{"product_id":"the-texas-chainsaw-massacre-2-悪魔のいけにえ2-original-release-japanese-movie-poster-1986-b2-size-51-73-cm-t191","title":"“The Texas Chainsaw Massacre 2” \/ 「悪魔のいけにえ2」, Original Release Japanese Movie Poster 1986, B2 Size (51 × 73 cm) — T191","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese B2 theatrical poster\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e printed for the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1986 first Japanese release of \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eThe Texas Chainsaw Massacre 2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e, Tobe Hooper’s outrageous, darkly comic sequel to his 1974 horror landmark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReleased in Japan on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e25 October 1986\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e through \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJapan Herald Films\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the sequel reunited audiences with Leatherface and his cannibal family, combining elaborate practical effects with grotesque humour and carnival-like spectacle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Japanese design captures this excess through \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLeatherface raising his chainsaw overhead\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a screaming central portrait, and enormous red-and-orange title lettering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFilm background\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe story follows \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eStretch\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a Texas radio DJ played by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCaroline Williams\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, who inadvertently records a chainsaw murder during a telephone call to her programme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe recording attracts the attention of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLefty Enright\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a former Texas Ranger played by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDennis Hopper\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, whose search for the killers has become a personal obsession. It also draws Leatherface and his family towards Stretch, leading to a confrontation within their underground lair beneath an abandoned amusement park.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDirected by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTobe Hooper\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e from a screenplay by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eL. M. Kit Carson\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the film pushes the series into splatter comedy, combining gruesome violence with exaggerated performances and a macabre vision of family enterprise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBill Johnson\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e plays Leatherface, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJim Siedow\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e returns as Drayton Sawyer, and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBill Moseley\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e introduces the manic Chop Top. Special make-up effects by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTom Savini\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e give the film much of its visceral impact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts confrontational humour, extravagant production design and distinctive characters have made it an enduring favourite among collectors of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1980s horror and cult cinema\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePoster design\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAgainst a dark background, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLeatherface occupies the left and centre of the composition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, holding an orange chainsaw above his head. The long silver blade extends diagonally towards the upper-left corner, giving the image a forceful upward sweep.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis stitched mask, dark jacket, pale shirt and patterned tie are clearly visible. The combination of formal clothing and a raised weapon captures the film’s unsettling mixture of domestic absurdity and violence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBelow him, a large photograph of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eStretch screaming\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e becomes the second focal point. Warm orange light illuminates her face, while coloured lights and smaller scenes build a crowded montage around her.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIrregular white borders resembling torn paper divide the photographs. These are \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epart of the printed design\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, contributing to its deliberately jagged appearance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Japanese title:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e「悪魔のいけにえ2」\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eruns vertically down the right side in enormous red brush lettering, ending in an oversized orange \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Turquoise credits along the outer edge prominently identify \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTobe Hooper\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTom Savini\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe large orange promotional headline reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e「あの惨劇から13年！今度は何人切り刻むのか！」\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“Thirteen years since that massacre! How many will be cut to pieces this time?”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis refers to the story’s chronology, connecting the sequel’s events to the original massacre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt the left, the compact English logo reads:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“THE TEXAS CHAINSAW MASSACRE PART 2”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGreen vertical text also identifies the film as an official participant in the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTokyo International Fantastic Film Festival ’86\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSmaller images across the lower section introduce the family’s grotesque surroundings, with cold blue lighting contrasting against the warmer portraits and orange numeral. \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHerald branding and the Eirin mark\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e appear near the bottom-left edge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe result is a bold example of Japanese horror advertising, combining character photography, sensational promotional copy and aggressive typography into a composition with immediate display impact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRelease and format note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese theatrical poster from the film’s 1986 first-release campaign\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eJapanese B2 format: approximately 51 × 73 cm.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA distinctive piece for collectors of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Texas Chainsaw Massacre series, Tobe Hooper, Tom Savini, Dennis Hopper and Japanese horror poster design\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eExcellent+ condition.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOnce framed, this poster will display excellently.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReference: T191.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease review \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eall photographs, including the front and reverse\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, as they show the exact poster for sale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is now \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eapproximately 40 years old\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enot a reproduction or a reprint\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCertificate of Authenticity included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57375029297530,"sku":null,"price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-10-09T113958.884.jpg?v=1791513623","url":"https:\/\/japanposter.co.uk\/products\/the-texas-chainsaw-massacre-2-%e6%82%aa%e9%ad%94%e3%81%ae%e3%81%84%e3%81%91%e3%81%ab%e3%81%882-original-release-japanese-movie-poster-1986-b2-size-51-73-cm-t191","provider":"Japan Poster Shop","version":"1.0","type":"link"}