{"product_id":"the-hi-lo-country-ハイローカントリー-rare-original-japanese-first-release-movie-poster-1999-stephen-frears-b1-size-72-8-103-cm-gallery","title":"“The Hi-Lo Country” (ハイローカントリー), Rare Original Japanese First-Release Movie Poster, 1999, Stephen Frears, B1 Size (72.8 × 103 cm) - Gallery","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eA rare original Japanese B1 theatrical poster for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Hi-Lo Country\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, directed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eStephen Frears\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and starring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWoody Harrelson, Billy Crudup and Patricia Arquette\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Produced for the film’s first Japanese release in November 1999 through Asmik, this atmospheric design combines expansive amber colour with an unusually elegant photographic composition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasuring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e72.8 × 103 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the B1 format provides approximately twice the surface area of a standard Japanese B2 poster, giving the landscape and oversized typography considerable presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFilm background\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdapted from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMax Evans’s novel\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the film follows two cowboys whose friendship is tested by changing ranching practices and their attraction to the same married woman in post-war New Mexico. Harrelson’s Big Boy and Crudup’s Pete embody different responses to a disappearing way of life, with Arquette’s Mona at the centre of their emotional conflict.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMartin Scorsese served as one of the film’s producers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while Frears received the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSilver Bear for Best Director at the 1999 Berlin International Film Festival\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Both names feature prominently in the Japanese campaign, alongside its reference to Sam Peckinpah’s long-held ambition to adapt the novel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePoster design\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn expansive golden sky occupies the upper portion of the composition, crossed by large, slender black Japanese lettering. The English title and compact production credits sit below, allowing the surrounding space to establish the film’s reflective mood.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcross the foreground, a cream-coloured convertible creates a broad horizontal counterpoint to the tall B1 sheet. Patricia Arquette sits inside, her arm resting over the door, while Billy Crudup and Woody Harrelson stand behind the vehicle against the open plains. Their separation within the image subtly suggests the film’s central romantic tension.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe limited palette of amber, ochre, cream and black unifies the landscape, figures and automobile. Along the lower edge, the Japanese tagline reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e「魂を焦がして」\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003e“Setting the soul aflame.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCultural significance\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Japanese design presents the film as an intimate drama of friendship, desire and loss within the Western tradition. Its reference to Peckinpah places that story within a broader cinematic fascination with men confronting the end of an era. At B1 scale, the spacious composition makes a particularly compelling display piece for collectors of Western cinema and Japanese film advertising.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eExcellent condition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with rich colour and strong overall presentation. Minor handling creases and light wear are visible around the white margins, including the upper and right edges. The photographic image remains beautifully preserved. Please refer to the detailed photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese theatrical poster from 1999\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e27 years old\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCertificate of Authenticity included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57549235421562,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/High-riselivingroomwithafeaturewall2026-11-05-14-402026-11-08-15-582026-11-09-15-342026-11-10-20-422026-11-11_2.jpg?v=1794341470","url":"https:\/\/japanposter.co.uk\/products\/the-hi-lo-country-%e3%83%8f%e3%82%a4%e3%83%ad%e3%83%bc%e3%82%ab%e3%83%b3%e3%83%88%e3%83%aa%e3%83%bc-rare-original-japanese-first-release-movie-poster-1999-stephen-frears-b1-size-72-8-103-cm-gallery","provider":"Japan Poster Shop","version":"1.0","type":"link"}