The Japan Poster Shop - Akira Poster Collection
Akira is one of those titles where even the posters feel like world‑building.
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Between the manga, the film and the avalanche of tie‑ins, Katsuhiro Otomo and his collaborators created a visual language that has echoed through anime, comics, fashion and even recent Hollywood posters.
Over the years we’ve been lucky (and obsessed) enough to handle almost every Japanese Akira poster from the 1980s – from humble video‑shop sheets to speed posters that only ever hung in a handful of Tokyo bookshops. Many of these are reproduced in AKIRA CLUB, Otomo’s own compendium of posters and illustrations, but originals seldom surface.
Below we walk through a line‑up of nineteen favourites we’ve owned or stocked: the iconic B1 movie posters, ultra‑rare Young Magazine bookstore displays, and the Marvel / Kodansha crossover that helped push Akira into the global comics consciousness. Along the way we’ll point out why certain pieces are considered grails by Japanese and international collectors alike.
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1. B1 “Neo‑Explosion” – the First‑Release Movie Poster (1987, O71)
Akira (アキラ), Original First Release Japanese Movie Poster, B1 Size (71 × 103 cm), 1987 – O71
This is the one that feels like an earthquake captured on paper.
The vast B1 “explosion” design shows Neo‑Tokyo ripping itself apart around a dark, spherical epicentre – an echo of both the 1988 cataclysm and Tetsuo’s ultimate meltdown. Above, the titanic AKIRA logotype spans the whole sheet, with Tetsuo’s eyes peering through the letters. At the centre sits the chilling tagline:
「もう始まっている、もう止まらない…」
“It has already begun. It cannot be stopped…”
Printed in 1987 ahead of the 1988 roadshow release, this was one of the earliest large‑format visuals to sell the film’s scale and apocalyptic tone.
Because B1s were displayed in cinemas and usually discarded, surviving examples are scarce; coupled with the design’s sheer drama, this makes O71 one of the most coveted Japanese Akira posters in any collection.
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2. The Definitive B2 Movie Poster – Kaneda with the Laser Cannon (1987, ZA412)
AKIRA (アキラ), Original Release Japanese Movie Poster, B2 Size (51 × 73 cm), ZA412
If you close your eyes and think “Akira poster”, this is probably the image.
Kaneda stands dead‑centre in that perfect slouch of teenage bravado, red jacket blazing against the steel‑grey city. He grips the experimental laser cannon, heavy cables trailing into the depths of Neo‑Tokyo’s broken infrastructure. A strip of film stills runs along the top – snapshots of Tetsuo, Kei and the Capsules that teased audiences with the film’s kinetic animation on first release.
The black AKIRA wordmark with the scarlet 「アキラ」 overprinted across it became the logo for the franchise. On this sheet it dominates the lower third, giving the piece incredible wall presence. It’s also one of the most “entry‑level” originals for collectors – still not cheap, but far more obtainable than the rare speed and prize posters below.
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3. Red “Tetsuo / Akira” B2 – Meltdown in Portrait Form (1987)
Akira, Original Release Japanese Movie Poster, B2 Size (51 × 73 cm) – Red Portrait Style
Another theatrical B2 swaps the cool greys for a sea of saturated crimson. A large, intense portrait – usually identified as Tetsuo at the height of his psychic breakdown – dominates the composition, with city fragments and the AKIRA logotype submerged in the background.
This sheet leans into body horror and psychological collapse instead of action. It’s an excellent companion to ZA412: one poster sells you the biker‑gang swagger, the other hints at the Cronenberg‑esque nightmare that follows.
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4. Neo‑Tokyo from Above – Kaneda on the Bike (1987, L169)
“Akira”, Original Release Japanese Movie Poster 1987, B2 Size (51 × 73 cm), L169 – Motorbike Design
This style B2 throws you into Neo‑Tokyo from a bird’s‑eye perspective. The upper half is a dizzying night view of the city – skyscrapers, highways and neon signage converging into a canyon of light. A diagonal line of text warns that in 2019 Neo‑Tokyo’s “danger signal” is flashing.
The lower half snaps to Kaneda mid‑chase on the red bike, head down, rear wheel flaring. Together, the two panels feel like a storyboard: first the oppressive city, then the streak of rebellious motion cutting through it. Collectors love this design because it showcases both Otomo’s architectural obsession and the iconic bike in one sheet.
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5. The White Pre‑Release Committee Poster (1987, O30)
“Akira” (アキラ), Ultra‑Rare Original Japanese Pre‑Release / Committee Promotional B2 Poster (NOT FOR SALE), 1987, B2 Size (51 × 73 cm), O30
Minimal, stark and perfect.
Before regular cinema one‑sheets were printed, the Akira Committee (the cross‑industry group that funded the film) produced internal and trade‑use posters. O30 is one of these: Kaneda stands beside his bike on a blank white field, weapon slung casually in one hand, the Capsule emblem visible on his back. The AKIRA wordmark sits grounded at the bottom, with a full English staff and cast block – unusual for domestic posters, and a clue to its committee / industry purpose.
Because it was “NOT FOR SALE” and never used in normal theatres, print numbers were low. Many went to distributors or partners and were lost. Surviving examples are now considered key pieces in any serious Akira poster run.
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6. The Young Magazine “Ohtomo” Speed Poster (1983, O61)
“Akira” (アキラ), Ultra‑Rare Young Magazine Promotional “Speed” Poster, 1983, B4 Speed Size (c. 26 × 73 cm), O61
Here’s where things get really deep‑cut.
O61 predates the first tankōbon; Akira was still running chapter‑by‑chapter in Kodansha’s Young Magazine, having begun serialization in December 1982. Issued for Young Magazine No.22 (21 November 1983), this narrow “speed” poster was a point‑of‑sale piece for bookstores. Speed/B4s were tall, slim strips designed to hang at eye level in magazine racks or shop aisles, and survival rates are tiny.
The design is pure early‑’80s Otomo: two mirrored, halftone test subjects flank a black central column edged in cyan and magenta. At the bottom, Kaneda blasts in on his bike. A bold pink disc screams “AKIRA / KATSUHIRO OHTOMO” — using the earlier romanisation “Ohtomo”, which Otomo later dropped in the manga’s credits.
This sheet is reproduced in AKIRA CLUB and is widely regarded by Japanese collectors as one of the holy‑grail Akira posters.
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7. Tankōbon Launch – PART 1〈鉄雄〉 Speed Poster (1984, O543)
“Akira” (アキラ), Ultra‑Rare Tankōbon Launch / Young Magazine “Speed” Poster, 1984, Long B2 Speed Size (c. 34.4 × 72.8 cm), O543
Akira’s first collected volume hit shelves in 1984 and became an instant best‑seller, quickly going through massive reprints. To push the launch, Kodansha and Young Magazine produced this tall “long B2” speed poster for bookshops.
The artwork shows Tetsuo in hospital garb, gun raised, rendered in thick black lines and icy blues and purples. The copy block at the bottom trumpets the サービス定価 = 1,000円 special price and details like “B5判・362ページ”, anchoring it directly to the physical book. It’s a gorgeous visual bridge between the raw magazine pages and the prestige of the hardcover release.
Like O61, this design appears in AKIRA CLUB and was never sold commercially, making original examples exceptionally scarce.
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8. “WAKE UP! AKIRA — PART 2” Bookstore Display (1985, O62)
“Akira” (アキラ), Ultra‑Rare Young Magazine Promotional “WAKE UP! AKIRA — PART 2” Poster, 1985, c. 72.8 × 36 cm, O62
By 1985, the second volume (PART 2) was ready, and Kodansha doubled down on in‑store promotion. O62 is a vertically cut B2 speed poster blasted in reds and yellows. A jagged burst shouts 「緊急警報／待望の第2巻発売！」 (“Emergency alert – long‑awaited Volume 2 on sale!”), while Otomo’s illustration shows characters caught mid‑chaos.
Pieces like this were pinned to bookshelves and end‑caps, then torn down once the campaign ended. Between attrition and their relatively fragile proportions, very few survived – one reason this speed poster commands serious attention (and prices) whenever it surfaces.
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9. “Neo‑Tokyo Collapses!! — PART 3” Speed Poster (1986, O64)
“Akira” (アキラ), Ultra‑Rare Young Magazine Promotional “Neo‑Tokyo Collapses!! — PART 3” Speed Poster, 1986, c. 72.8 × 36 cm, O64
This is arguably the most kinetic of the tankōbon speed series.
A screaming red background edged with saw‑tooth spikes frames a frantic street battle: tank barrel punching into frame, debris flying, characters scrambling across a toppled vehicle. At the base, the colossal AKIRA logotype and “PART 3” block slam the message home.
Issued to promote the 1986 release of the third volume, this poster captures the manga at its most explosive – literally echoing the collapsing city that dominates the mid‑series story arc. Again, print runs were tiny and tied strictly to bookstore use, so O64 has become a key “grail” for collectors building a full Akira tankōbon poster set.
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10. PART 4［ケイ］ Speed Poster – “’88年夏 アニメ映画公開決定！” (1987, O293)
“Akira” (アキラ), Ultra‑Rare Young Magazine Promotional “’88年夏 アニメ映画公開決定！— PART 4［ケイ］” Speed Poster, 1987, c. 72.6 × 34.5 cm, O293
By the time PART 4 rolled out in 1987, two big things were happening: Akira had become a phenomenon in Young Magazine, and the anime film was officially on the way.
O293 celebrates both. The copy declares “Animated film confirmed for summer ’88!”, while spotlighting Kei – a reminder that she’s every bit as central as Kaneda and Tetsuo in the latter half of the manga. Layout and typography stick to Young Magazine’s brash visual language: bold bilingual titling, speed‑poster proportions, and high‑impact contrasts designed to shout from cramped bookstore walls.
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11. The Holy Grail Hansoku – AKIRA Vol.1 B1 Promotional Poster (Late 1980s)
“AKIRA Vol. 1”, Original Vintage Promotional Poster (Kodansha, Late 1980s), B1 Size (c. 72.8 × 103 cm)
If the speed posters are razor‑thin slivers of history, this B1 is the giant monolith.
Designed as a hansoku (販促 / sales‑promotion) poster for bookshops, it simply blows up the first tankōbon cover to wall size: Tetsuo in a striped jumper picked out in searing reds and blues, bodies and wreckage strewn across the ground, the AKIRA title towering above. A yellow block shouting “SPECIAL PRICE 1000 yen” clinches its identity as a pure retail driver.
Because it was tied to the manga rather than the film, this design is sometimes overlooked outside collector circles, but historically it’s huge: it represents Akira’s print boom at the height of ’80s manga culture, not the later anime explosion. The B1 format, combined with the fact that it was never sold commercially, pushes it firmly into “holy grail” territory.
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12. Young Magazine Prize Poster – AKIRA Part 6 B1 (1993)
“AKIRA Part 6” – Original Young Magazine Ultimate Prize Poster, 1993, B1 Size (c. 73 × 103 cm)
Fast‑forward to 1993: the sixth and final tankōbon is out, closing an 11‑year serialization run. To mark the occasion, Young Magazine offered an “ultimate prize” B1 poster featuring unique Part 6 artwork: Kaneda, Kei and Ryu amidst the shattered ruins of Neo‑Tokyo, tension and rubble everywhere.
This poster wasn’t a shop display at all – it was mailed only to contest winners, rolled in a Kodansha tube whose label actually reads “Young Magazine Editorial Dept. (Prize Handling Section)”. That provenance, plus the tiny number printed, makes it one of the rarest officially issued Akira posters of any era.
The fact that it visually summarises the manga’s endgame only adds weight: this is Akira closing the loop back in print, after the 1988 film had already become a legend.
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13. Entry‑Level Legends – DVD & DTS Edition Posters (2001–2002)
13a. 2001 “Akira DVD Special Edition” B2
“Akira DVD Special Edition”, Original DVD Release Japanese Movie Poster 2001, B2 Size, M41
When Pioneer’s restored DVD hit in 2001 with THX‑certified audio and video, it became the definitive way to see the film at home. The B2 promo poster is a sea of red – echoing both the film’s colour palette and the famous Kaneda‑and‑bike theatrical art – with bold home‑video branding. For many younger fans this was the first “affordable” original Akira poster that still came from an official campaign.
13b. 2002 “AKIRA – DTS Sound Edition” B2 (ZA271)
“AKIRA – DTS Sound Edition” (アキラ), Original Japanese Promotional Poster 2002, B2 Size (51 × 73 cm), ZA271
A year later, Toho and Bandai pushed an upgraded DVD with a new DTS mix. The ZA271 B2 uses Otomo’s striking DTS jacket illustration: Kaneda perched on a heap of engines and junk, staring us down, framed by the massive AKIRA logo (black Roman letters with red 「アキラ」 overprint).
It’s a fantastic example of how the franchise kept generating new key art decades after the film, and today it functions as a relatively accessible way to own an Otomo‑drawn 2000s‑era Akira poster.
14. The First Blu‑ray – 2009 Speed Poster O540
“Akira” Blu‑ray Release (アキラ), Original Japanese Speed Poster 2009, Speed Size (26 × 73 cm), O540
When Akira finally arrived on Blu‑ray in 2009 with a 1080p remaster and high‑resolution 5.1 audio, Bandai Visual / Honneamise marketed it heavily in electronics stores. The O540 speed poster is almost all Kaneda: a tight crop of his face and torso in the red jacket, goggles reflecting Neo‑Tokyo’s destruction. The tall, slim format was made for video‑shop columns and end‑caps.
For collectors, this piece is fun because it book‑ends the O61 Young Magazine speed poster from 1983: two extremely narrow sheets, one announcing the manga’s ascent, the other celebrating the film’s leap into HD.
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15. Crossing the Pacific – Epic Comics × Marvel × Kodansha B2 (1990, N160)
“Akira (アキラ)”, Original Japanese Promo Poster 1990, Epic Comics × Kodansha / Marvel Release, B2 Size (51 × 73 cm), N160 A
Akira’s leap into full‑colour, English‑language comics was a seismic moment: Marvel’s Epic imprint published the series from 1988, with Jo Duffy handling adaptation and Steve Oliff pioneering computer colouring under Otomo’s supervision – one of the first major manga to be fully recoloured this way.
The N160 promotional B2 commemorates this trans‑Pacific collaboration. Kaneda faces Akira’s containment chamber in a gloomy underground facility, while the AKIRA wordmark stretches across the centre, its letters filled with character portraits. A text block titled “WHAT HAS GONE BEFORE” summarises the Neo‑Tokyo setting and Kaneda / Tetsuo’s story for Western readers – something you never see on domestic Japanese posters.
Because it was a shop‑display / promo item and never sold, it’s extraordinarily hard to find. It’s also one of the very few Japanese‑printed posters that visually acknowledges Marvel and Epic’s role in globalising Akira.
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16. The Icon Repeated – The Classic Kaneda‑and‑Bike B2
“Akira”, Original Release Japanese Movie Poster 1987, B2 Size (51 × 73 cm) – Kaneda Walking to the Bike
While our focus here is on rarities, we can’t ignore the canonical theatrical art: Kaneda walking down an empty road toward his bike, seen from above. This composition, used on the main theatrical poster and endlessly referenced since (including in recent Hollywood teaser art), has become shorthand for the entire franchise.
We’ve handled multiple B2 variants using this layout across different campaigns – cinema, video and later re‑releases – and it remains one of the most requested images from new collectors discovering original Japanese posters for the first time.
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17. “AKIRA — Kaneda’s Bike” – Bandai Soul of Popynica Toy Poster (2004, O108)
“AKIRA — Kaneda’s Bike”, Original Japanese Promotional Poster 2004 (Bandai “Soul of Popynica” PX‑03), B2 Size (51 × 73 cm), O108
By the early 2000s, Kaneda’s bike had become one of pop culture’s most recognisable vehicles. Bandai’s Soul of Popynica PX‑03 release was the high‑end die‑cast replica the design deserved, and this B2 poster announced it to hobby shops in 2004.
A massive AKIRA header frames a studio hero photograph of the bike, complete with screen‑accurate sponsor logos (CITIZEN, Canon, SHOEI and hazard markings). Detail panels show cockpit, swing‑arm and the tiny Kaneda figure, while copy at the bottom lists the PX‑03 product code, June 2004 on‑sale date and ¥6,825 price.
It’s a perfect example of how Akira’s visual legacy spilled into toys and collectibles – and one of the coolest bike‑centric designs you can put on a wall.
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19. Why These Posters Matter (And Why We Obsess Over Them)
Taken together, these posters trace the entire lifecycle of Akira:
• 1983–1987 speed posters show Otomo’s manga growing inside Young Magazine, issue by issue, volume by volume.
• 1987–88 B1/B2 theatrical sheets capture the moment the Akira Committee gambled on an unprecedentedly expensive animated film – and won.
• 1990 Marvel/Epic promo art documents the bridge to Western comics culture and the birth of full‑colour, digitally‑coloured manga.
• 1993 Part 6 prize poster and late‑’80s Vol.1 B1 celebrate Akira as a completed literary work, not just a movie tie‑in.
• 2000s DVD, Blu‑ray and toy campaigns prove that Neo‑Tokyo never really stopped exploding; the franchise keeps returning in higher fidelity and new formats.
Because so many of these pieces were never sold to the public – they were hung in bookshops, video stores, or mailed only to contest winners – originals are vanishingly rare. Many are known today largely thanks to reproductions in AKIRA CLUB and images shared on Japanese fan sites and forums.
That’s why we’ve spent years hunting them down, documenting them and, whenever possible, making them available: from “entry‑level” DVD posters for fans just starting out, to once‑in‑a‑lifetime pieces like the 1983 Ohtomo speed poster or the Part 6 prize B1. Our goal is simple – to give Akira collectors the chance to own a real fragment of Neo‑Tokyo’s history, printed when the manga and movie were still rewriting what comics and animation could be.
If you’d like to dive deeper into any of the posters above, every piece we currently have (and many we’ve previously sold) is photographed in detail and catalogued on our site – crease lines, printer’s marks, Young Magazine prize labels and all.
