{"product_id":"yokai-daisenso-yokai-monsters-spook-warfare-妖怪大戦争-original-release-japanese-two-sheet-billboard-poster-1968-excellent-unused-unpasted-condition-b0-billboard-approx-103-145-6-cm-40-5-57-3-in-1","title":"“Yōkai Daisensō \/ Yokai Monsters: Spook Warfare” (妖怪大戦争) Original release Japanese two-sheet billboard poster, 1968 — excellent unused \/ unpasted condition (B0 Billboard approx. 103 × 145.6 cm \/ 40.5 × 57.3 in)","description":"\u003cp data-start=\"228\" data-end=\"797\"\u003eOffered here is an extraordinary large-format \u003cstrong data-start=\"274\" data-end=\"323\"\u003eoriginal Japanese theatrical billboard poster\u003c\/strong\u003e for \u003cstrong data-start=\"328\" data-end=\"346\"\u003eYōkai Daisensō\u003c\/strong\u003e (妖怪大戦争), Daiei’s 1968 tokusatsu fantasy-horror classic directed by \u003cstrong data-start=\"414\" data-end=\"434\"\u003eYoshiyuki Kuroda\u003c\/strong\u003e. Known internationally as \u003cstrong data-start=\"461\" data-end=\"494\"\u003eYokai Monsters: Spook Warfare\u003c\/strong\u003e or \u003cstrong data-start=\"498\" data-end=\"515\"\u003eSpook Warfare\u003c\/strong\u003e, the film was released in Japan on \u003cstrong data-start=\"551\" data-end=\"571\"\u003e14 December 1968\u003c\/strong\u003e and is the celebrated second entry in Daiei’s original late-1960s \u003cstrong data-start=\"638\" data-end=\"656\"\u003eYokai Monsters\u003c\/strong\u003e cycle, following \u003cstrong data-start=\"674\" data-end=\"706\"\u003eYokai Monsters: 100 Monsters\u003c\/strong\u003e and preceding \u003cstrong data-start=\"721\" data-end=\"758\"\u003eYokai Monsters: Along with Ghosts\u003c\/strong\u003e. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"799\" data-end=\"1754\"\u003e\u003cstrong data-start=\"799\" data-end=\"810\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"810\" data-end=\"813\"\u003eFilm: 妖怪大戦争\u003cbr data-start=\"824\" data-end=\"827\"\u003eRomanized title: \u003cstrong data-start=\"844\" data-end=\"862\"\u003eYōkai Daisensō\u003c\/strong\u003e\u003cbr data-start=\"862\" data-end=\"865\"\u003eCommon English titles: \u003cstrong data-start=\"888\" data-end=\"937\"\u003eYokai Monsters: Spook Warfare \/ Spook Warfare\u003c\/strong\u003e; also rendered as \u003cstrong data-start=\"956\" data-end=\"979\"\u003eThe Great Yokai War\u003c\/strong\u003e\u003cbr data-start=\"979\" data-end=\"982\"\u003eRelease: \u003cstrong data-start=\"991\" data-end=\"1006\"\u003eJapan, 1968\u003c\/strong\u003e\u003cbr data-start=\"1006\" data-end=\"1009\"\u003eStudio \/ Distributor: \u003cstrong data-start=\"1031\" data-end=\"1040\"\u003eDaiei\u003c\/strong\u003e\u003cbr data-start=\"1040\" data-end=\"1043\"\u003eProduction: \u003cstrong data-start=\"1055\" data-end=\"1070\"\u003eDaiei Kyoto\u003c\/strong\u003e\u003cbr data-start=\"1070\" data-end=\"1073\"\u003eDirector: \u003cstrong data-start=\"1083\" data-end=\"1103\"\u003eYoshiyuki Kuroda\u003c\/strong\u003e\u003cbr data-start=\"1103\" data-end=\"1106\"\u003eScreenplay: \u003cstrong data-start=\"1118\" data-end=\"1137\"\u003eTetsurō Yoshida\u003c\/strong\u003e\u003cbr data-start=\"1137\" data-end=\"1140\"\u003ePlanning \/ production: \u003cstrong data-start=\"1163\" data-end=\"1181\"\u003eYamato Yashiro\u003c\/strong\u003e\u003cbr data-start=\"1181\" data-end=\"1184\"\u003eCinematography: \u003cstrong data-start=\"1200\" data-end=\"1216\"\u003eHiroshi Imai\u003c\/strong\u003e\u003cbr data-start=\"1216\" data-end=\"1219\"\u003eArt direction: \u003cstrong data-start=\"1234\" data-end=\"1266\"\u003eSeiichi Ōta and Shigeru Katō\u003c\/strong\u003e\u003cbr data-start=\"1266\" data-end=\"1269\"\u003eMusic: \u003cstrong data-start=\"1276\" data-end=\"1289\"\u003eSei Ikeno\u003c\/strong\u003e\u003cbr data-start=\"1289\" data-end=\"1292\"\u003eStarring: \u003cstrong data-start=\"1302\" data-end=\"1379\"\u003eYoshihiko Aoyama, Akane Kawasaki, Osamu Ōkawa, Asao Uchida, Takashi Kanda\u003c\/strong\u003e, with \u003cstrong data-start=\"1386\" data-end=\"1417\"\u003eChikara Hashimoto as Daimon\u003c\/strong\u003e\u003cbr data-start=\"1417\" data-end=\"1420\"\u003eFormat: \u003cstrong data-start=\"1428\" data-end=\"1502\"\u003eJapanese B0 two-sheet billboard poster, composed of two B1-size sheets\u003c\/strong\u003e\u003cbr data-start=\"1502\" data-end=\"1505\"\u003eApprox. size: \u003cstrong data-start=\"1519\" data-end=\"1569\"\u003e103 × 145.6 cm \/ 40.5 × 57.3 in when assembled\u003c\/strong\u003e\u003cbr data-start=\"1569\" data-end=\"1572\"\u003eCondition: \u003cstrong data-start=\"1583\" data-end=\"1633\"\u003eExcellent unused \/ unpasted original condition\u003c\/strong\u003e, with strong colour, visible original fold lines, light storage and handling wear, and both original B1 panels preserved\u003c\/p\u003e\n\u003cp data-start=\"1912\" data-end=\"2006\"\u003e\u003cstrong data-start=\"1912\" data-end=\"1923\"\u003eContext\u003c\/strong\u003e\u003cbr data-start=\"1923\" data-end=\"1926\"\u003e\u003cstrong data-start=\"1926\" data-end=\"2006\"\u003eDaiei’s yōkai world: folklore, horror, comedy, and special effects spectacle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2008\" data-end=\"2365\"\u003e\u003cstrong data-start=\"2008\" data-end=\"2026\"\u003eYōkai Daisensō\u003c\/strong\u003e belongs to one of the most distinctive Japanese fantasy-horror cycles of the 1960s. Rather than centering on giant kaiju or conventional ghosts, the film draws from the enormous world of \u003cstrong data-start=\"2213\" data-end=\"2222\"\u003eyōkai\u003c\/strong\u003e — supernatural beings from Japanese folklore that can be monstrous, comic, eerie, protective, mischievous, grotesque, or all of these at once.\u003c\/p\u003e\n\u003cp data-start=\"2367\" data-end=\"2870\"\u003eIn the film, a foreign vampire-demon named \u003cstrong data-start=\"2410\" data-end=\"2420\"\u003eDaimon\u003c\/strong\u003e awakens from a Babylonian ruin after thousands of years and comes to Japan, where he attacks and possesses a local magistrate. Human resistance proves inadequate, and the country’s native yōkai gather to defend their own realm against the invading monster. KADOKAWA describes the premise as a confrontation between Daimon, awakened from a Babylonian ruin, and the Japanese yōkai who rise together to oppose him. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"2872\" data-end=\"2945\"\u003e\u003cstrong data-start=\"2872\" data-end=\"2900\"\u003eThe Yokai Monsters cycle\u003c\/strong\u003e\u003cbr data-start=\"2900\" data-end=\"2903\"\u003e\u003cstrong data-start=\"2903\" data-end=\"2945\"\u003eA landmark of Japanese folklore cinema\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2947\" data-end=\"3400\"\u003eDaiei’s original yōkai series is now regarded as a cornerstone of Japanese folklore-based fantasy cinema. The films combine \u003cstrong data-start=\"3071\" data-end=\"3106\"\u003ejidaigeki period-drama settings\u003c\/strong\u003e, \u003cstrong data-start=\"3108\" data-end=\"3129\"\u003etokusatsu effects\u003c\/strong\u003e, elaborate monster suits, puppetry, painted sets, and a theatrical sense of the uncanny. This entry is especially beloved because it gives the yōkai themselves the heroic role: Japan’s strange old spirits become defenders of place, tradition, and supernatural territory.\u003c\/p\u003e\n\u003cp data-start=\"3402\" data-end=\"3588\"\u003eThe result is not simply horror. It is a folklore procession, a monster rally, and a national-mythic battle staged through the practical effects language of 1960s Japanese studio cinema.\u003c\/p\u003e\n\u003cp data-start=\"3590\" data-end=\"3650\"\u003e\u003cstrong data-start=\"3590\" data-end=\"3599\"\u003eYōkai\u003c\/strong\u003e\u003cbr data-start=\"3599\" data-end=\"3602\"\u003e\u003cstrong data-start=\"3602\" data-end=\"3650\"\u003eMythical Japanese monsters as the real stars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3652\" data-end=\"3885\"\u003eThe poster is particularly desirable because it does what the film does: it turns the yōkai into the attraction. The design identifies and displays a host of mythical Japanese creatures, many of them labelled directly on the artwork.\u003c\/p\u003e\n\u003cp data-start=\"3887\" data-end=\"3909\"\u003eVisible yōkai include:\u003c\/p\u003e\n\u003cp data-start=\"3911\" data-end=\"4859\"\u003e\u003cstrong data-start=\"3911\" data-end=\"3921\"\u003eDaimon\u003c\/strong\u003e — the towering foreign vampire-demon at the centre, shown with green skin, wings, a skull-belt, and a huge battle-axe.\u003cbr data-start=\"4040\" data-end=\"4043\"\u003e\u003cstrong data-start=\"4043\" data-end=\"4057\"\u003eRokurokubi\u003c\/strong\u003e — the long-necked woman winding around Daimon’s shoulder.\u003cbr data-start=\"4115\" data-end=\"4118\"\u003e\u003cstrong data-start=\"4118\" data-end=\"4148\"\u003eKarakasa Kozō \/ Kasa-obake\u003c\/strong\u003e — the one-legged umbrella spirit at upper left.\u003cbr data-start=\"4196\" data-end=\"4199\"\u003e\u003cstrong data-start=\"4199\" data-end=\"4216\"\u003eAbura-sumashi\u003c\/strong\u003e — the small, straw-cloaked spirit near the umbrella monster.\u003cbr data-start=\"4277\" data-end=\"4280\"\u003e\u003cstrong data-start=\"4280\" data-end=\"4289\"\u003eKappa\u003c\/strong\u003e — the river goblin among the lower group of defenders.\u003cbr data-start=\"4344\" data-end=\"4347\"\u003e\u003cstrong data-start=\"4347\" data-end=\"4359\"\u003eDorotabō\u003c\/strong\u003e — the mud-field spirit, shown with a staff and fish-like head.\u003cbr data-start=\"4422\" data-end=\"4425\"\u003e\u003cstrong data-start=\"4425\" data-end=\"4437\"\u003eKyōkotsu\u003c\/strong\u003e — the skeletal ghost form at left.\u003cbr data-start=\"4472\" data-end=\"4475\"\u003e\u003cstrong data-start=\"4475\" data-end=\"4485\"\u003eHannya\u003c\/strong\u003e — the horned demonic mask figure at lower left.\u003cbr data-start=\"4533\" data-end=\"4536\"\u003e\u003cstrong data-start=\"4536\" data-end=\"4546\"\u003eAobōzu\u003c\/strong\u003e — the blue monk-like yōkai in the central lower section.\u003cbr data-start=\"4603\" data-end=\"4606\"\u003e\u003cstrong data-start=\"4606\" data-end=\"4622\"\u003eKarasu Tengu\u003c\/strong\u003e — the crow-tengu figure at right.\u003cbr data-start=\"4656\" data-end=\"4659\"\u003e\u003cstrong data-start=\"4659\" data-end=\"4670\"\u003eUmibōzu\u003c\/strong\u003e — the sea monk spirit at lower right.\u003cbr data-start=\"4708\" data-end=\"4711\"\u003e\u003cstrong data-start=\"4711\" data-end=\"4729\"\u003eHitotsume Kozō\u003c\/strong\u003e — the one-eyed child monk figure in the foreground.\u003cbr data-start=\"4781\" data-end=\"4784\"\u003e\u003cstrong data-start=\"4784\" data-end=\"4799\"\u003eIkkaku Daiō\u003c\/strong\u003e — the horned “one-horn king” figure leaping near the title.\u003c\/p\u003e\n\u003cp data-start=\"4861\" data-end=\"5089\"\u003eThis is part of the poster’s enduring power. It is not a generic monster image; it is a crowded visual catalogue of Japanese supernatural folklore, presented with the colour, scale, and theatricality of a major studio billboard.\u003c\/p\u003e\n\u003cp data-start=\"5091\" data-end=\"5167\"\u003e\u003cstrong data-start=\"5091\" data-end=\"5101\"\u003eDaimon\u003c\/strong\u003e\u003cbr data-start=\"5101\" data-end=\"5104\"\u003e\u003cstrong data-start=\"5104\" data-end=\"5167\"\u003eA foreign vampire-demon against the native spirits of Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"5169\" data-end=\"5439\"\u003eAt the centre of both film and poster is \u003cstrong data-start=\"5210\" data-end=\"5220\"\u003eDaimon\u003c\/strong\u003e, the invading Babylonian vampire-demon. His design is one of the most memorable in Japanese tokusatsu: green, winged, skull-adorned, and barbaric, carrying a flaming axe and towering over the Japanese yōkai around him.\u003c\/p\u003e\n\u003cp data-start=\"5441\" data-end=\"5807\"\u003eThe film’s dramatic structure is essentially a supernatural turf war. Daimon is not merely another local ghost; he is an outside force, a foreign blood-drinking monster entering a Japanese world of older, stranger spirits. The yōkai, usually treated as mischievous or frightening presences, become unlikely defenders. This inversion gives the film its mythic charge.\u003c\/p\u003e\n\u003cp data-start=\"5809\" data-end=\"5895\"\u003e\u003cstrong data-start=\"5809\" data-end=\"5844\"\u003eThe film this poster represents\u003c\/strong\u003e\u003cbr data-start=\"5844\" data-end=\"5847\"\u003e\u003cstrong data-start=\"5847\" data-end=\"5895\"\u003eA full-scale monster war in Edo-period Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"5897\" data-end=\"6449\"\u003eSet in the Edo period, \u003cstrong data-start=\"5920\" data-end=\"5938\"\u003eYōkai Daisensō\u003c\/strong\u003e begins with Daimon’s arrival from an ancient Babylonian site and his invasion of Japan. He takes possession of a magistrate and begins preying on humans, while the local Kappa and other yōkai recognize the threat to their territory. Soon, yōkai from across Japan assemble to confront the foreign demon. WOWOW’s synopsis similarly emphasizes Daimon’s awakening, his possession of the magistrate, and the gathering of yōkai from around Japan after the Kappa’s call for help. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"6451\" data-end=\"6721\"\u003eThe film’s appeal lies in this unusual mixture: \u003cstrong data-start=\"6499\" data-end=\"6621\"\u003eperiod adventure, supernatural horror, folkloric pageantry, children-in-peril fantasy, and practical monster spectacle\u003c\/strong\u003e. It is eerie, strange, charming, and visually inventive — exactly the tone captured by this poster.\u003c\/p\u003e\n\u003cp data-start=\"6723\" data-end=\"6804\"\u003e\u003cstrong data-start=\"6723\" data-end=\"6737\"\u003eThe poster\u003c\/strong\u003e\u003cbr data-start=\"6737\" data-end=\"6740\"\u003e\u003cstrong data-start=\"6740\" data-end=\"6804\"\u003eOne of the great graphic statements of Japanese yōkai cinema\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"6806\" data-end=\"6924\"\u003eThis B0 two-sheet design is among the most striking poster images produced for any Japanese monster film of the 1960s.\u003c\/p\u003e\n\u003cp data-start=\"6926\" data-end=\"6954\"\u003eKey visual elements include:\u003c\/p\u003e\n\u003cp data-start=\"6956\" data-end=\"7121\"\u003e\u003cstrong data-start=\"6956\" data-end=\"6988\"\u003eThe monumental Daimon image:\u003c\/strong\u003e the central vampire-demon dominates the composition, looming over the scene with wings, skulls, green skin, and a ceremonial weapon.\u003c\/p\u003e\n\u003cp data-start=\"7123\" data-end=\"7290\"\u003e\u003cstrong data-start=\"7123\" data-end=\"7151\"\u003eThe red title lettering:\u003c\/strong\u003e the huge characters \u003cstrong data-start=\"7172\" data-end=\"7181\"\u003e妖怪大戦争\u003c\/strong\u003e run vertically down the right side in rough, blood-red brush typography, giving the poster immediate impact.\u003c\/p\u003e\n\u003cp data-start=\"7292\" data-end=\"7462\"\u003e\u003cstrong data-start=\"7292\" data-end=\"7315\"\u003eThe yōkai ensemble:\u003c\/strong\u003e the surrounding monsters are not background decoration; they are the selling point. The poster presents them almost like a supernatural cast list.\u003c\/p\u003e\n\u003cp data-start=\"7464\" data-end=\"7613\"\u003e\u003cstrong data-start=\"7464\" data-end=\"7493\"\u003eThe pale blue-grey field:\u003c\/strong\u003e the misty sky-like background creates a dreamlike stage for the creatures, enhancing the folklore quality of the image.\u003c\/p\u003e\n\u003cp data-start=\"7615\" data-end=\"7766\"\u003e\u003cstrong data-start=\"7615\" data-end=\"7640\"\u003eThe foreground drama:\u003c\/strong\u003e the human figure of the one-eyed child monk sprawls across the lower centre, pulling the viewer into the chaos of the battle.\u003c\/p\u003e\n\u003cp data-start=\"7768\" data-end=\"7923\"\u003e\u003cstrong data-start=\"7768\" data-end=\"7795\"\u003eThe labelled creatures:\u003c\/strong\u003e the printed yōkai names give the design a documentary quality, as though the poster is both advertisement and monster taxonomy.\u003c\/p\u003e\n\u003cp data-start=\"7925\" data-end=\"8250\"\u003eAt \u003cstrong data-start=\"7928\" data-end=\"7940\"\u003eB0 scale\u003c\/strong\u003e, the image becomes far more than a standard film poster. Daimon’s body becomes massive, the red title characters become architectural, and the surrounding yōkai can be studied individually. The poster has the presence of a museum object: part cinema advertising, part folklore chart, part tokusatsu spectacle.\u003c\/p\u003e\n\u003cp data-start=\"8252\" data-end=\"8322\"\u003e\u003cstrong data-start=\"8252\" data-end=\"8275\"\u003eRarity and survival\u003c\/strong\u003e\u003cbr data-start=\"8275\" data-end=\"8278\"\u003e\u003cstrong data-start=\"8278\" data-end=\"8322\"\u003eAn ultra-rare unused B0 billboard poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"8324\" data-end=\"8651\"\u003eJapanese \u003cstrong data-start=\"8333\" data-end=\"8367\"\u003eB0 two-sheet billboard posters\u003c\/strong\u003e were made for large-scale theatrical display and were normally composed of \u003cstrong data-start=\"8443\" data-end=\"8465\"\u003etwo B1-size sheets\u003c\/strong\u003e intended to be pasted together. Because these large posters were often used in cinemas, lobbies, and outdoor display contexts, survival rates are far lower than for standard B2 posters.\u003c\/p\u003e\n\u003cp data-start=\"8653\" data-end=\"8936\"\u003eThis example is especially important because it is \u003cstrong data-start=\"8704\" data-end=\"8725\"\u003eunused \/ unpasted\u003c\/strong\u003e. The two B1 sheets have survived separately rather than being glued down to a wall or billboard. For a 1968 Daiei tokusatsu title with such a devoted following, that is a highly desirable state of preservation.\u003c\/p\u003e\n\u003cp data-start=\"8938\" data-end=\"9138\"\u003eIts appeal crosses multiple collecting fields: \u003cstrong data-start=\"8985\" data-end=\"9137\"\u003eJapanese monster cinema, tokusatsu, Daiei, yōkai folklore, 1960s horror-fantasy posters, practical-effects cinema, and Japanese mythological imagery\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"9140\" data-end=\"9209\"\u003e\u003cstrong data-start=\"9140\" data-end=\"9153\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"9153\" data-end=\"9156\"\u003e\u003cstrong data-start=\"9156\" data-end=\"9209\"\u003eExcellent unused \/ unpasted original presentation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"9211\" data-end=\"9587\"\u003eThis example presents in \u003cstrong data-start=\"9236\" data-end=\"9277\"\u003eexcellent unused \/ unpasted condition\u003c\/strong\u003e. The colour remains strong, the printed detail is rich, and the overall image displays beautifully. The poster retains its expected original fold structure, with light storage and handling wear consistent with age. The reverse views show clean paper tone and support the unused character of the two-sheet set.\u003c\/p\u003e\n\u003cp data-start=\"9589\" data-end=\"9809\"\u003eThe two B1 sheets are intended to form one complete \u003cstrong data-start=\"9641\" data-end=\"9663\"\u003eB0 billboard image\u003c\/strong\u003e when displayed together. Unlike cinema-used examples that were pasted to boards or walls, this set remains preserved as separate original sheets.\u003c\/p\u003e\n\u003cp data-start=\"9811\" data-end=\"9919\"\u003eCondition\u003cbr data-start=\"9820\" data-end=\"9823\"\u003e\u003cstrong data-start=\"9823\" data-end=\"9919\"\u003eExcellent unused \/ unpasted. Please review the photos — they show the exact poster for sale.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"9921\" data-end=\"9941\"\u003e\u003cstrong data-start=\"9921\" data-end=\"9941\"\u003eCollector’s note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"9943\" data-end=\"10376\"\u003eThis is a major Japanese fantasy-horror poster: an \u003cstrong data-start=\"9994\" data-end=\"10040\"\u003eultra-rare original B0 two-sheet billboard\u003c\/strong\u003e for Daiei’s 1968 \u003cstrong data-start=\"10058\" data-end=\"10076\"\u003eYōkai Daisensō\u003c\/strong\u003e, featuring one of the most famous and visually crowded yōkai designs of the era. With Daimon towering at the centre and a full assembly of traditional Japanese monsters surrounding him, the poster is both a spectacular piece of cinema advertising and a remarkable piece of Japanese folklore imagery.\u003c\/p\u003e\n\u003cp data-start=\"10378\" data-end=\"10508\"\u003eFor collectors of \u003cstrong data-start=\"10396\" data-end=\"10473\"\u003eDaiei tokusatsu, Japanese horror, yōkai cinema, and 1960s monster posters\u003c\/strong\u003e, this is a true cornerstone piece.\u003c\/p\u003e\n\u003cp data-start=\"10510\" data-end=\"10627\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"10510\" data-end=\"10552\"\u003eIt is not a reproduction or a reprint.\u003c\/strong\u003e\u003cbr data-start=\"10552\" data-end=\"10555\"\u003e\u003cstrong data-start=\"10555\" data-end=\"10596\"\u003eCertificate of Authenticity included.\u003c\/strong\u003e\u003cbr data-start=\"10596\" data-end=\"10599\"\u003e\u003cstrong data-start=\"10599\" data-end=\"10627\" data-is-last-node=\"\"\u003eIt is over 57 years old.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Japan Poster Shop","offers":[{"title":"Default Title","offer_id":56968470200698,"sku":null,"price":3350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0424\/8859\/4591\/files\/elevated-living-room-with-forest-views_2.jpg?v=1781229907","url":"https:\/\/japanposter.co.uk\/products\/yokai-daisenso-yokai-monsters-spook-warfare-%e5%a6%96%e6%80%aa%e5%a4%a7%e6%88%a6%e4%ba%89-original-release-japanese-two-sheet-billboard-poster-1968-excellent-unused-unpasted-condition-b0-billboard-approx-103-145-6-cm-40-5-57-3-in-1","provider":"Japan Poster Shop","version":"1.0","type":"link"}