{"product_id":"venus-in-furs-毛皮のビーナス-女芯のいとなみ-original-japanese-movie-poster-1971-laura-antonelli-b2-format-c-51-73-cm-t127","title":"“Venus in Furs” (毛皮のビーナス 女芯のいとなみ), Original Japanese Movie Poster 1971, Laura Antonelli, B2 Format (c. 51 × 73 cm) — T127","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis is an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eoriginal Japanese B2 theatrical poster for the 1971 first Japanese release of \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eVenus in Furs\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e, directed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMassimo Dallamano\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and starring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLaura Antonelli, Régis Vallée and Renate Kasché\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Released in Japan on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e19 June 1971\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the film was advertised under the distinctive title \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e毛皮のビーナス 女芯のいとなみ\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdapted from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLeopold von Sacher-Masoch’s novel \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eVenus in Furs\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e, this 1969 European production explores a relationship shaped by obsession, jealousy and shifting power. Antonelli plays Wanda opposite Vallée’s Severin, whose fantasies begin to undermine his ability to control their relationship. The film belongs to the period when European adult cinema increasingly drew upon controversial literary works, combining psychological themes with provocative publicity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Japanese poster credits Dallamano under his filmmaking pseudonym \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMax Dillman\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Antonelli’s prominence in the design also makes the sheet an interesting example of her early screen career, preceding the international recognition she received during the 1970s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe composition is dominated by an expansive \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egolden-toned lakeside photograph\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. A covered sailing boat rests on still water, framed by overhanging branches, reeds and dark foliage. In the foreground, a reclining couple occupies a blanket beside the shore, with strategically positioned leaf motifs incorporated into the image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe unusually large area devoted to water and landscape gives the design a quiet, spacious quality. Warm yellow light across the lake contrasts with the darker greens and browns around its edges, creating a pastoral setting for the film’s intimate subject matter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA separate \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emauve band across the top\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e contains a closely cropped portrait of Laura Antonelli, alongside yellow Japanese promotional copy and a narrow line of cast and production credits. Her direct gaze provides a different mood from the secluded landscape below.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe lower strip repeats Antonelli’s face in monochrome, partly overlaid by the large pink title \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e「毛皮のビーナス」\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Its rough, expressive brush lettering stands out against the pale background, with the smaller subtitle \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e「女芯のいとなみ」\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e positioned beneath. The English title \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Venus in Furs”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e appears discreetly near the bottom.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted above the title are \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e「カラー作品／テクニスコープ」\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, identifying the colour and Techniscope presentation, and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e「成人映画」\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, meaning \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Adult Film.”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e These details preserve the way the production was positioned for its original Japanese audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe combination of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eromantic landscape, repeated portraiture and bold pink lettering\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e makes this a distinctive example of early-1970s Japanese publicity for European adult cinema. It is particularly appealing for collectors of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLaura Antonelli, Massimo Dallamano and Japanese film poster design\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition: Very Good+.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Previously folded and subsequently stored flat. The front retains attractive colour and clear photographic detail. \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eOnce framed, this poster will display very well.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease review \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eall photographs, including the front and reverse\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, as they show the exact poster for sale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eJapanese B2 format: approximately 51 × 73 cm.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eStock code: T127.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enot a reproduction or a reprint\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCertificate of Authenticity included.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAbout Japanese B2 posters\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJapanese B2 posters typically measure approximately 51 × 73 cm and were widely used for theatrical display. Their combinations of photography, illustration, typography and locally written promotional copy preserve how films were introduced to Japanese audiences.\u003c\/span\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":57347722772858,"sku":null,"price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/wall-shelf-with-ornaments-2026-10-05T123004.576.jpg?v=1791171095","url":"https:\/\/japanposter.co.uk\/products\/venus-in-furs-%e6%af%9b%e7%9a%ae%e3%81%ae%e3%83%93%e3%83%bc%e3%83%8a%e3%82%b9-%e5%a5%b3%e8%8a%af%e3%81%ae%e3%81%84%e3%81%a8%e3%81%aa%e3%81%bf-original-japanese-movie-poster-1971-laura-antonelli-b2-format-c-51-73-cm-t127","provider":"Japan Poster Shop","version":"1.0","type":"link"}