-size-c-51-145-cm-s291","title":"\"The Cabinet of Caligari\" (怪人カリガリ博士), 1962 Japanese STB Tatekan Poster (First Release), STB Size (c. 51 × 145 cm) S291","description":"\u003cp data-start=\"0\" data-end=\"606\"\u003eThis is an \u003cstrong data-start=\"11\" data-end=\"65\"\u003eoriginal Japanese STB tatekan (two‑panel standing)\u003c\/strong\u003e poster issued in Japan for \u003cstrong data-start=\"93\" data-end=\"120\"\u003eThe Cabinet of Caligari\u003c\/strong\u003e (怪人カリガリ博士), the stylish early‑’60s \u003cstrong data-start=\"156\" data-end=\"171\"\u003eCinemaScope\u003c\/strong\u003e shocker directed by \u003cstrong data-start=\"192\" data-end=\"205\"\u003eRoger Kay\u003c\/strong\u003e and \u003cstrong data-start=\"210\" data-end=\"237\"\u003ewritten by Robert Bloch\u003c\/strong\u003e (famed author of \u003cem data-start=\"255\" data-end=\"263\"\u003ePsycho\u003c\/em\u003e—a major selling point called out on the poster). Presented in the dramatic \u003cstrong data-start=\"339\" data-end=\"353\"\u003eSTB format\u003c\/strong\u003e (\u003cstrong data-start=\"355\" data-end=\"420\"\u003etwo B2 sheets designed to display together as a tall vertical\u003c\/strong\u003e, approx. \u003cstrong data-start=\"430\" data-end=\"445\"\u003e51 × 145 cm\u003c\/strong\u003e), it’s an exceptionally striking and far less commonly seen format than standard one‑sheets—built to stop audiences in their tracks from across a theatre lobby.\u003c\/p\u003e\n\u003cp data-start=\"608\" data-end=\"870\"\u003eNotably, the poster’s own credits spotlight \u003cstrong data-start=\"652\" data-end=\"668\"\u003eGlynis Johns\u003c\/strong\u003e (グリニス・ジョーンズ) and lean hard into the film’s \u003cstrong data-start=\"712\" data-end=\"726\"\u003e“恐怖映画の決定版”\u003c\/strong\u003e (“definitive horror film”) positioning, while the \u003cstrong data-start=\"777\" data-end=\"797\"\u003e20th Century Fox\u003c\/strong\u003e mark at the base confirms its major‑studio Japanese theatrical pedigree.\u003c\/p\u003e\n\u003cp data-start=\"872\" data-end=\"1389\"\u003eFilm background\u003cbr data-start=\"887\" data-end=\"890\"\u003eA vivid, modern re‑imagining of the Caligari nightmare for the widescreen era, \u003cstrong data-start=\"969\" data-end=\"996\"\u003eThe Cabinet of Caligari\u003c\/strong\u003e twists psychological horror into a sleek, unsettling game of control, perception, and experimentation. With \u003cstrong data-start=\"1105\" data-end=\"1123\"\u003eRobert Bloch’s\u003c\/strong\u003e macabre sensibility behind the script and a sharply designed, contemporary visual approach, the film trades cobbled silent‑era expressionism for a cold, clinical dread—while still echoing the original Caligari mythos of captivity, manipulation, and creeping menace.\u003c\/p\u003e\n\u003cp data-start=\"1391\" data-end=\"1720\"\u003ePoster design\u003cbr data-start=\"1404\" data-end=\"1407\"\u003eA \u003cstrong data-start=\"1409\" data-end=\"1452\"\u003emasterclass in pop‑modern horror design\u003c\/strong\u003e: the STB is dominated by a colossal, colour‑smeared face \u003cstrong data-start=\"1510\" data-end=\"1548\"\u003etrapped behind black vertical bars\u003c\/strong\u003e, like a human mind imprisoned. Electric teal, acid yellow, bruised magenta, and inky shadows create a painterly, almost hallucinatory effect—pure mid‑century psych‑terror.\u003c\/p\u003e\n\u003cp data-start=\"1722\" data-end=\"2265\"\u003eAcross both panels, the Japanese title explodes in aggressive blood‑red brushwork: \u003cstrong data-start=\"1805\" data-end=\"1820\"\u003e「怪人 カリガリ博士」\u003c\/strong\u003e, while bold copy blocks scream exploitation intensity—\u003cstrong data-start=\"1875\" data-end=\"1889\"\u003e「恐怖映画の決定版」\u003c\/strong\u003e—and tease body‑horror shocks and “lived” experimentation. The imagery escalates downward: a woman’s terrified scream, a cold male stare, and the unforgettable inset bathtub vignette—each element designed like a sequence of jolts. The result is \u003cstrong data-start=\"2134\" data-end=\"2157\"\u003evisually commanding\u003c\/strong\u003e, uniquely Japanese in its typography and layout, and absolutely made for the tall \u003cstrong data-start=\"2240\" data-end=\"2251\"\u003etatekan\u003c\/strong\u003e presentation.\u003c\/p\u003e\n\u003cp data-start=\"2267\" data-end=\"2683\"\u003eRarity and condition\u003cbr data-start=\"2287\" data-end=\"2290\"\u003eJapanese \u003cstrong data-start=\"2299\" data-end=\"2314\"\u003eSTB tatekan\u003c\/strong\u003e posters were produced in \u003cstrong data-start=\"2340\" data-end=\"2366\"\u003efar smaller quantities\u003c\/strong\u003e than standard formats and were intended for prominent lobby display—meaning surviving examples are scarce, and \u003cstrong data-start=\"2478\" data-end=\"2505\"\u003ecomplete two‑panel sets\u003c\/strong\u003e are especially difficult to find. This is a particularly desirable title in the format, with the added collector appeal of \u003cstrong data-start=\"2629\" data-end=\"2645\"\u003eRobert Bloch\u003c\/strong\u003e attribution and \u003cstrong data-start=\"2662\" data-end=\"2669\"\u003eFox\u003c\/strong\u003e distribution.\u003c\/p\u003e\n\u003cp data-start=\"2685\" data-end=\"2982\"\u003eCondition is \u003cstrong data-start=\"2698\" data-end=\"2731\"\u003eExcellent, close to Near Mint\u003c\/strong\u003e—an \u003cstrong data-start=\"2735\" data-end=\"2760\"\u003eunused \/ uncirculated\u003c\/strong\u003e example with outstanding presentation. Colours remain strong and the paper shows excellent overall integrity. Please inspect the photos carefully as they show the \u003cstrong data-start=\"2924\" data-end=\"2949\"\u003eexact poster for sale\u003c\/strong\u003e (front and back of both panels).\u003c\/p\u003e\n\u003cp data-start=\"2984\" data-end=\"3101\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIt is \u003cstrong data-start=\"2990\" data-end=\"3011\"\u003eover 60 years old\u003c\/strong\u003e.\u003cbr data-start=\"3012\" data-end=\"3015\"\u003eIt is \u003cstrong data-start=\"3021\" data-end=\"3056\"\u003enot a reproduction or a reprint\u003c\/strong\u003e.\u003cbr data-start=\"3057\" data-end=\"3060\"\u003e\u003cstrong data-start=\"3060\" data-end=\"3101\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57347854926202,"sku":null,"price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/man-standing-in-front-of-gallery-wall_47_26eef85f-be87-49f3-be85-b38cc1841551.jpg?v=1791182521","url":"https:\/\/japanposter.co.uk\/products\/the-cabinet-of-caligari-%e6%80%aa%e4%ba%ba%e3%82%ab%e3%83%aa%e3%82%ac%e3%83%aa%e5%8d%9a%e5%a3%ab-1962-japanese-stb-tatekan-poster-first-release-stb-size-c-51-145-cm-s291","provider":"Japan Poster Shop","version":"1.0","type":"link"}