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“The Last Dance” / 「大病人」, Original Japanese Movie Poster 1993 — Jūzō Itami, Director of Tampopo — Illustrated Design, B2 Size (51 × 73 cm) M93

Sale price $135.00

This is an original Japanese B2 theatrical poster produced for the 1993 first release of The Last Dance / 「大病人」 (Daibyōnin), written and directed by Jūzō Itami, the celebrated filmmaker behind Tampopo (1985).

Released in Japan on 29 May 1993, the film stars Rentarō Mikuni, Masahiko Tsugawa and Nobuko Miyamoto, with Midori Kiuchi and Haruna Takase completing the principal cast.

This distinctive illustrated design combines enormous red Japanese lettering with a warmly coloured group portrait. The artwork carries a printed “Sachiko” signature at lower left.

Film background

The Last Dance follows Buhei Mukai, an actor and film director played by Rentarō Mikuni, who collapses while making a film about a terminally ill conductor.

Admitted to hospital, Mukai gradually begins to suspect that his own condition mirrors the illness he has been depicting on screen. His difficult relationship with his doctor, played by Masahiko Tsugawa, becomes central to a story concerned with truth, personal dignity and the choices people make when confronted with mortality.

Nobuko Miyamoto plays Mukai’s wife, with Midori Kiuchi as the nurse and Haruna Takase as his lover.

The film combines uncomfortable humour with emotional seriousness, bringing Itami’s interest in human behaviour and social conventions into a hospital setting. Its subject is reflected in the poster’s unexpectedly cheerful gathering of patient, family and medical staff.

The connection to Tampopo

Jūzō Itami wrote and directed both Tampopo and The Last Dance.

Where Tampopo explores food, desire and everyday rituals, The Last Dance examines illness, medical authority and the experience of facing death. Both reflect Itami’s ability to approach substantial subjects through humour, sharply observed behaviour and memorable characters.

Nobuko Miyamoto, who played the title character in Tampopo, also occupies a central role here, providing a further connection between the two films.

Poster design

The composition is divided between a pale upper section dominated by typography and a densely coloured illustration below.

Across the top, the red credit reads:

「伊丹十三脚本監督」

“Written and directed by Jūzō Itami.”

Immediately beneath it, three monumental characters announce the title:

「大病人」

The Japanese title describes a seriously ill patient, contrasting with the smiling faces in the illustration below.

A compact block of production and cast credits sits beneath the title, followed by the film’s provocative slogan:

「僕ならこう死ぬ・・・」

“This is how I would die…”

The lower illustration places Mukai at the centre, bare-chested with medical electrodes and dressings attached to his torso. A smiling doctor leans towards him with a stethoscope, while three women gather around them.

Warm orange and red skin tones contrast with the deep blue and violet background. Broad areas of black define hair and clothing, while the doctor’s white coat and nurse’s cap introduce bright accents.

The expressive faces and closely grouped figures create the feeling of an unconventional family portrait. Their smiles sit in deliberate tension with the medical equipment and the film’s subject, capturing its mixture of comedy, affection and mortality.

The printed “Sachiko” signature is incorporated into the lower-left corner of the artwork.

Collecting significance

This poster offers a striking combination of Japanese film illustration, bold typography and Jūzō Itami’s distinctive approach to cinema.

Its illustrated ensemble makes it particularly appealing to collectors of Jūzō Itami, Rentarō Mikuni, Nobuko Miyamoto and Japanese theatrical poster design, as well as admirers of Tampopo exploring the director’s wider work.

Condition

Excellent condition.

The poster retains vivid reds, rich blue tones and clear illustration detail. Light handling creases, gentle paper undulations and minor edge wear are visible, including small areas of rubbing along the left edge. The reverse shows light handling marks.

The main artwork and oversized title present extremely well.

Once framed, this poster will display excellently.

Reference: M93.

Please review all photographs, including the close-up and reverse, as they show the exact poster for sale.

This is an original Japanese B2 theatrical poster from the film’s 1993 release campaign, measuring approximately 51 × 73 cm.

It is now over 33 years old.

It is not a reproduction or a reprint.

Certificate of Authenticity included.

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