{"product_id":"the-return-of-the-living-dead-original-release-japanese-movie-poster-1985-b2-size-51-x-73cm-copy","title":"“The Return of the Living Dead” \/ 「バタリアン」, Original Japanese Movie Poster 1986, B2 Size (51.5 × 72.8 cm) F299","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-WEB:46180bdd-6334-422c-9b92-5503a95b8e5d-24\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:46180bdd-6334-422c-9b92-5503a95b8e5d-24\" data-turn-id-container=\"request-WEB:46180bdd-6334-422c-9b92-5503a95b8e5d-24\" data-testid=\"conversation-turn-14\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-15 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv data-conversation-screenshot-content=\"\" class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"eee97925-32a2-4e8c-8d65-56c4f38a7245\" data-turn-start-message=\"true\" dir=\"auto\" data-message-model-slug=\"gpt-5-6-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"streaming-animation markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"345\" data-end=\"577\"\u003eThis is an \u003cstrong data-start=\"356\" data-end=\"398\"\u003eoriginal Japanese B2 theatrical poster\u003c\/strong\u003e printed for the original Japanese release of \u003cem data-start=\"444\" data-end=\"475\"\u003eThe Return of the Living Dead\u003c\/em\u003e \/ 「バタリアン」, Dan O’Bannon’s landmark 1985 zombie horror-comedy, released theatrically in Japan in 1986.\u003c\/p\u003e\n\u003cp data-start=\"579\" data-end=\"908\"\u003eCombining zombie horror, black comedy, punk culture, practical effects, and an anarchic soundtrack, the film helped redefine the genre for a new generation. This spectacular Japanese poster features the unforgettable Tarman zombie surrounded by explosive neon typography created specifically for the Japanese theatrical campaign.\u003c\/p\u003e\n\u003cp data-start=\"910\" data-end=\"929\"\u003e\u003cstrong data-start=\"910\" data-end=\"929\"\u003eFilm background\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"931\" data-end=\"1135\"\u003eThe film begins at Uneeda Medical Supply, where newly hired employee Freddy is told by his colleague Frank that the events depicted in \u003cem data-start=\"1066\" data-end=\"1092\"\u003eNight of the Living Dead\u003c\/em\u003e were based on a genuine military accident.\u003c\/p\u003e\n\u003cp data-start=\"1137\" data-end=\"1394\"\u003eFrank shows Freddy several long-forgotten army canisters stored in the warehouse basement. When one of the containers accidentally ruptures, it releases the experimental chemical \u003cstrong data-start=\"1316\" data-end=\"1333\"\u003e2-4-5 Trioxin\u003c\/strong\u003e, exposing both men and reanimating the corpse sealed inside.\u003c\/p\u003e\n\u003cp data-start=\"1396\" data-end=\"1550\"\u003eThe chemical soon spreads beyond the warehouse and into a neighbouring cemetery, where rainfall causes the recently buried dead to rise from their graves.\u003c\/p\u003e\n\u003cp data-start=\"1552\" data-end=\"1793\"\u003eFrank, Freddy, warehouse owner Burt, local mortician Ernie, and a group of punk teenagers become trapped in an escalating battle against zombies that can run, communicate, think, and withstand almost every conventional method of destruction.\u003c\/p\u003e\n\u003cp data-start=\"1795\" data-end=\"1918\"\u003eWritten and directed by \u003cstrong data-start=\"1819\" data-end=\"1835\"\u003eDan O’Bannon\u003c\/strong\u003e, the film was based on a story by Rudy Ricci, John A. Russo, and Russell Streiner.\u003c\/p\u003e\n\u003cp data-start=\"1920\" data-end=\"2115\"\u003eThe principal cast includes \u003cstrong data-start=\"1948\" data-end=\"2076\"\u003eClu Gulager, James Karen, Don Calfa, Thom Mathews, Beverly Randolph, Linnea Quigley, Miguel A. Núñez Jr., and Mark Venturini\u003c\/strong\u003e. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"2117\" data-end=\"2400\"\u003eO’Bannon was already celebrated as the screenwriter of \u003cem data-start=\"2172\" data-end=\"2179\"\u003eAlien\u003c\/em\u003e. \u003cem data-start=\"2181\" data-end=\"2212\"\u003eThe Return of the Living Dead\u003c\/em\u003e marked his feature-film directorial debut and allowed him to create a deliberately different form of zombie film—fast, funny, violent, self-aware, and rooted in contemporary punk culture.\u003c\/p\u003e\n\u003cp data-start=\"2402\" data-end=\"2675\"\u003eThe film is particularly associated with the idea of zombies craving human brains to relieve the pain of decomposition. Its intelligent, speaking, fast-moving, and exceptionally difficult-to-destroy undead represented a significant departure from many earlier zombie films.\u003c\/p\u003e\n\u003cp data-start=\"2677\" data-end=\"2694\"\u003e\u003cstrong data-start=\"2677\" data-end=\"2694\"\u003ePoster design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2696\" data-end=\"2831\"\u003eThe poster uses a dramatic black and electric-blue composition filled with fluorescent Japanese typography and gruesome horror imagery.\u003c\/p\u003e\n\u003cp data-start=\"2833\" data-end=\"2968\"\u003eAt the centre is the film’s most recognisable creature: \u003cstrong data-start=\"2889\" data-end=\"2899\"\u003eTarman\u003c\/strong\u003e, the decomposing zombie released from the military storage canister.\u003c\/p\u003e\n\u003cp data-start=\"2970\" data-end=\"3263\"\u003eHis skeletal body appears blackened and partially liquefied, with exposed ribs, elongated limbs, tangled red ropes, vivid orange hair, and a wide-open mouth. A rough white outline separates the figure from the densely textured blue background, making him appear almost to leap from the poster.\u003c\/p\u003e\n\u003cp data-start=\"3265\" data-end=\"3418\"\u003eTarman is positioned diagonally across the composition, reinforcing the design’s chaotic energy and giving the entire poster a sense of violent movement.\u003c\/p\u003e\n\u003cp data-start=\"3420\" data-end=\"3640\"\u003eProduction designer \u003cstrong data-start=\"3440\" data-end=\"3523\"\u003eWilliam Stout designed Tarman and several of the film’s other principal zombies\u003c\/strong\u003e, although the overall Japanese poster layout and typography remain uncredited. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"3642\" data-end=\"3703\"\u003eAcross the upper section, the large pink Japanese text reads:\u003c\/p\u003e\n\u003cp data-start=\"3705\" data-end=\"3760\"\u003e「これがスラップ・ホラーだ！\u003cbr data-start=\"3719\" data-end=\"3722\"\u003e恐くて面白い！『エイリアン』のダン・オバノンが仕掛けた新ホラー・ムービー！」\u003c\/p\u003e\n\u003cp data-start=\"3762\" data-end=\"3858\"\u003e“This is slap-horror! Scary and funny! A new horror movie unleashed by Dan O’Bannon of \u003cem data-start=\"3849\" data-end=\"3856\"\u003eAlien\u003c\/em\u003e!”\u003c\/p\u003e\n\u003cp data-start=\"3860\" data-end=\"3886\"\u003eThe use of the expression:\u003c\/p\u003e\n\u003cp data-start=\"3888\" data-end=\"3898\"\u003e「スラップ・ホラー」\u003c\/p\u003e\n\u003cp data-start=\"3900\" data-end=\"4003\"\u003eor “slap-horror,” presents the film as a combination of splatter effects, slapstick comedy, and horror.\u003c\/p\u003e\n\u003cp data-start=\"4005\" data-end=\"4059\"\u003eThe green, blue, and yellow text beneath it announces:\u003c\/p\u003e\n\u003cp data-start=\"4061\" data-end=\"4113\"\u003e「驚異の『バイオSFX』誕生！\u003cbr data-start=\"4076\" data-end=\"4079\"\u003e生態学プロジェクト＋SFXチーム。これは生きている新しいSFXだ！」\u003c\/p\u003e\n\u003cp data-start=\"4115\" data-end=\"4244\"\u003e“The birth of astonishing ‘Bio SFX’! A biological project combined with an SFX team—this is a new kind of living special effect!”\u003c\/p\u003e\n\u003cp data-start=\"4246\" data-end=\"4400\"\u003eThis promotional phrase was used to emphasise the elaborate creature designs, prosthetics, mechanical effects, and physical transformation of the zombies.\u003c\/p\u003e\n\u003cp data-start=\"4402\" data-end=\"4437\"\u003eThe large pink text below declares:\u003c\/p\u003e\n\u003cp data-start=\"4439\" data-end=\"4457\"\u003e「’85ホラー映画世界配収No.1」\u003c\/p\u003e\n\u003cp data-start=\"4459\" data-end=\"4531\"\u003e“Number one in worldwide distribution receipts among 1985 horror films.”\u003c\/p\u003e\n\u003cp data-start=\"4533\" data-end=\"4577\"\u003eThe smaller white line presents the film as:\u003c\/p\u003e\n\u003cp data-start=\"4579\" data-end=\"4616\"\u003e「不思議なバイオ・キャラクターに全米が騒然！いまホラー・ブームの頂点へ！」\u003c\/p\u003e\n\u003cp data-start=\"4618\" data-end=\"4727\"\u003e“America is in an uproar over these extraordinary bio-characters! Now horror reaches the height of its boom!”\u003c\/p\u003e\n\u003cp data-start=\"4729\" data-end=\"4775\"\u003eBeside Tarman, the yellow vertical text warns:\u003c\/p\u003e\n\u003cp data-start=\"4777\" data-end=\"4814\"\u003e「もうすぐヤツらが来るよ\u003cbr data-start=\"4789\" data-end=\"4792\"\u003e地球も凍る恐怖の軍団が——\u003cbr data-start=\"4805\" data-end=\"4808\"\u003eバタリアン」\u003c\/p\u003e\n\u003cp data-start=\"4816\" data-end=\"4896\"\u003e“They will be here soon—an army of terror that will freeze the Earth: Batarian.”\u003c\/p\u003e\n\u003cp data-start=\"4898\" data-end=\"4960\"\u003eThe lower section is dominated by the enormous Japanese title:\u003c\/p\u003e\n\u003cp data-start=\"4962\" data-end=\"4969\"\u003e「バタリアン」\u003c\/p\u003e\n\u003cp data-start=\"4971\" data-end=\"5124\"\u003eThe logo is rendered in sharp white characters that transition into brilliant red, with exaggerated angular forms and a sweeping blade-like final stroke.\u003c\/p\u003e\n\u003cp data-start=\"5126\" data-end=\"5168\"\u003eBeneath it appears the pink English title:\u003c\/p\u003e\n\u003cp data-start=\"5170\" data-end=\"5183\"\u003e\u003cstrong data-start=\"5170\" data-end=\"5183\"\u003eBATTALION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"5185\" data-end=\"5197\"\u003efollowed by:\u003c\/p\u003e\n\u003cp data-start=\"5199\" data-end=\"5246\"\u003e\u003cstrong data-start=\"5199\" data-end=\"5246\"\u003eDAN O’BANNON: THE RETURN OF THE LIVING DEAD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"5248\" data-end=\"5405\"\u003eThe title 「バタリアン」 was created for the Japanese market and derived from the English word “battalion,” presenting the zombies as an advancing army of the dead.\u003c\/p\u003e\n\u003cp data-start=\"5407\" data-end=\"5453\"\u003eAt lower left, the poster promotes the film’s:\u003c\/p\u003e\n\u003cp data-start=\"5455\" data-end=\"5467\"\u003e「バイオSFX方式上映」\u003c\/p\u003e\n\u003cp data-start=\"5469\" data-end=\"5492\"\u003e“Bio-SFX presentation.”\u003c\/p\u003e\n\u003cp data-start=\"5494\" data-end=\"5656\"\u003eThe lower credits prominently identify Dan O’Bannon as the film’s director, screenwriter, and SFX supervisor, together with the specialist “Bio-SFX Making Staff.”\u003c\/p\u003e\n\u003cp data-start=\"5658\" data-end=\"5755\"\u003eThe bottom centre carries the green triangular logo of Japanese distributor \u003cstrong data-start=\"5734\" data-end=\"5754\"\u003eTōhō-Towa \/ 東宝東和\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"5757\" data-end=\"5772\"\u003e\u003cstrong data-start=\"5757\" data-end=\"5772\"\u003eDesign note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"5774\" data-end=\"5894\"\u003eThe poster’s overall Japanese designer is uncredited, as was common with imported theatrical campaigns during the 1980s.\u003c\/p\u003e\n\u003cp data-start=\"5896\" data-end=\"6073\"\u003eIts central Tarman image is combined with a distinctly Japanese arrangement of brightly coloured slogans, angled text, multiple typefaces, and an enormous customised title logo.\u003c\/p\u003e\n\u003cp data-start=\"6075\" data-end=\"6228\"\u003eThe black ground and electric-blue pattern create an almost nightclub-like atmosphere that reflects the film’s punk soundtrack and underground aesthetic.\u003c\/p\u003e\n\u003cp data-start=\"6230\" data-end=\"6435\"\u003eThe fluorescent pink, green, yellow, blue, white, and red lettering captures the visual excess of mid-1980s Japanese advertising while presenting the film as both frightening and deliberately entertaining.\u003c\/p\u003e\n\u003cp data-start=\"6437\" data-end=\"6605\"\u003eThe result differs significantly from the film’s principal American poster designs and is one of the most distinctive Japanese horror-poster compositions of the period.\u003c\/p\u003e\n\u003cp data-start=\"6607\" data-end=\"6623\"\u003e\u003cstrong data-start=\"6607\" data-end=\"6623\"\u003eRelease note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"6625\" data-end=\"6723\"\u003e\u003cem data-start=\"6625\" data-end=\"6656\"\u003eThe Return of the Living Dead\u003c\/em\u003e was produced and originally released in the United States in 1985.\u003c\/p\u003e\n\u003cp data-start=\"6725\" data-end=\"6802\"\u003eIt received its original Japanese theatrical release in 1986 under the title:\u003c\/p\u003e\n\u003cp data-start=\"6804\" data-end=\"6811\"\u003e「バタリアン」\u003c\/p\u003e\n\u003cp data-start=\"6813\" data-end=\"6954\"\u003eThis poster was printed for the film’s \u003cstrong data-start=\"6852\" data-end=\"6897\"\u003eoriginal 1986 Japanese theatrical release\u003c\/strong\u003e through Tōhō-Towa. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"6956\" data-end=\"7033\"\u003eIt is a standard Japanese B2-size theatrical poster, measuring approximately:\u003c\/p\u003e\n\u003cp data-start=\"7035\" data-end=\"7074\"\u003e\u003cstrong data-start=\"7035\" data-end=\"7074\"\u003e51.5 × 72.8 cm \/ 20.3 × 28.7 inches\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"7076\" data-end=\"7172\"\u003eIt is an original period Japanese cinema poster, not a later reproduction or commercial reprint.\u003c\/p\u003e\n\u003cp data-start=\"7174\" data-end=\"7187\"\u003e\u003cstrong data-start=\"7174\" data-end=\"7187\"\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"7189\" data-end=\"7344\"\u003e\u003cstrong data-start=\"7189\" data-end=\"7213\"\u003eExcellent condition.\u003c\/strong\u003e A highly attractive example with rich colour, sharp imagery, vivid fluorescent typography, and exceptional overall display impact.\u003c\/p\u003e\n\u003cp data-start=\"7346\" data-end=\"7521\"\u003eThere are only light signs of age and handling consistent with an original Japanese theatrical poster from 1986, including minor surface marks and slight edge and corner wear.\u003c\/p\u003e\n\u003cp data-start=\"7523\" data-end=\"7618\"\u003eThese minor signs do not significantly detract from the poster, and it presents extremely well.\u003c\/p\u003e\n\u003cp data-start=\"7620\" data-end=\"7640\"\u003e\u003cstrong data-start=\"7620\" data-end=\"7640\"\u003eReference: F299.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"7642\" data-end=\"7720\"\u003ePlease review the photograph carefully, as it shows the exact poster for sale.\u003c\/p\u003e\n\u003cp data-start=\"7722\" data-end=\"7819\"\u003e\u003cstrong data-start=\"7722\" data-end=\"7819\"\u003eThis is an original 1986 Japanese theatrical poster.\u003cbr data-start=\"7776\" data-end=\"7779\"\u003eIt is not a reproduction or a reprint.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"7821\" data-end=\"7848\"\u003e\u003cstrong data-start=\"7821\" data-end=\"7848\"\u003eIt is now 40 years old.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"7850\" data-end=\"7891\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"7850\" data-end=\"7891\" data-is-last-node=\"\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57083663548794,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-07-18T104355.511.jpg?v=1784339148","url":"https:\/\/japanposter.co.uk\/products\/the-return-of-the-living-dead-original-release-japanese-movie-poster-1985-b2-size-51-x-73cm-copy","provider":"Japan Poster Shop","version":"1.0","type":"link"}